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All Is Forgotten, Nothing Is Lost »

Book cover image of All Is Forgotten, Nothing Is Lost by Lan Samantha Chang

Authors: Lan Samantha Chang
ISBN-13: 9780393063066, ISBN-10: 0393063062
Format: Hardcover
Publisher: Norton, W. W. & Company, Inc.
Date Published: September 2010
Edition: (Non-applicable)

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Author Biography: Lan Samantha Chang

Lan Samantha Chang's fiction has appeared in Atlantic Monthly, Story and The Best American Short Stories 1994 and 1996. Chang is the author of the award-winning books Hunger and Inheritance, and the novel All Is Forgotten, Nothing Is Lost. She is the recipient of the Wallace Stegner and Truman Capote fellowships at Stanford University. She also received, from the Iowa Writers' Workshop, a Teaching-Writing fellowship and a Michener-Copernicus fellowship. Her many awards include a Guggenheim Fellowship, and she was a finalist for the Los Angeles Times Book Prize. She lives in Iowa City, Iowa, where she directs the University of Iowa Writers’ Workshop.

Book Synopsis

A haunting story of art, ambition, love, and friendship by a writer of elegant, exacting prose.

Publishers Weekly

Chang, director of the Iowa Writers' Workshop and author of Hunger and Inheritance, sticks close to home as she follows Roman Morris from his days as an M.F.A. student in the late 1980s to his soaring career as a published poet, tenured professor, and Pulitzer Prize winner. Unfortunately, the book lends credence to the clichés that plague modern poets and the institutions that foster them: wine-fueled workshops are held by candlelight, and Roman's fantasies about his talented, beautiful, and aloof workshop professor lead to a student-teacher affair. Roman's eventual success brings out his resentment of the academy and its favoritism and politics, but this is a work of fiction, and the championing of creative writing programs should not be its cause. In Chang's hands, the world of poetry is a cliché; instead of a novel, she delivers a case study of the modern poet with little bearing in reality and characters as one-dimensional as the premise. While the language is well crafted, readers may be disappointed by the lack of quality storytelling. (Sept.)

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