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Female Masculinity Paperback – October 26, 1998

4.5 4.5 out of 5 stars 89 ratings

Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister’s diaries and Radclyffe Hall’s
The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among “transgender dykes”—lesbians who pass as men—and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.


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Editorial Reviews

Amazon.com Review

Readers who have followed the postmodern gender debate in the university presses (ranging from Thais Morgan's sedately twisted analyses of Victorian male lesbianism to Judith Butler's acclaimed Gender Trouble) will delight in the latest little earthquake: Judith Halberstam's deft separation of masculinity from the male body in Female Masculinity. If what we call "masculinity" is taken to be "a naturalized relation between maleness and power," Halberstam argues, "then it makes little sense to examine men for the contours of that masculinity's social construction." We can learn more from other embodiments of masculinity, like those found in drag-king performances, in the sexual stance of the stone butch, and in female-to-male transgenderism. Halberstam's subject is so new to critical discourse that her approach can be somewhat scattershot--there is simply too much to say--but her prose is lucid and deliberate, and her attitude refreshingly relaxed. Essential reading for gender studies and a lively contribution to cultural studies in general. --Regina Marler

From Library Journal

Halberstam (literature, Univ. of California, San Diego; Skin Shows: Gothic Horror and the Technology of Monsters, Duke Univ., 1995) presents a unique offering in queer studies: a study of the masculine lesbian woman. Halberstam makes a compelling argument for a more flexible taxonomy of masculinity, including not only men, who have historically held the power in society, but also women who embody qualities that are usually associated with maleness, such as strength, authority, and independence. Fleshing out her argument by drawing on a variety of sources?fiction, films, court documents, and diaries?Halberstam calls for society to acknowledge masculine lesbian women and value them. A dense work that requires some knowledge of gay studies, this is recommended for academic libraries and will appeal to scholars in gay studies, gender studies, women's studies, film studies, and sociology.?Kimberly L. Clarke, Univ. of Minnesota Lib., Minneapolis
Copyright 1998 Reed Business Information, Inc.

Product details

  • Publisher ‏ : ‎ Duke University Press Books; 1st edition (October 26, 1998)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 329 pages
  • ISBN-10 ‏ : ‎ 0822322439
  • ISBN-13 ‏ : ‎ 978-0822322436
  • Item Weight ‏ : ‎ 1.2 pounds
  • Dimensions ‏ : ‎ 6.25 x 1 x 9.25 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 89 ratings

About the author

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J. Jack Halberstam
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J. Jack Halberstam is the author of "Gaga Feminism: Sex, Gender, and the End of Normal" (Beacon Press, 2012), along with four other books, including "Female Masculinity" and "In a Queer Time and Place." Currently a professor of English and gender studies and director of the Center for Feminist Research at the University of Southern California, Halberstam regularly speaks on queer culture, gender studies, and popular culture, and blogs at The Bully Bloggers.

Photo Credit: Assaf Evron, 2012.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
89 global ratings

Top reviews from the United States

Reviewed in the United States on February 23, 2024
I had a terrible experience ordering 'Vivienne Westwood: An Unfashionable Life' from Amazon. It was a poor-quality print that started on page 29 where page 1 should have been. My copy of 'Female Masculinity' came with the same flimsy cover so I was worried it was that situation all over again, but the content inside is good. Really excited to read this
Reviewed in the United States on August 27, 2020
This book is incredible, and I really mean incredible. I would recommend this to butch women, non-binary individuals, trans men, trans women, lesbians, straight, bisexual, everyone! I had no idea that I had such an outdated view of what female masculinity was, and this book helped me realize that as well as figure out how it got that way. I want everyone I know to read this book!
3 people found this helpful
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Reviewed in the United States on September 2, 2014
Excellent treatise on an invisible subject. A little outdated, but still a seminal work.
2 people found this helpful
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Reviewed in the United States on March 30, 2015
A great read, Jack is a spectacular and seminal queer theorist. However, I really wish that Jack had made more space for female masculinity in a heterosexual space in this book. Obviously, there is something inherently queer about "female masculinity" but as a gender theorist and a self identified masculine female who is very much sexually attracted to men, I find myself continually frustrated by the equation of female masculinity with attraction to women. Of course there's also the fact that Jack's writing is informed by personal experience in queer communities. But really, such a frustrating elision.
20 people found this helpful
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Reviewed in the United States on March 26, 2011
Essential reading for anyone studying gender theory, cultural studies, or LGBT studies. Halberstam's writing is very clear and easy to understand while being incredibly insightful and brilliant. Book is filled with really insightful cultural analysis (films, books, etc) as well as related images. A valuable resource for further study. Undoubtedly theoretical in nature, but very readable, I would highly recommend this text.
2 people found this helpful
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Reviewed in the United States on March 15, 2020
The author states in the preface that she was a masculine girl and is a masculine woman. She also states that in the ten years prior to writing this book she has, “turned stigma into strength.” That’s exactly what the 90s were all about for tomboy, androgynous and masculine girls/women!

The book is not about female masculinity as the title implies. It exclusively addresses masculine lesbianism. Oddly, the author waits until p.57 to inform readers that when it comes to discussing masculine heterosexual women,..”it is not within the scope of this book...”

In its more than 300 pages, I expected the book to document historical challenges to sex stereotypes that brought Western society to where it was in the late 90s - the wide distribution of personalities, styles, mannerisms and presentations observed in women. And while the most masculine and most feminine types would certainly be found toward the tails of the distribution, they’re still very much part of the female distribution. I’m not certain the author of this book would acknowledge that.

While historical masculinities of females were discussed, their identities were defined by same-sex relationships. And the women who loved them were subtly depicted as docile; they were merely available for attention but without a sexual orientation of their own. The author seems to interpret some of these historical masculine women as not actually women - yikes! She reinforces sex stereotypes (clothing, nick names, occupational interests, etc) by using them as evidence that these masculine women may be something else. But what else could they be?

There’s an entire chapter on Transgender FTM which seems to mimic Inversion- a theory born in the late 1800s, explaining homosexuality among masculine females and feminine males. Inversion theory suggested an inborn reversal of traits. In other words- those who embody stereotypes of the opposite sex AND are also homosexual must have an inborn error. Inversion theory is similar to current day transgenderism which espouses a born-in-the-wrong-body mantra. Sadly, the wide range of female expression achieved by the late 90s was almost instantaneously eroded by a distinctly modern combination: off-label use of synthetic male hormones on females plus new technologies to mass promote this use.

The Butches on Film chapter pushed me to watch as many of the mentioned films as I could. Because of this, I’m now a fan of old movies and will be forever grateful.

Overall, it is not the positive message I was expecting for masculine females of any & all orientations. The author’s “stigma into strength” is hard to locate in chapter after chapter of masculine lesbian life depicted as sad and melancholic. At times, the author’s disagreement with other’s writings gets a bit snarky by assigning malicious intent where there is none. There’s also a tendency to “decode” hidden racism among benign works. The book’s organization is great. The Filmography and Index sections are a superb resource.
17 people found this helpful
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Reviewed in the United States on April 10, 2012
This is a ground-breaking academic book. When I purchased this book at amazon.com, I was worried that it would not reach me before my departure from the USA. Fortunately, it reached me as scheduled. I love this book, for it enables me to know more about American culture, which, by the way,to be frank, is sometimes confusing.
2 people found this helpful
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Reviewed in the United States on June 4, 2016
Fantastic book. Has relevance to so much and I am able to use it in many of my women's studies classes.
One person found this helpful
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Top reviews from other countries

Cam
5.0 out of 5 stars Great
Reviewed in Canada on July 13, 2023
Interesting read. Shame plus female masculinity equals exploitable bodies for pharma gender experiments.
Susan
4.0 out of 5 stars Easier to read than I imagined
Reviewed in the United Kingdom on October 13, 2023
I read up to page 110 including the bit about the methodology of looking at the history of the last 200 years of feminine masculinity. It was very interesting, fascinating and informative and very clever and deep. It is a rebellious book because it uses a multidisciplinary approach.
It’s a lot easier to read than I expected.
It’s good to know that people are thinking about these things and thinking about them deeply.
Reading some highbrow books I have to make sure I understand every sentence otherwise I just get more lost whereas in this book when I didn’t grasp a sentence the following sentences explained it more fully with examples. (But that doesn’t work if it is the last sentence in the paragraph. 🤣🤣)
Life is such a rich tapestry. And with so many unfulfilled desires, frustrations and suffering.
I look at things through a different lens now I’ve read this book.