Agyar » (Revised)

Born in Minneapolis, Minnesota, and raised in a family of Hungarian labor organizers, Steven Brust worked as a musician and a computer programmer before coming to prominence as a writer in 1983 with Jhereg, the first of his novels about Vlad Taltos, a human professional assassin in a world dominated by long-lived, magically-empowered human-like "Dragaerans."

Over the next several years, several more "Taltos" novels followed, interspersed with other work, including To Reign in Hell, a fantasy re-working of Milton's war in Heaven; The Sun, the Moon, and the Stars, a contemporary fantasy based on Hungarian folktales; and a science fiction novel, Cowboy Feng's Space Bar and Grille. The most recent "Taltos" novels are Dragon and Issola. In 1991, with The Phoenix Guards, Brust began another series, set a thousand years earlier than the Taltos books; its sequels are Five Hundred Years After and the three volumes of "The Viscount of Adrilankha": The Paths of the Dead, The Lord of Castle Black, and Sethra Lavode.

While writing, Brust has continued to work as a musician, playing drums for the legendary band Cats Laughing and recording an album of his own work, A Rose for Iconoclastes. He lives in Las Vegas, Nevada where he pursues an ongoing interest in stochastics.

From the bestselling author of Dragon and The Paths of the Dead, a novel of immortality—and its price

Kirkus Reviews

Impressively wrought modern vampire/redemption yarn, from the author of The Phoenix Guards, The Gypsy (p. 641), etc. Arriving in the quiet college town of Lakota, Ohio, Agyar Janos takes up residence in an empty, furnished house—abandoned because it's haunted by Jim, the ghost of an escaped slave. The pair strike up a wary friendship, and it becomes apparent that Agyar, methodical, callous, detached from both life and death, is a vampire. His first victim is artist Jill, but she rebels against his control of her; so when threatened by Jill's shotgun-toting boyfriend, Agyar kills him without compunction. Then Laura Kellem, the ancient vampire to whom Agyar is himself in thrall, orders Agyar to sacrifice himself by allowing the police to capture him, so as to preserve Kellem's own concealment, which she has foolishly compromised. At first, Agyar cares little; but in his developing non-vampire relationship with Susan, Jill's warm, attractive, intelligent flatmate, he finds compelling reasons to stay alive. Poor Jill, meantime, performs a gypsy magic ritual in another desperate attempt to break free of Agyar. But Agyar is no longer the vampire he was. After learning the details of the ritual, he voluntarily releases Jill; then, accompanied by Susan, he prepares to use the ritual himself in a showdown with the merciless Kellem. Compact, understated, and highly persuasive. Brust accomplishes with a wry turn of phrase or a small flourish what others never achieve despite hundreds of gory spatters.