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Monstrocity Paperback – November 1, 2003

4.4 4.4 out of 5 stars 44 ratings

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There are haunted places. Haunted houses. The metropolis of Punktown, on the planet Oasis, is a haunted city. An unassuming and aimless young man has begun to perceive the city's dark tentacles in the lay of the streets. Its roots in the labyrinth of the subways. Its polluted taint in the eyes of the people he knows, and even loves. And this evil is stirring, building toward an apocalyptic culmination. The city is not only haunted - it's perhaps a living thing. MONSTROCITY combines elements of science fiction with horror in the vein of H. P. Lovecraft, taking place in the milieu of Jeffrey Thomas' acclaimed collection, PUNKTOWN - which China Mieville described as "searing and alien and anxious and rich."
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Product details

  • Publisher ‏ : ‎ Prime Natl Pub Corp (November 1, 2003)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 236 pages
  • ISBN-10 ‏ : ‎ 1894815629
  • ISBN-13 ‏ : ‎ 978-1894815628
  • Item Weight ‏ : ‎ 12.3 ounces
  • Dimensions ‏ : ‎ 6 x 0.75 x 9 inches
  • Customer Reviews:
    4.4 4.4 out of 5 stars 44 ratings

About the author

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Jeffrey Thomas
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Jeffrey Thomas is the author of such horror and science fiction novels as THE AMERICAN, DEADSTOCK (finalist for the John W. Campbell Award), BLUE WAR, MONSTROCITY (finalist for the Bram Stoker Award), LETTERS FROM HADES, SUBJECT 11, and BONELAND. His short story collections include PUNKTOWN, GHOSTS OF PUNKTOWN, THE UNNAMED COUNTRY, HAUNTED WORLDS, UNHOLY DIMENSIONS, THIRTEEN SPECIMENS, and THE ENDLESS FALL. Stories by Thomas have been reprinted in THE YEAR'S BEST FANTASY AND HORROR, THE YEAR'S BEST HORROR STORIES, and YEAR'S BEST WEIRD FICTION. Though he considers Vietnam his second home, he resides in Massachusetts.

Customer reviews

4.4 out of 5 stars
4.4 out of 5
44 global ratings

Top reviews from the United States

Reviewed in the United States on January 11, 2015
Before going into "Monstrocity" I had read "Letters from Hades" and "Encounters with Enoch Coffin" by Jeffrey Thomas and had enjoyed both of them very much. I knew ahead of time that I was going to love this novel, but I did not know how great of passion I would develop for it.

"Monstrocity" is the perfect blend of horror and science fiction, with a little bit of mystery thrown in to further the delicious stew of combined genres. It reads like a novelization of the film "Taxi Driver" if the viewer were watching the movie under the influence of peyote and occult forces.

The main protagonist Christopher Ruby lives in Jeffrey Thomas' "Punktown" universe, a dystopian science fiction setting full of diverse races of aliens. Although Punktown is known for its high crime rates, and the low value its society assigns to sentient life. Christopher Ruby still finds good people in its populace and is forced into taking action to protect them when he learns of a conspiracy to resurrect an ancient evil through the use of powerful occult books. One of the most exciting parts for me is about halfway through the book when Christopher is forced to murder a man in an attempt to prevent something from disastrous from happening. During the whole chapter as he is plotting the murder he keeps reassuring himself that he is a good man. To me this really shows the true quality of Christopher as a worthy protagonist.

"Monstrocity" is not just a book about murder and cosmic mayhem though, there is romance. Christopher encounters a few women through out the course of the novel, but his main love interest is Saleet a police officer who is of the Kalian alien race. This sort of interracial romance is very standard to the essence of Jeffrey Thomas' books, and it shows a flair for xenophiliac erotica. It also shows a willingness of Christopher to see the essential "humanity" in all of the exotic denizens of Punktown. Saleet does not just read like a literary blow-up doll, a prize to be conquered by the protagonist, she is her own interesting character with her own traits and growth that feel very natural. Often times when male authors write about female characters they have a hard time creating believable women, but Saleet seems to walk off of the page. This further shows the great amount of empathy and care that Mr. Thomas has put into all of his characters.

The setting of Punktown is an impressive and diverse one, the locales that are explored through out the course of the book take the reader through many exotic locations. Jeffrey Thomas always writes the most evocative and descriptive paragraphs describing the surroundings of his characters, indeed the settings seem like characters themselves. Punktown is a sprawling city filled with a mix of incredible technology and architecture. Everything seems to be worn away by entropy even though much of what exists there is relatively new. As a metal worker I always get a kick out of the scenes that involve metal architecture and water systems in Punktown stories. The descriptions of giant, riveted beams, and titanic pipe work overhead give me great pleasure.

All of the elements of the book combine together to form a very interesting tale with a flavor of its own despite the Lovecraftian
influence.

The monsters (which there are plenty of) have their own distinct feel, and are very terrifying in contrast to the regular humans and humanoid aliens. Jeffrey Thomas' cosmic horror mixed with a blend of the ideas of cosmic design are very interesting. And the overall philosophy of patterns within patterns that dictates the nature of the universe is complete, and satisfying. Christopher Ruby's enlightenment and conversion as an agent of good becomes complete when he learns that everything is part of an incomprehensible design, and although he can see the patterns in the design and he cannot understand its ultimate goal. There are many moments of fatalistic contemplation throughout the narrative of "Monstrocity", but the enhance the plot as opposed to slowing it down.

All of the characters grow and change, the romance in the book feels organic and believable, the plot is tightly paced, and Punktown is a flavorful setting that is bound to become a monument in the modern geek lexicon.

I would highly recommend "Monstrocity" to anyone who enjoys horror stories, science fiction, or anyone looking for a change of pace from the norm. I would recommend this book to pretty much anybody, well anybody who doesn't have nightmares or a weak stomach.
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Reviewed in the United States on April 22, 2015
Monstrocity should appeal to readers of Lovecraftian fiction looking for something different. It's set in Punktown, Thomas's sprawling urban underbelly on the plant Oasis. Like China Mieville's New Crobuzon and Jeff VanderMeer's Ambergris, Punktown is a place where multiple races and species churn, clash, and merge; a city that has a life of its own; a liminal realm that is delineated in terms both eerie and, like HPL's own cosmic horror, fundamentally science-fictional rather than supernatural. (Thomas has written a number of novels and stories about Punktown; not all are specifically Lovecraftian, but those I've read are weird and unsettling. In the good way.)

In Monstrocity, Thomas's narrator, Christopher, guides the reader through Punktown and through his own dark odyssey of alienation and mayhem--a journey that begins, as so many stories do, with that damned Necronomicon. Like others before him, Christopher discovers that following the trail of secret knowledge forever changes the searcher. Thomas manipulates Lovecraftian themes such as the clues to reality found in ancient tales, infiltration or infestation from Outside, and the hidden horror of existence while subverting HPL's use of mutation and miscegenation. As a noir mystery, the story is less a whodunit (we know that almost from the start) than a "who's pulling the strings?" At times the reader may ask, Is Christopher a man on the run who knows too much, or is he descending into true madness? Monstrocity's tone of intimate isolation and its chaotic climax reminded me of Russell H. Greenan's It Happened in Boston?--a favorite novel, despite being neither Lovecraftian nor sfnal.
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Reviewed in the United States on November 18, 2005
Thomas's Punktown really comes alive in Monstrocity. Literally. On the fantastic world of Oasis is a city called Paxton, locally known as Punktown. An eclectic mix of races live in this squalid city; the native Choom, the Tikkihotto, the Kalian, and a heavy populace of humans who settled in the original Paxton and expanded it into the sprawling metropolis of Punktown.

The first-person protagonist, Christopher Ruby, starts his story by telling us of his new girlfriend Gabrielle, a fun goth-type girl with an open window in her chest to show off the tattoo on her living heart. Gaby has somehow gotten a hold of a copy of a recording from the ancient book The Necronomicon. Gabrielle and Christopher play with the recording, but Gaby's heartlight-tatoo goes out and she estranges herself from Christopher.

Christopher soon finds out how much Gaby has changed, and in tracking down the reasons for Gaby's behavior becomes acquainted with a bookseller named Mr. Dove, who puts him on the path of a horrifying discovery. In his research, Chris meets a beautiful and non-traditional Kalian girl named Saleet, who also happens to be a "Forcer", a type of police inspector. The more Chris uncovers about Gaby's deadly and fatal obsession, the more he realizes that Punktown holds secrets deeper than time itself, secrets of downfallen Gods and the occult.

Jeffrey Thomas's 'Punktown' is one of my all-time favorite fantasy worlds. This world plays a huge part in Thomas's works including 'Punktown' (get the newer, extended version!) and 'Everybody Scream'. I simply cannot get enough of it. Punktown breathes with its own life, steams with its own scent, and pulses with a thousand heartbeats.

Thomas's prose is precise and naturally flowing, managing to hook you from the first page and pull you into Punktown without the slightest whimper of regret. Even his non-Punktown works like 'Boneland' are rich with natural dialogue, fully-fleshed and interesting characters, and worlds built so visually accurate from a written page that you believe in them as much as you believe in the moon over your head at night.

I cannot seem to get enough of this talented author, and I hope that you enjoy his tales as much as I do. Definitely worth a purchase, and worth looking up his other works. Enjoy!
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Top reviews from other countries

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KPS
4.0 out of 5 stars I want more!
Reviewed in the United Kingdom on August 2, 2012
A cyberpunk-ish sci-fi take on the Cthulu Mythos. Highly entertaining cosmic horror with alien babes and fairly decent worldbuilding, despite the book feeling a bit truncated. I liked Jeffrey Thomas' writing a lot and will look for more by this author.
My only stupid nitpick is the use of disks to store and share information in this futuristic space-colonising society - solid-state and cloud storage, surely? And Monstrocity was first published in 2003, I think.
ZEPHYROS
5.0 out of 5 stars 異星の殖民都市を舞台にしたパンクタウンものの長編にしてクトゥルー神話長編!
Reviewed in Japan on March 14, 2009
この著者のライフワークと言っても良い、惑星オアシスに人類が建設し数えきれない程の異星人や異次元人がひしめき合う殖民都市を舞台にしたパンクタウンシリーズの一作。
ブリテン系地球人の主人公は恋人の様子がおかしくなっていき、ネクロノミコンの内容を記録したディスクの存在を知る。そして人類に近いヒューマノイドのカリ星人(人類とのセックスも可能)たちの伝説にある「古き者たち」の一員にして「外神」のUgghiutuをこの次元に呼び戻そうとするカルトと戦うハメになる。Ugghiutuは伝説では「無名の影神」に敗れている。「無名の影神」こそネクロノミコンにある「古き神々」と知った男は、「古き神々」を人類とはかなり異なるヒューマノイド種族が祭った神殿がかつてパンクタウンに存在していたことを突き止めるが・・・
カリ星人の信者をリーダーに、Ugghiutuの落とし子を操るカルトたちとの戦いをハードボイルド風に描く傑作!
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