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Dictionary of Chicano Folklore

5.0 5.0 out of 5 stars 3 ratings

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Dictionary of Chicano Folklore charts the rich religious, social, artistic, and cultural heritage of Mexican Americans, who continue to evolve the customs and rituals connected to their Spanish and indigenous roots and the Spanish language.

Entries cover specific regions, genres of folk speech, folk narrative, cultural traditions, artifacts, foods, ceremonies, rites, and define contemporary Hispanic terms ranging from duendes, pintos, and las posadas to pachucos, low riders, and Zozobra.

The
Dictionary of Chicano Folklore is the perfect resource for high school and undergraduate students interested in Chicano culture or for scholars seeking bibliographic material.

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Editorial Reviews

From Library Journal

This inclusive lexicon offers terms associated with the Chicano population and its history, experiences, and customs, though the focus is on Mexican Americans who came of age in the 1960s in the Southwest. The entries, which combine English and Spanish terminology, include definitions, commentary, and citations to Chicano folk narratives, arts, folk drama, and popular culture as well as the broad cultural studies already available. These entries give context to expressive behaviors and artifacts (urban tales, dance steps, joke cycles, dress fads, folk remedies, spiritual beliefs, holidays, foods, etc.) as well as words that have been absorbed into everyday English (burrito, coyote, frijoles, tamales, Los Lobos, etc.). Castro, a librarian at the University of Oregon, derived her material from scholarly studies authored principally by Chicanos and recognized scholars, including such notables as Mark Glazer, Aurelio Espinoza Jr., and Americo Paredes. This work complements such reliable sources as Michael Heisley's An Annotated Bibliography of Chicano Folklore from the Southwestern United States (1977) and Olga Najera-Ramirez's Greater Mexican Folklore in the United States: An Annotated Bibliography (1987), both older books. This excellent volume will find an audience with folklorists, scholars, regionalists, and library researchers and will likely become indispensable for both educators and students.DR.K. Burns, Hatboro, PA
Copyright 2000 Reed Business Information, Inc.

From Booklist

For the student, teacher, librarian, historian, storyteller, or researcher seeking details about Latino lore, this book provides 228 alphabetically arranged entries on literature, drama, media, art, society, religion, medicine, and history. Coverage includes the most common topics--"La Bamba," Cinco de Mayo, Quetzalcoatl, Tejanos, Tinwork--alongside less common terms, such as Curanderismo (healing), Palomilla (group of friends), Sobador (masseuse), and an entry for Teresa Urrea, a psychic and healer. A five-page introduction differentiates between Chicanos and Mexicanos and clears up misconceptions that folk culture is solely the province of the primitive peasant.

The text appears in clear fonts that pair roman with italic type for frequent citations and terms in Spanish, which Castro translates. She offers no pronunciation guides, which would benefit an English-speaking audience. Page layout is pleasant and easy on the eye. Cross-referencing and end-of-entry sources are balanced and proportional. Illustration is adequate, including black-and-white photographs and drawings as well as a spectacular, crayon-bright cover featuring a painting of a present-day couple contemplating La Virgen de Guadalupe.

Castro lacks the succinctness and punch of an experienced writer. Her diction and rhetoric are muddled; paragraphs are overlong. However, she makes up for rhetorical faults with an enthusiasm and expertise in a wide range of examples, language quirks, and data that appear to spring from extensive reading in primary sources. In entries such as La Leyenda Negra and La Llorona, she is particularly adept at dispelling false or overly hasty assumptions about Chicano culture. The 56 pages of back matter offer an impressive bibliography and meticulous indexing. The lack of Internet sites is a puzzling omission.

Overall, this useful dictionary presents basic concepts in an attractive, reasonably priced compendium. Its appearance at this peak moment in multicultural education should please purchasers seeking timely, informative reference materials that suit the needs of the general reader and student as well as the expert. The dictionary should satisfy the most discriminating researcher and find a place on shelves of public, school, and university libraries as well as in the collections of purveyors and performers of world and Chicano folklore. RBB
Copyright © American Library Association. All rights reserved

Product details

  • Publisher ‏ : ‎ ABC-CLIO (June 28, 2000)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 352 pages
  • ISBN-10 ‏ : ‎ 0874369533
  • ISBN-13 ‏ : ‎ 978-0874369533
  • Item Weight ‏ : ‎ 1.85 pounds
  • Dimensions ‏ : ‎ 7 x 0.81 x 10 inches
  • Customer Reviews:
    5.0 5.0 out of 5 stars 3 ratings

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Rafaela G. Castro
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Top reviews from the United States

Reviewed in the United States on September 21, 2016
A great resource for learning about Mexican American culture and history with all in a simple read.
Reviewed in the United States on April 16, 2005
The word 'Chicano' is used for an American of Mexican extraction, particularly one living in border areas of New Mexico etc. The word 'Chicano' denotes someone who, despite living in U.S.A. is pure Mexican (and thus is not to be confused with a 'pocho', a term which Chicanos apply to one of their own people who has become too Americanised or 'agringado' (i.e. like a 'gringo' or 'gavacho' - as the American is sometimes called). The chicanos have an extremely rich culture and this excellent reference work is a great tribute to that culture written by an expert. This dictionary is supplemented with a forty page bibliography as well as an index. The entries range from the 'abuelo' (literally 'grandfather' but the term is also used as a synonym with 'coco' which is a kind of bogeyman) to 'Zozobra' (a giant effigy which is burnt). By coincidence the last entry has an indirect relation to the first entry since there is a cross reference to the 'kookooee' which is another form of this effigy (burnt in Santa Fe) and the name of which is derived from the 'cucui' or 'coco' (which , as we have just mentioned, are synonymous with the 'abuelo'). In fact, talkng of the burning of effigies, I also read on p. 222 that at Easter (as in Mexico - and indeed even in many parts of Greece) a life-size effigy of Judas is burnt.
The author is careful to provide the correct Chicano Spanish term for all the traditions and customs mentioned. The work covers all aspects of folklore. There are rites of passage: baptism customs and rituals (found in the entry on the 'comadre'/'compadre'), the 'quinceanera'( - spelt with a tilde on the 'n' - this refers to a girl's fifteenth birthday celebration), wedding customs and death customs (e.g. in the entries 'camposanto' or cemetery, 'calavera' or skeleton, the 'Dia de la Muerte' or Day of the Dead and 'la carreta de la muerte' or death cart). There are also entries which feature mythological creatures in folk tales like the 'chanes' or water spirits, the 'duendes' or goblins (distinct from the 'pichilingis' or elves) and the 'chirrionera' or mythical snake.
There are many entries which pertain to 'fiestas' and calendar customs. For instance, in connection with the Christmas season there are entries on 'aguinaldos' or carols, 'farolitos' or lanterns, 'matachines','oremos' and the 'pinata'(spelt with a tilde - the clay pot that children break to get the presents and sweets/candies inside). There are also legends such as 'La Llorona' and even some Aztec myths like Aztlan, Quetzalcoatl and Tanantzin etc. The dictionary also contains a few short biographies of notable persons such as La Adelita (feminist symbol) and the pioneering folklorist Fabiola Cabeza de Baca.
Food is also represented with entries like the 'burritos'(little donkeys) and 'capirotada', etc. There is a reference to 'curanderismo' or folk healing as well as to the 'huesero' ot bone-setter. Similarly, some words deal with magic and superstition such as 'brujeria' or witchcraft and the 'mal ojo' or evil eye. The reader can also find entries on chicano folk art such as the 'colcha' or blanket and the 'retablos' or religious paintings. Musical entries are also provided (e.g. the 'conjunto' groups and the 'mariachi' bands). Unique literary terms are also included like 'adivinanzas' or riddles, 'decimas' or poetic narratives and one can also find terms that relate to political and social aspects of chicano culture. For instance, there is mention of the 'rascuache' or downtrodden folk, the 'pachucos' (urban youth of the 1940s) and even the 'alambrista' or illegal border-crosser.
There are so many other fascinating entries which cannot all be mentioned here. This is an important work and an invaluable record of the Chicanos' cultural wealth. It is an essential reference tool for Mexicans on both sides of the border and for general readers who enjoy reading comparative folklore.
N.B. THIS BOOK (ENTITLED 'DICTIONARY OF CHICANO FOLKLORE')IS EXACTLY THE SAME BOOK AS ANOTHER ENTITLED 'CHICANO FOLKLORE: GUIDE TO TRADITIONS, RITUALS AND RELIGIOUS PRACTICES OF MEXICAN AMERICANS' (BY A DIFFERENT PUBLISHING HOUSE). THE FORMER IS THE ORIGINAL HARDBACK EDITION AND THE EXTRA PAGES (333 AS OPPOSED TO 308) IS DUE TO THE FACT THAT IT IS ILLUSTRATED WITH DOZENS OF BLACK AND WHITE PHOTOGRAPHS. THE LATTER TITLE IS SIMPLY A MUCH MORE ECONOMICAL PAPERBACK VERSION OF THE SAME WORK.
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