3rd Degree (Women's Murder Club Series #3) » (Unabridged)

Not making any bones about his bid for success, James Patterson once declared he wanted to be known as the king of the page-turners. While that may seem like a pretty grand ambition, Patterson is as worthy of that title as any author working today.

Lindsay and Jill are enjoying a quiet afternoon in San Francisco when the townhouse across the street explodes into flames. A sinister note signed "August Spies" is found at the scene, while an infant who was asleep in the house at the time of the disaster remains unrecovered. As a wave of similar incidents erupts across town, the Women's Murder Club starts to identify a pattern of political terrorism that leads right back to August Spies.

Now, with a child still missing and an upcoming meeting of G-7 nations that will provide the perfect stage for another attack, time is of the essence for three savvy detectives bent on putting a stop to the violence.

Publishers Weekly

From the start, Patterson's Women's Murder Club series (1st to Die; Second Chance) has felt like high-concept TV with a smart edge, featuring an appealing and reliable cast of four female crime busters (a cop, a prosecutor, a medical examiner, a reporter) who race along byzantine plot lines humming with blood and sex, romance and heartbreak. But Patterson is an author who will detonate readers' presumptions for the sake of story, and in the series' third installment, the prolific author, working with frequent collaborator Gross (The Jester, etc.), defies expectations in a shocking way. Readers will love him for it. San Francisco Homicide lieutenant Lindsay Boxer, who narrates most of the action, is jogging with assistant DA Jill Barnhardt when Lindsay notices two things: first, bruises on Jill's shoulder; then the explosion of a nearby townhouse, into which Lindsay rushes to save a child. With the juxtaposition of these two plotlines, Patterson jumpstarts this enjoyably convoluted tale. The townhouse, home to a greedy CEO and his family, was destroyed by members of a terrorist group calling itself "August Spies"; Lindsay's chase after the group, which commits further killings, brings her into close proximity to what promises to be a new series regular, Joe Molinari, deputy director of the Office of Homeland Security. Love blooms for Lindsay but, meanwhile, love has curdled at Jill's house, where Jill's husband is abusing her. Then comes the big surprise, and the story's remainder plays out at high emotion and warp speed. There's a calculated feel to all that happens, but clever manipulation of an audience serves Patterson as well as it served Hitchcock: his fans will only clamor for more. (One-day laydown Mar. 1) Copyright 2004 Reed Business Information.