A Million Miles in a Thousand Years: What I Learned While Editing My Life »

In 2005 Donald Miller started The Mentoring Project, an organization that helps churches start mentoring programs and pairs mentors with boys in need. Don's work with the fatherless led the Obama administration to invite him onto the president's task force on fatherlessness and mentoring. Donald is the director of The Burnside Writers Collective, an online magazine. He is a frequent speaker, appearing at events such as the Women of Faith Conference, The Democratic National Convention, and Harvard University. He still lives in Portland, Oregon with his dog Lucy

Full of beautiful, heart-wrenching, and hilarious stories, A Million Miles in a Thousand Years details one man's opportunity to edit his life as if her were a character in a movie.

Years after writing his best-selling memoir, Donald Miller went into a funk and spent months sleeping in and avoiding his publisher. One story had ended, and Don was unsure how to start another.

But he gets rescued by two movie producers who want to make a movie based on his memoir. When they start fictionalizing Don's life for film--changing a meandering memoir into a structured narrative--the real-life Don starts a journey to edit his actual life into a better story. A Million Miles in a Thousand Years details that journey and challenges readers to reconsider what they strive for in life. It shows how to get a second chance at life the first time around.

Publishers Weekly

Miller, the accidental memoirist who struck gold with the likable ramble Blue Like Jazz, writes about the challenges inherent in getting unstuck creatively and spiritually. After Jazz sold more than a million copies but his other books didn't follow suit, he had a classic case of writer's block. Two movie producers contacted him about creating a film out of his life, but Miller's initial enthusiasm was dampened when they concluded that his real life needed doctoring lest it be too directionless for the screen. Real stories, he learned, require characters who suffer and overcome. In desultory fashion, Miller sets out to change his own life—to be the kind of guy who seeks out his father, chases the girl and undertakes a quest. Along the way, he comes to understand God as a master storyteller who doesn't quite control where his characters are going. An unexpected bonus of this book is Miller's insights into the writing process. Readers who loved Blue Like Jazz will find here a somewhat more mature Miller, still funny as hell but more concerned about making a difference in the world than in merely commenting on it. (Oct.)