According to Mary Magdalene »

Marianne Fredriksson is a former journalist and magazine editor. She is the winner of the Stora Journalistpriset, Sweden's equivalent of the Pulitzer Prize. She has written ten novels, including Hanna's Daughters, which won the Book of the Year award in her native Sweden, sold more than a million copies in Germany, and is now available in the United States. Her books have been translated into 33 languages, and have sold more than five million copies worldwide. According to Mary Magdalene, her latest novel, was the number one bestseller in Sweden.

In this controversial novel by the author ofHanna's Daughters (Ballantine 1998), international best-selling author Marianne Fredrikson (her books have sold well over 2 million copies world-wide) breathes new life into the figure of Mary Magdalene in this triumphal novel of the life, death, and resurrection of Jesus Christ, and the woman who loved him most.

Mary reflects on her life, her all-too-human relationship with Jesus, and her confrontations with the apostles over their self serving distortions of the life and teachings of Jesus. Later, Mary struggles to continue the true teachings herself, joining with sisters who would otherwise have no place, and no voice, in the new church the apostles are to create.

Cleveland Plain-Dealer - Karen Long

Giving a knowing voice to Mary Magdalene
Maybe Swedish writer Marianne Fredriksson is clueless that the historical Mary Magdalene was no whore, a widespread slander that scholars have roundly discredited. But my guess is she didn t care.

Like so many of her fiction-writing colleagues Portuguese Nobel Laureate Jose Saramago among then Fredriksson just assumes that Jesus of Nazareth and Mary of Magdala were lovers. She even serves up a dishy confrontation between Jesus mother and her title character in her newly translated book, According to Mary Magdalene.

Such froth is more the pity, because Fredriksson is a strong storyteller and she is asking a good question, wondering what the female slant on Jesus might have been, before the voices of women disciples were lost in history and the Peter-Paul version of events became dominant.

One day I was looking for something in the Nag Hammadi Library and happened to come upon a fragment that remains of the gospel of Mary Magdalene,Fredriksson writes in her introduction. In it she accounts for what Jesus said in personal conversations with her among them, Make no rules of life on this which I have revealed to you. Write no laws as the lawmakers do.

For this author, who clearly holds Christian church hierarchy in contempt, such words are catnip. Fredriksson is further tantalized by the lost witness of Mary Magdalene, well-educated in Greek and Aramaic, but a woman with no power to influence.

Without the option to power, women around Jesus see his affinity for the sick and powerless much differently than the men setting out to convert the masses and create Christianity. When a rabbi complains about Jesus, Why were his deeds so small? He had the power. He shouldn t have spent hours over a few individual people, Mary answers, But that s where his greatness lay. Can t you see that it was in this meeting, person to person, that the new was born? A new vision, a new way.

If you catch a whiff of New Age in this, you smell correctly. Fredriksson serves up a great deal, such as Mary s frequent observation that there are no accidents, and Jesus himself remarking, There is no sin in the world. You create it yourselves when you falsify reality.

Here, you might be tempted to cry out with Peter, These are strange teachings! but if your sense of Jesus is elastic enough, this book soon becomes absorbing.

Jesus admits his mother worried that he was going mad, and what mother wouldn t fret about a son with Messianic tendencies? Yet Jesus power is present on every page, and in this way Fredriksson honors the central figure in Christianity. It is just the supporting cast, squabbling about whom Jesus loved best, that earns the author s distrust. And gives Mary Magdalene her imagined voice, a voice that makes for a more interesting Easter.