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Nausicaa of the Valley of the Wind, Vol. 4 (Nausicaä of the Valley of the Wind) Paperback – May 5, 2004
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In a long-ago war, humankind set off a devastating ecological disaster. Thriving indistrial societies disappeared. The earth is slowly submerging beneath the expanding Sea of Corruption, an enormous toxic forest that creates mutant insects and releases a miasma of poisonous spores into the air.At the periphery of the sea, tiny kingdoms are scattered on tiny parcels of land. Here lies the Valley of the Wind, a kingdom of barely 500 citizens; a nation given fragile protection from the decaying sea's poisons by the ocean breezes; and home to Nausicaä.
A monk warns Nausicaä that omens of an apocalypse, Daikaisho, will appear soon and the forest will boil over to cover the land. His predictions appear to be coming true when she arrives in the Forest in the South and discovers Lord Miralupa has developed mutant spores for biological warfare, but the mold begins growing uncontrollably and there's no antidote.
- Print length138 pages
- LanguageEnglish
- PublisherVIZ Media LLC
- Publication dateMay 5, 2004
- Grade level7 - 9
- Reading age13 - 17 years
- Dimensions7.13 x 0.4 x 10.13 inches
- ISBN-101591163528
- ISBN-13978-1591163527
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- Publisher : VIZ Media LLC; 2nd edition (May 5, 2004)
- Language : English
- Paperback : 138 pages
- ISBN-10 : 1591163528
- ISBN-13 : 978-1591163527
- Reading age : 13 - 17 years
- Grade level : 7 - 9
- Item Weight : 7.9 ounces
- Dimensions : 7.13 x 0.4 x 10.13 inches
- Best Sellers Rank: #554,439 in Books (See Top 100 in Books)
- #1,172 in Comic Strips (Books)
- #4,741 in Action & Adventure Manga (Books)
- Customer Reviews:
About the author
Hayao Miyazaki is the prominent director of many popular animated feature films. He is also the co-founder of Studio Ghibli, the award-winning Japanese animation studio and production company behind worldwide hits such as PRINCESS MONONOKE, HOWL'S MOVING CASTLE and SPIRITED AWAY.
Photo by Thomas Schulz detengase @ Flickr (http://flickr.com/photos/t_p_s/2842706001/) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons.
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The tone of the series changes from beginning to end. This makes sense, as the series was written over about 10 years, with a number of hiatuses. The first two books are confusing and not terribly interesting, but the story blossoms from there.
On top of that, I don't even like manga or anime as genres. Miyazaki is truly exceptional.
It's hard to talk about the manga without mentioning the film, which is one of my all-time favorites. More people are familiar with the film than with the comic, and Miyazaki is far better known as a filmmaker than as a comic artist. Obviously, Miyazaki is more limited in a sensory way here, without the film's color or outstanding musical score. But he is much freer to explore his world: the film features a considerably streamlined story (one nation has been omitted) and a moral conflict that is fairly black and white. The manga is substantially more complex.
Miyazaki has created a rich, deep world, which is worth the investment the reader must make. Particularly early on, there's a lot of exposition in dialogue, like we're accustomed to seeing in American Silver Age comics. And it takes some time for the reader to determine who is on which side and what, exactly, is going on.
Nausicaä is always engaging but rarely gripping. Toward the end of the saga, Miyazaki does manage to generate some genuine suspense, but mostly the story meanders along as Nausicaä herself more or less blows where the winds of war take her. The ending is rife with potential, but it goes out with something of an abrupt whimper.
As an archetype of love and self-sacrifice, Nausicaä herself is an exceptionally admirable protagonist. Through nonviolence, she is a uniter, a peacemaker. The only stumble here comes at the end of the work, when Miyazaki puts her into what he obviously feels is a shades-of-gray, no-win moral situation. But it's actually somewhat underwhelming, as Miyazaki barely even hints at the ramifications.
Miyazaki's ever-present attention to detail is here in the artwork, which is generally impressive, although such a degree of detail often makes for some messy and hard-to-interpret panels, particularly during battles (and there are a lot of battles). And Miyazaki doesn't shy away from depicting the carnage more graphically than he ever did in any of his films.
There are a wide array of supernatural powers at work here that for the most part were not present in the film. A number of them are kind of silly, and some don't always make a lot of sense (hello, sentient mold monster). Telepaths are a dime a dozen.
Nausicaä of the Valley of the Wind is always good but rarely great. It will particularly appeal to fans of the film who want more of Nausicaä's adventures and a deeper look into Miyazaki's postapocalyptic world.
Top reviews from other countries
It tells the story of Nausicaä, a princess of a small kingdom on a post-apocalyptic Earth with a new, bioengineered ecological system, who becomes involved in a war between kingdoms while an environmental disaster threatens the survival of humankind. On her journey, she struggles to bring about a peaceful coexistence among the people of her world, as well as between humanity and nature. (Wikipedia)
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