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Any Woman's Blues: A Novel of Obsession Paperback – December 28, 2006

4.0 4.0 out of 5 stars 29 ratings

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Any Woman's Blues, first published in 1990, is a tale of addiction and narcissism-the twin obsessions of ourage. World-famous folk singer Leila Sand emerged from the sixties and seventies with addictions to drugs and booze. Leila's latest addiction is to a younger man who leaves her sexually ecstatic but emotionally bereft. The orgasmic frenzies trump the betrayals, so she keeps coming back for more.

Eventually, Leila frees herself by learning the rules of love, the Twelve Steps, and the Key to Serenity in an odyssey that takes her from AA meetings to dens of sin, parties with "names" worth dropping, and erotic gondola rides.
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About the Author

Erica Jong is the author of nineteen books of poetry, fiction, and memoir, including Fear of Flying, which has more than 18 million copies in print worldwide. Her most recent essays have appeared in The New York Times Book Review, and she is a frequent guest on television talk shows. Currently working on a novel featuring Isadora Wing—the heroine of Fear of Flying—as a woman of a certain age, Erica and her lawyer husband live in New York City and Connecticut. Her daughter, Molly Jong-Fast, is also an author.

Erica Jong left a Ph.D. program at Columbia to write her ground-breaking novel Fear of Flying, published in 1973. Jong is the author of numerous award-winning books of poetry and novels including Fanny, How to Save Your Own Life, Parachutes and Kisses, Any Woman’s Blues, and the forthcoming Sappho’s Leap. She is also the author of the memoir Fear of Fifty. She lives in New York City and Connecticut.

Product details

  • Publisher ‏ : ‎ TarcherPerigee (December 28, 2006)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 384 pages
  • ISBN-10 ‏ : ‎ 1585425494
  • ISBN-13 ‏ : ‎ 978-1585425495
  • Item Weight ‏ : ‎ 14.4 ounces
  • Dimensions ‏ : ‎ 6 x 1 x 9 inches
  • Customer Reviews:
    4.0 4.0 out of 5 stars 29 ratings

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Erica Jong
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ERICA JONG

(Bio used www.ericajong.com)

Erica Jong--novelist, poet, and essayist--has consistently used her craft to help provide women with a powerful and rational voice in forging a feminist consciousness. She has published 23 books, including nine novels, seven volumes of poetry, six books of non-fiction and numerous articles in magazines and newspapers such as The New York Times, The Sunday Times of London, Elle, Vogue, The New York Times Book Review and The Wall Street Journal.

In her groundbreaking first novel, Fear of Flying (20 million in print around the world in more than forty languages), she introduced Isadora Wing, who also plays a central part in three subsequent novels--How to Save Your Own Life, Parachutes and Kisses, and Any Woman's Blues. In her three historical novels--Fanny, Shylock's Daughter, and Sappho's Leap--she demonstrates her mastery of eighteenth-century British literature, the verses of Shakespeare, and ancient Greek lyric, respectively. Erica's memoir of her life as a writer, Seducing the Demon: Writing for My Life, came out in March 2006. It was a national bestseller in the US and many other countries. Erica's much anticipated novel, Fear of Dying, is due for publication by St. Martin's Press in September 2015.

A graduate of Barnard College and Columbia University's Graduate Faculties where she received her M.A. in 18th Century English Literature, Erica Jong also attended Columbia's graduate writing program where she studied poetry with Stanley Kunitz and Mark Strand. In 2008, continuing her long-standing relationship with the university, a large collection of Erica's archival material was acquired by Columbia University's Rare Book & Manuscript Library, where it will be available to graduate and undergraduate students. Ms. Jong plans to teach master classes at Columbia and also advise the Rare Book Library on the acquisition of other women writers' archives.

Calling herself "a defrocked academic," Ms. Jong has partly returned to her roots as a scholar. She has taught at Ben Gurion University in Israel, Bennington College in the U.S., Breadloaf Writers' Conference in Vermont and many other distinguished writing programs and universities. She loves to teach and lecture, though her skill in these areas has sometimes crowded her writing projects. "As long as I am communicating the gift of literature, I'm happy," Jong says. A poet at heart, Ms. Jong believes that words can save the world.

Known for her commitment to women's rights, authors' rights and free expression, Ms. Jong is a frequent lecturer in the U.S. and abroad. She served as president of The Authors' Guild from 1991 to 1993 and still serves on the Board. She established a program for young writers at her alma mater, Barnard College. The Erica Mann Jong Writing Center at Barnard teaches students the art of peer tutoring and editing.

Erica Jong was honored with the United Nations Award for Excellence in Literature. She has also received Poetry magazine's Bess Hokin Prize, also won by W.S. Merwin and Sylvia Plath. In France, she received the Deauville Award for Literary Excellence and in Italy, she received the Sigmund Freud Award for Literature. The City University of New York awarded Ms. Jong an honorary PhD at the College of Staten Island. In June 2009, Erica won the first Fernanda Pivano Prize for Literature in Italy.

Erica Jong lives in New York City and Weston, CT with her husband, attorney Ken Burrows, and standard poodle, Belinda Barkowitz. Her daughter, Molly Jong-Fast, is also a writer.

Customer reviews

4 out of 5 stars
4 out of 5
29 global ratings

Top reviews from the United States

Reviewed in the United States on August 31, 2014
I liked this book because it allowed me to see the fallacy of our beliefs and the struggles that many of us go through looking for fulfillment believing that sexual ecstasy is the answer. Reading this book I had many awakening thoughts and surprised that I was tearful as I read the last paragraph of the Afterwards section. Two years ago I lost my husband in a fatal accident and have not been able to paint or work on a book that I started writing in the late 80s about a love affair but now I feel the desire to do both again .
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Reviewed in the United States on July 26, 2005
I've read this book several times over the last ten years. I adore her decriptions of her lust of men, sex, & love. Her prose is shockingly graphic, yet soft. After first reading this years back, I knew I'd never look at a man on a bike (motorcycle) the same way again. <grin>

I won't give a summary of the book- amazon does that already. But pick it up @ your local bookstore & start with the first page. My guess is that you'll eagerly buy it & find it hard to put down.

It's great reading such liberating literature. Such fun to delve into her naughtiness.

Try this timeless erotic tale.
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Reviewed in the United States on May 3, 2014
I am an Erica Jong fan. I have read all of her books. So this book was and is a favorite of mine, plus the book I received was pretty close to being new. That pretty much sums up my satisfaction with my purchase.
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Reviewed in the United States on November 17, 2004
In ANY WOMAN'S BLUES, you can learn (if you pay attention) the 'Rules of Love,' the Twelve Steps of Alcoholics Anonymous, and the 'Key to Serenity,' typical of the high-life of the nineties. I'm glad mine wasn't played out on that level.

Willie Dixon wrote, "the blues ain't nothing but the facts of life." She quotes a lot of old 'blues' lyrics from the twenties and even 'Down in the Dumps' from 1958. We all have moods intermittently. She felt that every character in every book is a part of that mysterious mosaic we call our 'self.' For the most part, I believe this, too, but usually associate it with first novels.

In 1973, Erica Jong wrote her debut novel, FEAR OF FLYING, in which she taught us how to fly -- her way. Seventeen years later, here she comes again but this time, she shows us how to land.

In between, she had five poetry books and five other novels published. In them, she dared to explore realms which other writers were afraid to explore. She's had a following of devoted readers who appreciate her wit, insights, and ability to tackle important and difficult subjects such as divorce, adultery, and miracles. Serenissina (about Venice) is one of her best novels, in my opinion. Some of the poetry, I found a little hard to understand, as in WITCHES.

To say she is a complicated writer, praised by John Updike, Margaret Atwood, Henry Miller, and other notables is putting it mildly. If you've read Updike, consider a female verison on similar themes. Later, she wrote about Henry Miller in THE DEVIL AT LARGE, and INVENTING MEMORY about Mothers and Daughters.

In this one, she goes from highs to lows emotionally and almost loses her grip on sanity and self-destruct on alcohol and co- dependency. I was codependent once but not in the way her artist/mother is. Not on a younger lover, but on my youngest son who was my 'whole life,' You can never put that burden on another person; then when they are no longer there, you feel you can't survive alone. But you can!

The young stud Donezal leaves her feeling worthless, betrayed and empty. That's the folly of loving a younger man. This woman has lived the high life (as opposed to my meager existence in a small Southern town) from glittering parties in East Village nightclubs with celebrities to unusual and the bizarre. Guess that's what drinking people do when drugs are involved.

This book is about obsession, as in my previous review by the Canadian writer. She, too, daubled in poetry. I've never had an obsession per se, though I have had 'attachments.' My husband had a different kind of obsession. As far as I know, any obsession is a form of illness.

She learns, however, that the secret of happiness was not to be found in the illusion of 'the perfect man' but rather in finding strength within one's self. Its theme surrounding the artist's search for a way out of addictive love and toward self-love is characteristic of this writer, I've found.

Most writers use this means of creative expression to resolve conflicts at the particular time through which daily life takes him or her. Since this volume of smush (my word), she's written a mid-life "memoir" and other involved stories.

This tale has no end. Like Chinese boxes within boxes, like Russian dolls within dolls, we go on revealing our hearts in the hope they may never stop beating. If you want a mantra, repeat "thank you" 104 times (which she does) to feel more grateful, more and more alive. Who else would have thought of doing that? It's certainly original.
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Reviewed in the United States on October 30, 2017
Happy with product Thanks
Reviewed in the United States on December 21, 2010
Any Woman's Blues, A Novel of Obsession, is one of the best fiction books ever written in my opinion. I honestly loved this hilarious, entertaining read. I often find many of the Oprah Book Club and NY Times Bestsellers, painfully slow, boring and unable to hold my attention span. Any Woman's Blues, was impossible for me to put down even for one second.

Simply put, if the award winning novels, Snow Falling on Cedars and the DaVinchi Code temporarily cured your insomnia and you still can't figure out why everyone lists those titles as their favorite books, then I highly recommend this witty, vibrant, and honest novel. A perfect lying on the beach/vacation read for any woman!
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Reviewed in the United States on January 4, 2014
It's been a while since I read Erica Jong, and it will probably be a while before I read her again. I didn't remember the preachiness or the long tangents that did nothing to enhance the plot. I feel a lot of this could have been edited away and this would have been an excellent novella. The character is interesting, wryly funny and mostly well-developed (aside from her relationship to her children, which seems flat and unloving) when she is in the throes of obsession or pursuing a bad idea, but when she starts to "get well" by taking charge of her life and seeking sobriety, it's like she isn't funny or smart anymore, or unrealistically stops struggling or thinking, or having any contradictions. The last half of the book becomes irritating, it's as if this person becomes glossed over, and she just becomes a Zen zombie. Because she is struggling to change, it should be more interesting but somehow it became less, even when she struggled.
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Top reviews from other countries

E. E. Smith
5.0 out of 5 stars If you like Erica Jong...
Reviewed in the United Kingdom on August 19, 2020
...you will like this book. All of her books are autobiographical and this one is no different. Younger women, millenials included, will, no doubt, be offended by her free expression of a 'woman's' sexuality, perhaps claim her brand of feminism is 'dated' - possibly preferring their sexual exchanges by text, with pleasant young men who never say or do anything 'offensive'. But in truth, real life is messy and dirty and relationships are all of those things and more. Ms Jong runs us through the gamut of her relationships and we live them with her. Her descriptions are always beautifully potent, often ugly and repeatedly raw. The bonus? You'll get an education. Her classical references (from her Columbia and Barnard education) send me running to the dictionary and encyclopedia frequently. (Wikipedia now). I like Erica Jong, so I will read anything she writes. I can't guarantee if you are very young, you will like her, as she's not squeaky clean and politically correct.
E. Forster
4.0 out of 5 stars Four Stars
Reviewed in the United Kingdom on December 11, 2014
As described, thank you
Dr
3.0 out of 5 stars Not as described
Reviewed in the United Kingdom on June 12, 2013
Book looks as it was passed on by generations, looks old and there are stains all over it so its not exactly as described. But well, the story is good;)
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