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African American Art and Artists » (Revised and Expanded Edition)

Book cover image of African American Art and Artists by Samella Lewis

Authors: Samella Lewis, Floyd Coleman (Foreword by), Mary Jane Hewitt
ISBN-13: 9780520239296, ISBN-10: 0520239296
Format: Hardcover
Publisher: University of California Press
Date Published: March 2003
Edition: Revised and Expanded Edition

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Author Biography: Samella Lewis

Samella Lewis is Professor Emerita of Art History, Scripps College, and the author of The Art of Elizabeth Catlett (2000) and Caribbean Visions: Contemporary Painting and Sculpture (1995).

Book Synopsis

"Beginning with the arts produced in the Colonial period, Dr. Lewis documents and interprets the flow of creative productions of an important segment of the American population. Her book shows that the range of art produced by African American artists covers the entire spectrum of craft productions through painting, sculpture, and printmaking. There is a progressive development of style that not only reflects the trends in particular periods, but reveals an evolving pattern of indigenous qualities that are distinct. The art community in general and the African American community in particular are fortunate to have Dr. Samella Lewis, for she has developed unusual authority in the area of African American art. I know that African American Art and Artists will be of great value educationally and that it will offer a stimulating and rewarding experience to all who have the opportunity to share in its contents."—Jacob Lawrence

Library Journal

This book belongs on the art reference shelf of every major library. A revised and updated edition of the 1978 work Art: African American, it presents short biographies and illustrations of the work of 176 artists of African descent working in the United States from the Revolution to the present. The strongest section covers artists, almost all of them painters, working from 1865 to 1960. Descriptions of artists after 1960 are a jumble of thoughtful three-page essays and uninformative three-sentence citations. Because this scholarly but readable work will be the starting point for so much research, the lack of annotations in the bibliography and the overall variability in the quality of citations is a major disappointment. Despite these flaws, this will be the book to reach for when African American art reference questions arise. Recommended for fine arts collections.-David McClelland, Temple Univ. Lib., Philadelphia

Table of Contents

Foreword
Introduction to the Revised and Expanded Edition
Preface
Acknowledgments
Introduction3
1619-1865: Cultural Deprivation and Slavery7
The Craft Heritage as an Economic Resource8
The Emergence of Professional Artists10
Freemen and the Abolitionist Movement17
Discrimination and the Problem of Patronage19
1865-1920: Emancipation and Cultural Dilemma23
The First Major Landscape Painter24
The Diverse Quests for Professional Status29
American Reliance on the European Artistic Tradition57
1920-1940: New Americanism and Ethnic Identity59
The Spread of the Harlem Movement65
The Self-Taught Individualists106
1940-1960: Social and Political Awareness115
Mural Art as Cultural and Social Commentary116
The WPA and Its Legacy119
1960-1990: Political and Cultural Awareness143
Painting144
The Flag: A Symbol of Repression165
Reality and the Dream172
Symbolism: Geometric, Organic, and Figurative186
Mixed-Media Assemblages198
Sculpture: Additive or Direct206
Art/Craft226
Drawing244
Graphic Processes: Economical and Aesthetic Approaches to Communication251
Performances / Installations / Environments276
1990-2002: From Painting to Technology: Art before and into the New Millennium291
Painting291
Sculpture305
Installation Art313
Mixed-Media Art319
Digital/Computer Art323
Conclusion327
Bibliography331
Index339

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