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Margaret Mead Made Me Gay: Personal Essays, Public Ideas (Series Q) Paperback – November 22, 2000

4.2 4.2 out of 5 stars 8 ratings

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Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as “The Mythic Mannish Lesbian” and “Dick(less) Tracy and the Homecoming Queen” with entirely new work such as “Theater: Gay Anti-Church.”
Newton’s provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life—”Drag and Camp,” “Lesbian-Feminism,” “Butch,” and “Queer Anthropology”—the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives,
Margaret Mead Made Me Gay also includes photographs from Newton’s personal and professional life.
With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices,
Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies.
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Editorial Reviews

Amazon.com Review

Anthropologist Esther Newton, second-wave feminist, butch from birth, and author of the groundbreaking 1972 study of drag, Mother Camp, here presents 20 engaged and engaging essays and book excerpts from the past three decades, ranging from political arguments to memoirs. Early in her academic career, Newton took a stand against the dry, "objective" writing style then being promoted in her field (and many others) as the social sciences sought to ally themselves with the hard sciences. The resulting prose is a curious but flexible hybrid well suited to Newton's related subject matters--sexual politics (including gender identity); the intersections of feminism and the academy; and her own evolving position as a butch lesbian in the academy, the lesbian and gay world, and the culture at large. Although Newton's early work is important and influential, some of the most striking pieces in this collection date from the 1990s, including Newton's critical and historical exploration of theatre as "gay anti-church"; her essay "Dick(less) Tracy and the Homecoming Queen," in which she tracks the election of the first-ever lesbian homecoming queen of Cherry Grove in the summer of 1994; and "My Butch Body," a memoir of her childhood and troubled youth. --Regina Marler

From Publishers Weekly

The wonderful title of this collection refers to the moment when NewtonAa college student ashamed of her feelings for other womenAread Coming of Age in Samoa and realized that various cultures have differing ideas of what constitutes "normal" sexuality. It seems only fitting, then, that Newton (Cherry Grove, Fire Island), now a professor of anthropology at SUNY Purchase, would become a pioneering scholar in lesbian and gay studies. This collectionAan intellectual genealogy of Newton's work from the last 30 yearsAreveals the prescience and durability of her earliest writings. The selections from her influential 1972 study of drag culture, Mother Camp, make effortless statements about gender presentation as "performance" and "impersonation" that are now staples of contemporary queer theory. In the 1960s, however, she had little professional support from her colleagues ("My topic was widely viewed as an inappropriate dirty joke"). Her newer pieces prove just as stimulating and vital. "Theater: Gay Anti-Church" argues that for gay people, theater serves as an almost religious site of community, iconography and ritual. A chapter from her upcoming autobiography, My Butch Career, shares personal revelations and exposes the formation of young butch identity: "My child body was a strong and capable instrument somehow stuffed into the word 'girl.' " This collection will be deservedly popular among devotees of gay and lesbian studies and anthropology. 23 b&w photos.
Copyright 2000 Reed Business Information, Inc.

Product details

  • Publisher ‏ : ‎ Duke University Press Books; First Edition (November 22, 2000)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 360 pages
  • ISBN-10 ‏ : ‎ 0822326124
  • ISBN-13 ‏ : ‎ 978-0822326120
  • Item Weight ‏ : ‎ 2.11 pounds
  • Dimensions ‏ : ‎ 6 x 0.89 x 9 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 8 ratings

About the author

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Esther Newton
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Esther Newton is a writer, scholar and retired college professor. She was born in New York City in 1940 to Virginia Bash, who was the only child of a novelist and a US Army General. Newton's father, William H. Miller, who was a "Jewish hunk" according to Virginia, refused to marry her and left the scene. In 1945 Virginia married Saul Newton, who had fought in the Spanish Civil War and World War II. Esther was a so-called "red diaper baby" because all these parents had met in and were members of the Communist Party in the 1930s.

In 1948 Saul and Virginia divorced and Virginia moved to California and became a noted breeder of Papillon dogs. Esther was miserable in California and after five years left home to finish her senior year in high school at the Stockbridge School in Massachusetts. During high school she began to think she might be a lesbian, but not until 1965 did she finally come to peace and self acceptance, so great was the social pressure against homosexuality at that time. She did not come out publicly as a lesbian until 1974, when she got the job security of a tenured professorship.

After majoring in history and the University of Michigan, Newton attended graduate school in Anthropology at the University of Chicago, receiving her Ph.D. in 1968. Her dissertation was on drag queens and their performances in Chicago and Kansas City, which was published as a book, Mother Camp: Female Impersonators in America, which ultimately became a foundational text in sexuality and gender studies. She taught some of the earliest courses on lesbian and gay history while teaching at Purchase College for thirty-five years. She finished out her teaching career at the University of Michigan in the Women's Studies Department, retiring in 2016.

Her work has has been translated into a number of other languages and received honors including the Ruth Benedict Award of the Society of Lesbian and Gay Anthropologists of the American Anthropological Association, and a lifetime achievement award from the same organization. Her latest work, My Butch Career: A Memoir, has been favorably reviewed in the LA Review of Books, Curve Magazine and the New Yorker among others, and she has done a number of interviews and readings, including one at Manchester University in England. Her memoir is a finalist in the Lesbian Memoir Biography category of the Lambda Literary Society (Lammys).

Customer reviews

4.2 out of 5 stars
4.2 out of 5
8 global ratings

Top reviews from the United States

Reviewed in the United States on April 18, 2016
Reviewed in the United States on February 8, 2007
Newton has no concept of reality. This collection is nothing but more feminist banter standing upon a foundation of pagan thought at a teenage comprehension level.

Whether you find yourself rooting with liberals or conservatives there is no level of scholarship to be found anywhere the truth has been subdued.
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Reviewed in the United States on September 16, 2014
The book is simply amazing.
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Reviewed in the United States on February 19, 2001
Esther Newton is an extremely gifted thinker and writer. She points up important issues for gender studies in a clear and compelling, and still quite groundbreaking, style. This book works very diligently and successfully at several levels: as a historical narrative of the trajectory of Newton's life and career; as a theoretical discourse which is situated specifically by her historical narrative; as a critique of and a profound contribution to her profession, anthropology; as a powerful argument for the inevitable relationship between theory and history; as a courageous and provocative piece of scholarship.
Many of these essays were written early in the second wave of feminism, so the issues they engage point up the degree to which Newton has been ahead of her time. That she narrativizes the essays as the historical life of an academic (herself) attests to the fact that she is still ahead of her time: everything-- political, academic, social, sexual--is lived. There are no categories which happen outside of the people who make them.
Because of Newton's autobiographical, comfortable style, it should be noted that the book, although clearly academic, is a fairly easy read.
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