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Moonlight and Magnolias - Acting Edition Paperback – January 1, 2006
This is an insight into 1930s Hollywood and an epic of laughter. David O. Selznick is determined to rewrite Gone with the Wind. He engages the services of “script doctor” Ben Hecht, who has never read the book, and director Victor Fleming, poached straight from the set of The Wizard of Oz.
- Print length72 pages
- LanguageEnglish
- PublisherDramatists Play Service, Inc.
- Publication dateJanuary 1, 2006
- Dimensions5.25 x 0.25 x 7.5 inches
- ISBN-100822220849
- ISBN-13978-0822220848
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Product details
- Publisher : Dramatists Play Service, Inc. (January 1, 2006)
- Language : English
- Paperback : 72 pages
- ISBN-10 : 0822220849
- ISBN-13 : 978-0822220848
- Item Weight : 2.4 ounces
- Dimensions : 5.25 x 0.25 x 7.5 inches
- Best Sellers Rank: #2,648,628 in Books (See Top 100 in Books)
- #2,234 in Comedic Dramas & Plays
- #8,716 in Theater (Books)
- Customer Reviews:
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In this two-act comedy the setting is Selznick's Hollywood office and the imagination as to what happened during the five days in which Hecht wrought the new and improved screenplay for "GWTW" is mostly that of author Ron Hutchinson, who takes what little the survivors of this event revealed after the fact and runs with it. On the one hand it is clear that the more you know about the 1,037 page novel, the 3 hour and 53 minute movie, and the making of the movie, the more you are going to enjoy the various jokes and references that fly by during this farce. But on the other hand, all you really need to know is that Selznick's movie is going to be the biggest blockbuster in the history of the cinema (both in terms of number of tickets sold and money, once you adjust for inflation). Then again, the fact that Hecht was working on a Marx Brothers movie might be even more important, because "Moonlight and Magnolias" is more akin to their brand of zaniness more than anything else.
The main comic tension is that Hecht does not want to be there and the more he hears about the story, the less he thinks about the whole idea of the movie and its troubled heroine. In fact, Hecht considers Katie Scarlett O'Hara Hamilton Kennedy Butler to be an adulterous, two-timing, slave-driving heroine who is about to add child abuse to her resume when she starts beating on Prissy for knowin' nothin' 'bout birthin' no babies. Then again, the nicest thing Fleming has to say about the character is that she does not have enough class to be a hooker. However, despite these and other objections, Selznick keeps insisting Scarlett has to stay in the movie and the script has to remain true to Mitchell's novel. As much as Hutchinson likes to have fun with these characters, with Selznick fluttering around playing Scarlett, Fleming forced to give birth to Ashley's baby among other indignities, and Hecht devolving into a hysterical wreck, he also has a real affection for the real people and the great movie they produced. Chances are most fans of "GWTW" are never going to be able to see this play performed (although I did a couple of months ago), but if you have owned every version of the film that has been produced on videotape and DVD and are in double figures on "GWTW" collectibles , then you should definitely check out "Moonlight and Magnolias" for some laughs.
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