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The War of the Worlds Paperback – Illustrated, May 15, 2005
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Additional Details
- Print length284 pages
- LanguageEnglish
- PublisherCosimo Classics
- Publication dateMay 15, 2005
- Reading age18 years and up
- Dimensions5 x 0.64 x 8 inches
- ISBN-101596051671
- ISBN-13978-1596051676
- Lexile measure1170L
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This new edition--with an introduction by mass-psychology expert Robert E. Bartholomew and classic illustrations by Alvin-Correa--is sure to enthrall and intrigue yet another generation of readers.
Product details
- Publisher : Cosimo Classics; Illustrated edition (May 15, 2005)
- Language : English
- Paperback : 284 pages
- ISBN-10 : 1596051671
- ISBN-13 : 978-1596051676
- Reading age : 18 years and up
- Lexile measure : 1170L
- Item Weight : 11 ounces
- Dimensions : 5 x 0.64 x 8 inches
- Customer Reviews:
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The story may or may not seem familiar to today's readers, depending upon which versions of the story one has come across. Orson Wells' famous, or infamous, 1938 radio adaptation, set in America, still resonates the power of mass media through rebroadcasts. And various film versions have appeared in the interim (some more memorable than others). But Wells' original story takes place in England through the perspective and words of a man of letters, or a "philosophical writer." The Martian invasion begins near his town of Woking. He subsequently witnesses the instant death of the "heat-ray" and the Martian tripod war machines. The indistinctness of his descriptions make these invaders and their weapons radiate with the horror of the unknown. Many passages genuinely read in the manner of a man delineating technology 100 years ahead of his own time. This heightens the helplessness of humanity, who flee all human-like in abject terror and chaos from the ensuing carnage, ignorant of the very nature of the powers they face (told mostly through the narrator's brother). The Martians proceed with brutality. Their "rays" and poison gas "tubes" reduce entire cities to piles of burnt corpses and edifices. If Wells' intentions involved reducing humanity to a helpless blabbering mass, he succeeded. Once the Martians have dominated, regardless of a few small human victories, humanity faces the prospect of living in a "lowly animal state." The character of the artilleryman manifests this idea, though he eventually shows his true colors. The character of the curate, who the narrator finds himself holed up with for days, paints a less than charitable picture of the religious response to the invasion. The man basically goes crazy after witnessing what the Martian's do with human prisoners. Whether God fails him, or whether he merely perceives that God has failed him, or that humans have ultimately failed God, remains a subject for speculation and discussion. In any case, things seem absolutely hopeless for humanity until the end. And, to keep from giving anything away, the ending implies something about humanity's relationship with the planet it inhabits. As the invasive, and very destructive, Martian "red weed" smothers the countryside, humans themselves don't ultimately prevail. But certain "partners," both friend and enemy, come to the inadvertent rescue. In a sense, nature saves the day. No human weaponry of the time musters the firepower to bring down the invading army. "War of the Worlds" thus paints a picture not of human power, but of human impotency in the face of superior technology. In the end, humans don't play the role of triumphant heroes.
So what does this imply? That technology gets us only so far? That our sometimes arrogant perceptions of our power and might simply dissolve in the face of even more superior might? Maybe. At the very least it gives readers an idea of the potential limits of human power. Maybe horrors we could never prepare for, despite our advances, exist "out there?" Essentially, "War of the Worlds" presents a very humbling view of humanity, not a glorified one. It also presents a great fictional example of Nassim Taleb's "Black Swan." A Martian invasion, or any extraterrestrial invasion of superior power, would carry extreme consequences for humanity, but we may never see it coming. In modern terms, what if an alien force infiltrated us underneath our radars despite our perceived technological level? What we don't know might hurt us. Uncertainty usually wins the day. We may not know the extent of our own vulnerabilities.
"War of the Worlds" stands as a justifiably hailed classic of literature and science fiction. Though in the end, despite the supermarket label, it's simply a great story. Potential interpretations at philosophical, social and technological levels provide enough mind food for weeks of munching. Plus, it provides a stunning read filled with horror, suspense and human drama. And though it's definitely not 1898 anymore, "War of the Worlds" may still hold enough power to freak people out.
It's the early 20th century, and our narrator (who goes nameless in the story itself) is one of the first on the scene when a mysterious object that's said to have come from Mars crashes in Great Britain. At first everyone is excited to get their first look at a being from another planet... until these "men from Mars" are revealed to not only be entirely inhuman, but bent on wiping out humanity and taking our planet as their own. As their war machines and heat rays lay waste to major cities and cause panic in the streets, the narrator flees for his life, and watches helplessly as humanity struggles against these monstrosities. But just when thinks look bleakest, hope rises up from the most unlikely of sources...
The writing in this book can come across as a little stilted, but that can simply be due to the general writing style of the time -- styles shift with the times, after all. And if many of the tropes and plot turns seem predictable... well, this book DID help found a genre, so it's only fair to expect it to have been repeated many times before. The final twist at the end does seem to come straight out of nowhere, but again, it makes sense given the subject matter and is actually a bit of cleverness that a lot of more-modern alien-invasion stories neglect to consider.
"War of the Worlds" is perhaps best read not just as an influential sci-fi book or the turning point for a genre (invasion books did exist before this book, but normally focused on human invaders from another country), but as an allegory for British colonialism. It's all too easy to look at how the alien creatures destroy anything they come across, exploit humanity, and bring their own invasive species along with them, and draw parallels to how European countries similarly took over and ransacked other nations. Perhaps Wells intended to make this allegory clear, perhaps he didn't, but it's still a fascinating interpretation.
The edition of "War of the Worlds" I read also included an excerpt of "Map of the Sky," a novel by another author that draws inspiration from this one. Your mileage may vary on if this is a good thing or not...
"War of the Worlds" is a sci-fi classic, and well worth reading if you're interested in the early works of the genre. And it's still worth a look if you're not so interested in sci-fi but are still interested in a powerful allegory.