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Henderson the Rain King Audio CD – CD, July 15, 2009
Henderson the Rain King is a seriocomic novel by Saul Bellow, first published in 1959. The novel examines the midlife crisis of Eugene Henderson, an unhappy millionaire. The story concerns Henderson's search for meaning. A larger-than-life 55-year-old who has accumulated money, position, and a large family, he nonetheless feels unfulfilled. He makes a spiritual journey to Africa, where he draws emotional sustenance from experiences with African tribes. Deciding that his true destiny is as a healer, Henderson returns home, planning to enter medical school.
“A kind of wildly delirious dream made real by the force of Bellow’s rollicking prose and the offbeat inventiveness of his language.” ―Chicago Tribune
“Bellow’s aura of fable is constantly washed over by humor, impulsive creation, and actual, turbulent detail.” ―The Nation
- Print length12 pages
- LanguageEnglish
- PublisherBrilliance Audio
- Publication dateJuly 15, 2009
- Dimensions6.5 x 1.13 x 5.5 inches
- ISBN-10142339349X
- ISBN-13978-1423393498
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About the Author
Joe Barrett began his acting career at the age of five, in the basement of his family’s home in upstate New York. He played the non-speaking “Old Gardener” in a drama written by his seven older siblings. The character was murdered in the opening scene, setting the plot in motion. Joe does not remember the plot but knows the murder was gruesome and heinous. Joe has gone on to play many stage roles, old and young, both on and off-Broadway and in regional theaters from Los Angeles to Houston to St. Louis to Washington, D.C. to San Francisco to Portland, Maine. He has appeared in films and television, prime time and late night, and in hundreds of television and radio commercials. Joe is a two time Audie Award finalist and has won six Earphones Awards from Audiofile Magazine. That magazine said of Joe’s narration of John Irving’s A Prayer For Owen Meany: “This moving book comes across like a concerto in this audio version, with a soloist – Owen’s voice – rising from the background of an orchestral narration.” Publishers Weekly had this to say about Joe’s narration of Richard Ford’s The Lay of the Land: “[Frank Bascombe] must be one of the most difficult fictional characters to bring to audio life [but] Barrett . . . has a voice that . . . catches every nuance from the odd to the tragic.” Joe is married to actor Andrea Wright. They have four great big children.
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Product details
- Publisher : Brilliance Audio; Unabridged edition (July 15, 2009)
- Language : English
- Audio CD : 12 pages
- ISBN-10 : 142339349X
- ISBN-13 : 978-1423393498
- Item Weight : 8.8 ounces
- Dimensions : 6.5 x 1.13 x 5.5 inches
- Customer Reviews:
About the author
Saul Bellow won the Pulitzer Prize for his novel HUMBOLDT'S GIFT in 1975, and in 1976 was awarded the Nobel Prize for Literature 'for the human understanding and subtle analysis of contemporary culture that are combined in his work.' He is the only novelist to receive three National Book Awards, for THE ADVENTURES OF AUGIE MARCH, HERZOG, and MR. SAMMLER'S PLANET
Photo by Keith Botsford [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.
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Life story of a big bully of an ugly rich guy, a nuisance to everyone.
This is a grotesque book, full of surreal happenings and madcap philosophizing. If you need a name for the genre, you could call this a travel book, though the destination is entirely fictional despite the fact that it has a real name, Africa. You can also call it a Bildungsroman, though the hero is nearer 60 than 20. Or an adventure story.
Henderson is an unusual narrator, but not of the deviously unreliable kind. One wonders why one would believe a word that he says. His perception of the world is so off. He keeps assuming things about the meaning of his inexplicable adventures, but we can hardly take him serious. He is jumpy and lacks logic. His actions are not explained, as if he watches himself with disbelief. He is a bit of an over-aged fool, an am-bay-seel.
He was unhappy with his life in Connecticut, so he goes on this trip. There is no attempt at the simple Hemingway style. I am often intrigued by the artful language, which is at times humorous and skillful with words, as one would not expect from a pig farmer. Maybe that is a point of criticism. If a narrator is invented, should he not be plausible?
Henderson is also good at quirky aphorisms. 'Even civilized women are not keen on geography, preferring a world of their own'. Isn't that true.
The truest of these: 'ideas make people untruthful. Yes, they frequently lead them into lies.'
Is there anything realistic about Bellow-Henderson's Africa? I don't know if Bellow even meant to be realistic in a generic way. I suspect he didn't bother about that at all. Henderson has no clue where he goes, though his local counterpart, the real king, mentions Lamu and Malindi and Zanzibar as places where he has been. One assumes they serve as anchors in the sea of a fairy continent.
The trip to Africa is a bit like Kafka's sending his young man to 'Amerika'. Eugene Henderson is a big fat violent Alice in his own Wonderland. An innocent abroad. A Don Quijote he is not though, he fights no windmills but his inner devils.
The philosophical core of the story is the artificially mysterious 'grun-to-molani', the will to live. Schopenhauer in the lion's den.
This is an irritating book, and that might be its strong point. Don't we read in order to get shaken or stirred? And find some entertainment on the way?
I was quite pleased with it. I re-read it after 30 years and liked it much better this time than then. And way better than Augie March, which had turned me off recently. However, I would have liked it better had it been 100 pages shorter.
This book does not have our modern sensibilities vis a vis race, colonialism, classism, etc. Saul Bellow was a creature of his time, too. So, for the modern reader it is likely to grate and gnaw at those sensibilities. But still, if you read it, you may also find an apt exploration of the forces that drive us through life, of how we confront aging and death, how we create ourselves in real time based on the models we have around us, how we come to face the cumulative ledger of our decisions years after we've made them. I loved this book and highly recommend it to anyone who has lived a certain amount of life - who has confronted loss, confronted death, confronted disappointment. You may find some mirror here.
After tearing up himself and others, he takes off for Africa. This is where the story really slows down. He and a kind guide he finds go deep into the bush, Henderson searching for what he needs, whatever that is. The first village they settle on is amuzingly disasterous, so they head for another with an inauspicious welcoming party. This part turns into long, philosophical discussions between Henderson and the king that are mostly nonsense.
Of course the language is as only Saul Bellow can write--the story disappointing.