Authors: Andrew Lamb
ISBN-13: 9780300075380, ISBN-10: 0300075383
Format: Hardcover
Publisher: Yale University Press
Date Published: February 2001
Edition: (Non-applicable)
Andrew Lamb is a British musicologist, writer, and broadcaster who is well known as an authority on operetta and musicals.
From the Parisian operettas of Jacques Offenbach in the 1850s to such current blockbuster musicals as Les Misérables and Rent, musical theatre has given joy to audiences throughout the world. This lively book-an illustrated history of popular musical theatre-provides a compendium of fascinating details about the origins and development of the genre over a century and a half.
Andrew Lamb moves from country to country, showing how different cultures interpreted and were influenced by different types of musical theatre. He examines, for example, the development of the European operetta style from French and Viennese works to such less-well-known schools as the Spanish zarzuela. He also traces the evolution of English-language works from the comic operas of Gilbert and Sullivan and American vaudevilles and extravaganzas to the latest Broadway and West End musicals. For each significant work he provides a brief description of the plot and references to the principal musical numbers. While his focus is on composers, librettists, and lyricists, he also gives information about principal performers, directors, and other creative influences. In a masterful way he conveys the differences between works of the same composer and works by various composers, and shows how they reflect changing cultural tastes and musical and dramatic conventions. Displaying a deep and wide-ranging expertise, this authoritative book is an invaluable resource for all lovers of the musical theatre.
A most impressive piece of work. For all specialists and for the many people who care deeply about the musical theatre, this will become an essential book.
Preface | ||
Pt. I | Continental European Operetta from Offenbach to Lehar | |
1 | Paris and the Rise of Offenbach | 3 |
2 | Third Republic Paris | 22 |
3 | The Viennese Waltz Operetta | 39 |
4 | Fin de Siecle | 58 |
5 | Habsburg Twilight | 74 |
Pt. II | Comic Opera and Musical Comedy: Britain and America | |
6 | Gilbert and Sullivan and British Comic Opera | 95 |
7 | Gaiety Girls | 113 |
8 | The American Melting Pot | 133 |
9 | America Ascendant | 151 |
10 | The Musical Comes of Age | 171 |
Pt. III | Continental European Round-Up | |
11 | The 1920s: The "Annees Folles" | 195 |
12 | The Troubled 1930s | 214 |
13 | European National Schools | 232 |
Pt. IV | The Musical Since World War II | |
14 | The Golden Age of the American Musical | 253 |
15 | Lyricists' Musicals in the Golden Age | 275 |
16 | Coleman, Kander and Ebb, Herman, and Sondheim | 294 |
17 | Postwar London | 313 |
18 | Towards the Twenty-First Century | 331 |
Index | 353 |