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Like There's No Tomorrow: Meditations for Women Leaving Patriarchy Library Binding – July 1, 2002

4.8 4.8 out of 5 stars 3 ratings

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This is a daily meditation book, fully indexed, written with a light touch, but a deep politic. Finally, a daily reader for those of us in search of radical healing. HOT ROLE Sor Juana de la Cruz, Chrystos, Sappho, Saadawi. . . and a host of unsung heroines! COOL How to lay in for a seige, turn the tables, seize the offensive! SUSPENSEFUL Donaldina Cameron's daring rescue of prostituted Asian girls, Fannie Lou Hamer's courageous resistance to police brutality, Lillian Hellman's defiant stand at the McCarthy hearings!
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Product details

  • Publisher ‏ : ‎ Common Courage Press (July 1, 2002)
  • Language ‏ : ‎ English
  • Library Binding ‏ : ‎ 230 pages
  • ISBN-10 ‏ : ‎ 1567511058
  • ISBN-13 ‏ : ‎ 978-1567511055
  • Item Weight ‏ : ‎ 11.2 ounces
  • Dimensions ‏ : ‎ 5.2 x 0.8 x 7.6 inches
  • Customer Reviews:
    4.8 4.8 out of 5 stars 3 ratings

About the author

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Carolyn Gage
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For complete bio and vitae, go to www.carolyngage.com.

Carolyn Gage is a playwright, performer, director, and activist. The author of nine books on lesbian theatre and sixty-five plays, musicals, and one-woman shows, she specializes in non-traditional roles for women, especially those reclaiming famous lesbians whose stories have been distorted or erased from history. She won the 2011 Maine Literary Award in Drama, and in 2009, her collection of plays The Second Coming of Joan of Arc and Selected Plays won the Lambda Literary Award in Drama, the top LGBT book award in the US. All of her books and plays are available online at www.carolyngage.com.

Gage tours internationally in her award-winning, one-woman play, The Second Coming of Joan of Arc, offering workshops and lectures on lesbian theatre. In 2012, her new musical about Babe Didrikson premiered in Phoenix, and her play The Countess and the Lesbians premiered at the Dublin International Gay Theatre Festival, where it was reviewed by The Irish Times and sold out the run. In 2012, her collection Starting from Zero: Short Plays about Lesbians in Love was published. In 2008, two collections of her plays were published: Nine Short Plays and The Second Coming of Joan of Arc and Selected Plays. In 2009, a revised and expanded version of her collection of Monologues and Scenes for Lesbian Actors was published, along with her anthology The Spindle and Other Lesbian Fairy Tales. In 2014, she was one of six international playwrights whose work was featured at the UNESCO-sponsored World Theater Day in Rome.

In 2004, her play Ugly Ducklings was nominated by the American Theatre Critics Association for the prestigious ATCA/ Steinberg New Play Award, an award with given annually for the best new play produced outside New York. It won the Lesbian Theatre Award from Curve Magazine, and a $150,000 documentary on the play premiered at the Frameline International Film Festival in San Francisco. The Anastasia Trials in the Court of Women was named national finalist for the Jane Chambers Award given by the Association for Theatre in Higher Education. Receiving top reviews in Miami and in Washington, DC, it was the subject of a feature article in The Washington Post. Her one act, Harriet Tubman Visits a Therapist, was presented at Actors Theatre of Louisville in the Juneteenth Festival of African American plays. It was a national winner of the Samuel French Off-Off Broadway Festival, and is included in Random House's anthology Under 30: Plays for a New Generation.

Gage's musical, The Amazon All Stars is the first lesbian full book musical ever published by a mainstream play publisher. Published by Applause Books, it is the title work of an anthology of lesbian plays that was a national finalist for the Lambda Literary Award. Her manual on lesbian theatre production, Take Stage! How to Direct and Produce a Lesbian Play was published by Scarecrow Press. The University of Oregon has acquired her personal papers for their Special Collections Archive.

Gage has lectured at Tisch School of the Arts at New York University, and she has been a Guest Lecturer at Bates College in Maine. She has won the Oregon Playwrights Award from the Oregon Institute of Literary Arts. She has also been awarded grants from the Maine Arts Commission, the Maine Women Writers' Collection at the University of New England, the Walden Writer's Fellowship from Lewis and Clark College, the Oregon Institute of Literary Arts Writer's Grant, and the Oregon Arts Commission Individual Artist Grant. In 2005, she won the national Lynda Hart Memorial Grant from the Astraea Foundation. In 2010, she spent three months as a Artist-in-Residence at the Wurlitzer Foundation in Taos, New Mexico.

One of the most prolific feminist playwrights in the world, Carolyn Gage is a dynamic speaker and a powerful role model.

Customer reviews

4.8 out of 5 stars
4.8 out of 5
3 global ratings

Top reviews from the United States

Reviewed in the United States on December 5, 2023
This meditation book is incredible - so worth getting. Carolyn Gage’s perspectives are unsparing and unsanitized, depicting patriarchy in it’s often most gruesome form; gruesome but profoundly honest. Her writings challenge entrenched stereotypes and expectations revealing to the reader hidden bias that patriarchy thrives on. She unapologetically addresses topics usually labeled as difficult and unpalatable. She is a true feminist writer -one who reflects things as they are, not as we wish them to be - exactly what’s needed to heal from oppressive toxic systems.
Reviewed in the United States on February 12, 2016
If your world needs a little stimulation you're sure to find some in Carolyn Gage's book! One minute we're urged to be deeply thoughtful; the next we're incited to seek revenge! It's what I call an "all points bulletin" read. Can't think of any emotion this won't tap.
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