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A Song of Stone » (1 SCRIBNER)

Book cover image of A Song of Stone by Iain M. Banks

Authors: Iain M. Banks
ISBN-13: 9780684855363, ISBN-10: 0684855364
Format: Paperback
Publisher: Simon & Schuster Adult Publishing Group
Date Published: September 1999
Edition: 1 SCRIBNER

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Author Biography: Iain M. Banks

Iain Banks came to widespread and controversial public notice with the publication of his first novel, The Wasp Factory, recently selected in a British poll as one of the top one hundred novels of the century. Since then he has gained enormous popular and critical acclaim with his other works of fiction and, as Iain M. Banks, science fiction. He lives in Scotland.

Book Synopsis

Iain Banks, author of such dazzling genre-busting novels as The Wasp Factory and The Bridge, has written perhaps his best novel yet with A Song of Stone, already a blockbuster in England. Set in an unnamed country in Europe (but it sure sounds like Bosnia) amidst an unidentified war, a lord and his lady find themselves held hostage in their own castle by a team of sadistic, bloodthirsty guerrillas. Gothic horror, thriller, and morality tale rolled into one, the controversial A Song of Stone is unforgettable.

Publishers Weekly

'This could be any place or time,' observes the narrator of this near-future fable, summing up the universality of its antiwar sentiments. Although vague in the details of geography and history, Banks's latest U.S. release (after Excession) is sharp and perceptive in its philosophical exploration of the dehumanizing potential of armed conflict. Set in a Brechtian landscape of revolution and depleted resources, it follows the tribulations of Abel, an aristocrat forced to billet Lieutenant Lute and her guerrilla army in his castle. Initially, the two treat each other with a strained civility that allows Abel to gloat secretly at the profane hordes who 'commonise... what should be free from vulgar threat.' As the battle draws threateningly nearer, the pretense of mutual respect dissolves and Abel finds the increasingly barbaric behavior of his captors resonating with a savagery in his own soul. Like J.G. Ballard and Anthony Burgess, Banks is a visionary whose depictions of the strange forms morality, politics and social relationships assume under the pressure of extreme circumstances fall almost by default into the realm of science fiction and horror. His impeccable prose undulates with a poetry and sensuality that transform the most ordinary movements of his tale into resonant images of beauty and terror. In less skilled hands, Abel's reluctant acknowledgment of his class's complicity in the despoliation of the country might have been just another war-is-hell story. Banks makes it the fulcrum of an emotionally intense odyssey of self-revelation.

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