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The Artist-Gallery Partnership: A Practical Guide to Consigning Art Paperback – May 13, 2008

4.6 4.6 out of 5 stars 26 ratings

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Artists, dealers, and gallery owners will welcome this clear explanation of the consignment contracts that lie at the heart of the relationship between artists and galleries. Updates include the latest developments in state laws and all of the current statutes in the 32 states that have laws regarding consignment sales. A thorough discussion of the Standard Consignment Agreement, covering agency, consignment, warranties, transportation, insurance, pricing, gallery commissions, promotion, return of art, and more, plus a ready-to-use contract, is included. Want a clear understanding of art-consignment law? Get The Artist-Gallery Partnership.
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Editorial Reviews

About the Author

Tad Crawford, author of Legal Guide for the Visual Artist (Allworth Press, Fifth Edition, September 2010), has served as general counsel for the Graphic Artists Guild, lobbied on the state and federal level for artists’ rights, and taught art law at the School of Visual Arts. The publisher for Allworth Press, he lives in New York City.

Product details

  • Publisher ‏ : ‎ Allworth; 1st edition (May 13, 2008)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 216 pages
  • ISBN-10 ‏ : ‎ 1581156456
  • ISBN-13 ‏ : ‎ 978-1581156454
  • Item Weight ‏ : ‎ 11.8 ounces
  • Dimensions ‏ : ‎ 6 x 0.6 x 9 inches
  • Customer Reviews:
    4.6 4.6 out of 5 stars 26 ratings

About the author

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Tad Crawford
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Tad Crawford is an author, publisher, and attorney. His most recent work is On Wine-Dark Seas: A Novel of Odysseus and His Fatherless Son Telemachus, which was recently published by Arcade. In exploring what might have happened after The Odyssey, Crawford celebrates the ongoing power of mythmaking and creates a powerful exploration of the relationship between fathers and sons.

It was a dream about his own father that first inspired Crawford to write this novel. “In the dream my father was a wounded Greek youth,” he explains. “He had been wounded in the ankle and I picked him up and carried him down into a necropolis, a city of the dead, and as I carried him farther and farther, he became lighter and lighter. That dream led to research going back to The Iliad, The Odyssey, other epics lost in antiquity that formed The Trojan Cycle of eight poems, and many other Greek myths that give life to this novel of Odysseus as the archetypal absent father who struggles in seeking a bond with his adult son.”

Crawford is also the author of a previous novel, A Floating Life, about a man going through his midlife crisis (and a divorce) who finds a mentor to help guide him. Kirkus described the novel as “odd, offbeat and strangely shimmering,” Booklist praised its “elements of the picaresque and magic realism, blended with quirky, surreal humor,” and The New York Journal of Books stated that “his refreshing style brings surprise and fun back into fiction.”

Crawford’s love of mythology and folktales also led to a depth exploration of the psychology of money in a nonfiction book titled The Secret Life of Money. Publishers Weekly opined, “the book should enlighten those who tend to view money only in the most literal terms.”

Crawford grew up in the artist’s colony of Woodstock, New York, graduated from Columbia Law School, served as General Counsel for the Graphic Artists Guild, and played an active role in advocating for artists' rights. He has written extensively on the legal aspects of creative work, including Legal Guide for the Visual Artist (now in its 6th edition and co-authored by MJ Bogatin). In 1989 he founded Allworth Press, which has become a leading publisher of books on business for creative fields. The company (now an imprint of Skyhorse Publishing) has published over 400 books on topics such as fine art, graphic design, photography, writing, theater, and entrepreneurship.

Customer reviews

4.6 out of 5 stars
4.6 out of 5
26 global ratings

Top reviews from the United States

Reviewed in the United States on March 5, 2022
Gave a good guidelines on drafting contracts and also discusses practical approaches in dealing with artists through a gallery system. Though one has to contextualise it in one’s own place.
Reviewed in the United States on January 21, 2012
The book does for artists and craftspeople what information does for competitors. It allows a look at the consignment laws of each state and illustrates the importance of the standard consignment agreement between galleries and artists. There is a huge difference between laws in those states. Knowing how to protect yourself in the market makes this book a required read. The Artist-Gallery Partnership: A Practical Guide to Consigning Art
9 people found this helpful
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Reviewed in the United States on March 7, 2016
A good primer.
Reviewed in the United States on July 20, 2019
This book is extremely detailed and helpful to anyone thinking of opening an art gallery!
Reviewed in the United States on December 26, 2015
This book covers artist/gallery contracts in a clear, accessible form that can be used by every artist who is considering entering into a business relationship with a commercial gallery. I plan to make this required reading for my fine art students at Pratt Institute.
One person found this helpful
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Reviewed in the United States on February 10, 2013
At one time I planned on selling my paintings through a gallery and this book was very helpful in guiding me through the proccess.
2 people found this helpful
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Reviewed in the United States on June 9, 2012
The book is well outlined, easy to follow, and packed with powerful info including contracts and other vital information. Shipped as agreed and as descriped !
One person found this helpful
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Reviewed in the United States on December 26, 2013
We are opening a retail gallery in 2014. My partner found this to be a well organized and informative book.

Top reviews from other countries

Danny
2.0 out of 5 stars For USA only
Reviewed in the United Kingdom on August 3, 2015
Essentially an in-depth description of a Consignment Form, between artists and galleries, but the majority of the book is taken up with State-by-State amendments/variations of US law.
Not useful for a gallery outside America really, the standard consignment form can be found elsewhere, eg in How to Start & Run a Commercial Art Gallery by Edward Winkleman. Again a US publication but this one has lots of universally useful information.