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Comic Insights: The Art of Stand-Up Comedy Paperback – Illustrated, September 1, 2001

4.5 4.5 out of 5 stars 180 ratings

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Designed for anyone who wants to build a stand-up comedy career, this book includes advice and information on all aspects of stand-up and also features a large section of interviews with a number of top comedians, including: Louie Anderson, Roseanne, George Wallace and Paul Reiser.
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Editorial Reviews

About the Author

Franklyn Ajaye is an Emmy-nominated writer-producer-actor. Among his many television writing and producing credits are The Parent Hood, In Living Color, Roc, NYPD Blue and Politically Incorrect. Among his acting credits are The Burbs, Hollywood Shuffle and Stir Crazy. He has also appeared on The Tonight Show, The David Letterman Show and The Arsenio Hall Show. A noted stand-up comedian, Ajaye has worked from small clubs to Las Vegas hotels. He also has two comedy recordings on A&M Records. He lectures on stand-up comedy and sitcom writing at UCLA and other venues.

Product details

  • Publisher ‏ : ‎ Silman-James Press; Illustrated edition (September 1, 2001)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 280 pages
  • ISBN-10 ‏ : ‎ 1879505541
  • ISBN-13 ‏ : ‎ 978-1879505544
  • Item Weight ‏ : ‎ 1.11 pounds
  • Dimensions ‏ : ‎ 6.06 x 0.82 x 8.99 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 180 ratings

Customer reviews

4.5 out of 5 stars
4.5 out of 5
180 global ratings

Top reviews from the United States

Reviewed in the United States on June 4, 2003
According to author Franklyn Ajaye, he was partly inspired in his successful comedy, writing and producing careers by Larry Wilde's Great Comedians Talk About Comedy, a 1968 question & answer style interview book, reprinted in 2000 (available on Amazon.com). Wilde's book contains insightful interviews with late 20th century top comedians and Ajaye hoped his own Comic Insights would be along the same lines.
In fact, Comic Insights, a book containing interviews with some of the early 21st century's comic geniuses, is as good as or even better than Wilde's wonderful and still timely book.
The reason: Comic Insights contains not only great interviews but also specific and concise advice on standup comedy performance technique -- complete with easy-to-review notes at the end of key chapters. It's one of the best books ever published on the subject.
Comic Insights is required reading for ANYONE remotely or seriously interested in performing comedy, key comedy techniques, the comedian's mind-set, goal-setting,
perseverance, the need to be YOU onstage and -- a crucial subject incredibly ignored in most comedy books ...TIMING. Hopefully it'll be reprinted periodically, like Wilde's
book. If it isn't and you don't have a copy then you'll be out of luck because you'll be missing a vital potential comedy tool.
This book was so fascinating, easy to read, and had so much good information, facts, performing tips and inspiration that I virtually defaced it with my colored-marker underlinings and little notes written in ink. Any second the Book Police will (rightfully) arrest me .....
The first section is one of the most readable explanations of key standup tricks of the trade ever written. If an aspiring comedian uses some of these principles it could save him years of bombing. Ajaye also includes helpful review notes at the end of each of these sections.
There are far too many superb tips to list here, but a few include studying WHY top comedians are funny; studying the use of timing, body language and visual effects. The importance of recording and analyzing your act. And, critically, the importance of being yourself in performance and act content: "The hacks can steal your joke but they can't steal the way you look at life," he writes.
Peppered throughout are the BEST written explanations (from him and other comedians) on timing EVER published. He points to the famous (and sadly not re-run) eternal master of timing Jack Benny and notes that timing is a way to "light the fuse" on a
joke, by taking a pause to deliver a punchline. Don't "be afraid of silent moments," he advises, and wait until a laugh naturally subsides before moving to another joke.

The second section includes a wide range of the 21st century's top laugh-makers (again too many to cite here). Some key highlights include:
---LOUIE ANDERSON, a master of setting up routines, using his eyes, space and silence, inspired by Jack Benny. Anderson says: "The secret behind timing is to hold whatever you're going to say until you absolutely have to say it."
--ELAYNE BOOSLER on the importance of taping an act, listening to it, analyzing it and enhancing it..
--GEORGE CARLIN'S great explanation of how evolved from a jacket-and-tie comediandoing stock, standard jokes in front of people who he realized where his parents' friends into a comedy icon for his own and younger generations by changing his jokes, dress
(getting fired for it) his attitude -- and the way many comedians forever would do comedy.
--ELLEN DEGENERES & PAUL REISNER: The slowing down joke delivery.
--JAY LENO: The importance of learning jokes (he has no joke file) and goal setting (you should be able to make standup within 7 years work).
--CHRIS ROCK: On the importance of writing NEW jokes to take any comedy career to the next level.
--ROSEANNE & JERRY SEINFELD: The importance being disciplined to constantly write down ideas (on anything even napkins), jokes, concepts and then sit down and translate those ideas into actual performable material.
--GARY SHANDLING: Persistance. He bombed for 5 years but never gave up.
The third section is especially useful since managers, club owners and agents tell what they seek in a comedian. Talent Agent Irv Arthur, among other things, notes the importance of total preparation to be ready for the big break when it comes.
This superb book, especially if read together with Greg Dean's wonderful Step By Stepto Standup Comedy (also available on Amazon), could save aspiring comedians years of frustration and tears....and it tips off civilians to what's really lurking behind the curtain of that comedy wizard of the Oz called "the comedy club."
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Reviewed in the United States on November 14, 2007
The lone negative review is so off it's beyond belief. This is, in part, my defending a book which I found to be the most helpful of the 3 I own (the other two being Judy Carter's) and challenges the negative points in the bad review.
The author's introduction includes the information that he found law school disinteresting, which is a fact that cohesively brings him to his self-admitted bumpy first night at stand-up comedy. His analysis of comics was fresh information to me. I am relatively new to stand-up (one year) and never thought to specify what makes my comedic heros funny. This advice is tailored to the individual as a road to slowly find one's footing in this world of comedy, a full introduction.
The author does not simply state "tap into your own life experiences". What he does suggest is for the beginning comic to try and find their own voice, whatever that may be, i.e. what we are truly passionate about, as opposed to what we think we should write about. And he writes about this in great detail.
The "third eye" is explained in great detail. I was stumped when sitting down to my notebook to write jokes. I thought to myself "if only I could get to that 'zone' in which I'm on a roll with my friends, making them laugh". The author is urging the reader to expand on his/her own self-awareness as to when and why people respond to him with laughter, as well as asking them to stay aware to one's surroundings and environment. If you're funny or geared towards comedy, your original take on life will guide you, over time, to better writing. That's "third eye" in a nutshell. I'm not an author, nor an expert, but I feel compelled to offer just a tiny explanation of the in-depth book discussion so dismissed above on "third eye".
Lastly, I was at first concerned with the seemingly small portion of the book before the interviews. First of all, those pages offer so much more than previous, now dated books (i.e. Judy Carter) in less space; Secondly, the interviews are truly the most informative part of the book. Trust me. Most of the subjects are so humble and truthful about their beginnings. (I write most as there was one comic who I found egomaniacal, and that in its own way was informative about that world). Hearing their stories and different methods is priceless.
This book rocks.
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Top reviews from other countries

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Miguel Lasa
5.0 out of 5 stars Excelente libro "real" sobre comedia
Reviewed in Spain on February 18, 2024
Si bien se nota que es un libro de otra época, es un muy buen libro para entender cómo se manejan y cómo funciona la mente de comediantes muy exitosos. No es un libro que te enseña a escribir chistes o rutinas. Es un libro que te muestra que incluso entre los más exitosos, algunos se ponen nerviosos y otros no, algunos escriben todos y otros no, y que no hay una receta mágica; es una mirada "tras bambalinas" de la comedia y de su proceso.
Iain C. T. Duncan
5.0 out of 5 stars Best interviewer of comics out there.
Reviewed in Canada on June 14, 2018
Franklyn Ajaye is the best interviewer of comedians you'll find, period. He asks the most interesting questions and gets insightful and thought provoking responses. For anyone wanting to get in the heads of some of the best, this is a must have! I had a copy go missing and I bought it a second time, and have reread them many times.
KH
5.0 out of 5 stars Brilliant book if you want to know about what it is really like to be a comedian
Reviewed in the United Kingdom on May 21, 2015
I was recommended to read this book as I start out on the Comedy circuit and can also recommend to anybody who is thinking of doing the same. It gives you the true insight to some of the greatest comedians that have ever trodden the boards and I am delighted with the honest answers they give. It makes me feel motivated to at least try comedy now knowing that my fears and worries are normal. Brilliant book.
Pascal Charpentier
2.0 out of 5 stars Nothing to learn from it - Man lernt nichts neues daraus
Reviewed in Germany on March 15, 2011
The book only gives some general advices like preparing is important and why you should record your stuff. But it doesn't tell you anything about realy writing funny stuff. The interviews with the comics are nice to read but they also don't help you understanding and writing gags and routines.
russell hicks
5.0 out of 5 stars Five Stars
Reviewed in the United Kingdom on April 4, 2017
Yes. Good