Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
An Actor Rehearses: What to Do When--and Why Paperback – October 13, 2006
Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
- Print length224 pages
- LanguageEnglish
- PublisherAllworth
- Publication dateOctober 13, 2006
- Dimensions6 x 6 x 9 inches
- ISBN-101581154623
- ISBN-13978-1581154627
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Editorial Reviews
Review
"A compelling, complimentary argument for the difficulties and triumphs of the profession of acting." -- Molly Smith, Artistic Director, Arena Stage
"David Hlavsa provides detailed navigation advice for the most neglected component of a young actor's training, the process of rehearsal." -- Arthur Bartow, Artistic Director, Department of Drama, Undergraduate, Tisch School of the Arts, New York University
"Hlavsa pulls us convincingly into the rehearsal process and he formulates practical methods for dealing with all the bumps in the road." -- Dan Sullivan, Tony Award winner, former Artistic Director Seattle Repertory Theatre
"[Hlavsa's] book cannot help but provide an actor with both insight and encouragement." -- M. Burke Walker, Founding Artistic Director, The Empty Space Theatre
From the Publisher
From the Author
From the Inside Flap
From the Back Cover
About the Author
Product details
- Publisher : Allworth; 1st edition (October 13, 2006)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 1581154623
- ISBN-13 : 978-1581154627
- Item Weight : 10.5 ounces
- Dimensions : 6 x 6 x 9 inches
- Best Sellers Rank: #4,377,650 in Books (See Top 100 in Books)
- #851 in TV References
- #1,994 in Video Reference (Books)
- #2,053 in Movie Reference
- Customer Reviews:
About the author
DAVID HLAVSA heads the Theatre Arts Department at Saint Martin's University, in Lacey, Washington, where he has been teaching acting, directing, playwriting and film studies since 1989. A recipient of the University’s Outstanding Teaching Award, he has served two terms as Faculty President.
He is the author of Walking Distance: Pilgrimage, Parenthood, Grief, and Home Repairs (Michigan State University Press, 2015) and An Actor Rehearses: What to Do When – and Why (Allworth Press, 2006). His article, “My First Son, A Pure Memory” appeared in the Modern Love column of The New York Times. His essay, “Two Sons, One Living” appears in They Were Still Born: Personal Stories About Stillbirth (ed., Janel Atlas, Rowman & Littlefield, 2010). Hlavsa’s plays, including Pack of Lies, I’m Your Man, and Long Run, have been produced in Seattle, Chicago and New York. As an arts writer for the Seattle Repertory Theatre, he published more than twenty articles and study guides on Shakespeare, Chekhov, Synge, Pirandello, Goldoni, Feydeau, David Mamet, August Wilson and others.
Hlavsa has a BA in English/Theatre from Princeton University and an MFA in Directing from the University of Washington. Productions directed at SMU include Uncle Vanya, A Little Night Music, The Dining Room, Old Times, Brilliant Traces, You Can Count on Me, Reaching Through the Frame, Everyman, Goodnight Desdemona Good Morning Juliet, A Midsummer Night’s Dream, The Day Room, The Illusion, Comings and Goings and The Memorandum. Hlavsa has also served as the University's Director of Interdisciplinary Studies, developing and co-teaching courses on Political Theatre, Acting and Economics ("Dramanomics"), Saint Joan, Jane Austen on Film, Business Leadership, Acting for Teachers, and Jesus on Film and in the Gospels. At the University’s Spiritual Life Institute, he has taught workshops on Theatre as a Spiritual Path.
He lives in Seattle with his wife, Lisa Holtby, and their son Benjamin.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
He is an inspiration to us all!
An Actor Rehearses is an insightful and amazingly practical guide to the actual activities that go into taking a play from text to performance. Hlavsa starts at the beginning, even earlier than we'd expect. There are tips on how to prepare to read the play for the first time. With examples, advice, hard-won experience, and exercises, he shows how to enhance each of the actor's steps, the read-through, the process of blocking, and the later full rehearsals. To top it off he also clues us into how to learn the most from the experience of living through the run of a show.
Hlavsa invites the reader into practical methods to broaden their options as an actor, to deepen their craft, and to improve the impact of their performance. The key to the book is that he indicates what perspectives and activities will help the actor most at each stage of the play's development. Throughout, readers will appreciate the warmth and humanity of Hlavsa's voice sharing the path with them.
I have been wishing for a guide that takes on this topic, and I will bring inspiration from An Actor Rehearses into the work I do with my students and performance groups.
"An Actor Rehearses" is destined to be counted in this elite company of books that become classics. Yes, this is an eminently practical book for any actor or director. (If I had read this in my 20's I might have been tempted to do more than just dabble.) But it is also a book for all of us who care to "rehearse" for the biggest performance of all - our own lives. I suspect it will be selling well a few decades from now.
Grace Zandarski
New York, New York