A Letter of Mary (Mary Russell Series #3) » (First Edition)

Laurie R. King is the Edgar Award-winning author of four contemporary novels featuring Kate Martinelli, eight acclaimed Mary Russell mysteries, and four stand-alone novels, including the highly praised A Darker Place. She lives in northern California.

The third book in the Mary Russell-Sherlock Holmes series.

It is 1923. Mary Russell Holmes and her husband, the retired Sherlock Holmes, are enjoying the summer together on their Sussex estate when they are visited by an old friend, Miss Dorothy Ruskin, an archeologist just returned from Palestine. She leaves in their protection an ancient manuscript which seems to hint at the possibility that Mary Magdalene was an apostle—an artifact certain to stir up a storm of biblical proportions in the Christian establishment. When Ruskin is suddenly killed in a tragic accident, Russell and Holmes find themselves on the trail of a fiendishly clever murderer. Brimming with political intrigue, theological arcana, and brilliant Holmesian deductions.

Kirkus Reviews

Oxford theologian Mary Russell, now living quietly in Sussex with her husband Sherlock Holmes, is thunderstruck with the explosive potential of a document her old acquaintance, amateur archeologist Dorothy Ruskin, brings her from a dig in Palestine: a letter from one Mariam of Magdala identifying herself as an apostle of Jesus. What would the Church say to the possibility of a woman having been a full-fledged apostle? What might the letter do for our understanding of Mary Magdalene? And what to make of the persistently unvoiced parallels between Russell and her storied progenitor? Soon after leaving Russell and Holmes, Dorothy Ruskin is killed in a traffic accident her hosts prove was murder as they fall into a scramble for Miss Ruskin's meager possessions—and into a long, keen disappointment for fans of King's distinctively feminist Sherlockian pastiches (A Monstrous Regiment of Women, 1995, etc.). Plotting has never been King's strong suit (as it never was Conan Doyle's), but, here, her episodic story—Russell and Holmes going as spies into the houses of suspects whose personalities pale before the richness of the inspectors' before allowing Holmes to produce one of his most gratuitous final coups—is surprisingly unworthy of her richly suggestive premise.

Fans will find all of King's accustomed literacy and empathy on display. But, like Amanda Cross, she seems bent this time on crossing the line from the detective story to the discursive essay. Even Holmes is muffled.