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Everything You Know about Indians Is Wrong (Indigenous Americas Series) Hardcover – April 14, 2009
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In this sweeping work of memoir and commentary, leading cultural critic Paul Chaat Smith illustrates with dry wit and brutal honesty the contradictions of life in “the Indian business.”
Raised in suburban Maryland and Oklahoma, Smith dove head first into the political radicalism of the 1970s, working with the American Indian Movement until it dissolved into dysfunction and infighting. Afterward he lived in New York, the city of choice for political exiles, and eventually arrived in Washington, D.C., at the newly minted National Museum of the American Indian (“a bad idea whose time has come”) as a curator. In his journey from fighting activist to federal employee, Smith tells us he has discovered at least two things: there is no one true representation of the American Indian experience, and even the best of intentions sometimes ends in catastrophe. Everything You Know about Indians Is Wrong is a highly entertaining and, at times, searing critique of the deeply disputed role of American Indians in the United States. In “A Place Called Irony,” Smith whizzes through his early life, showing us the ironic pop culture signposts that marked this Native American’s coming of age in suburbia: “We would order Chinese food and slap a favorite video into the machine—the Grammy Awards or a Reagan press conference—and argue about Cyndi Lauper or who should coach the Knicks.” In “Lost in Translation,” Smith explores why American Indians are so often misunderstood and misrepresented in today’s media: “We’re lousy television.” In “Every Picture Tells a Story,” Smith remembers his Comanche grandfather as he muses on the images of American Indians as “a half-remembered presence, both comforting and dangerous, lurking just below the surface.”
Smith walks this tightrope between comforting and dangerous, offering unrepentant skepticism and, ultimately, empathy. “This book is called Everything You Know about Indians Is Wrong, but it’s a book title, folks, not to be taken literally. Of course I don’t mean everything, just most things. And ‘you’ really means we, as in all of us.”
- Reading age1 year and up
- Print length212 pages
- LanguageEnglish
- Dimensions5.38 x 1 x 8.5 inches
- PublisherUniv Of Minnesota Press
- Publication dateApril 14, 2009
- ISBN-109780816656011
- ISBN-13978-0816656011
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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In this rigorously insightful collection of essays written between 1992 to 2008, Smith, a wry, sharp-edged cultural critic, and associate curator for the NMAI, addresses the myriad ironic complexities of American Indian reality. --Washington Post (added by author)
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Product details
- ASIN : 0816656010
- Publisher : Univ Of Minnesota Press; First Edition (April 14, 2009)
- Language : English
- Hardcover : 212 pages
- ISBN-10 : 9780816656011
- ISBN-13 : 978-0816656011
- Reading age : 1 year and up
- Item Weight : 13.1 ounces
- Dimensions : 5.38 x 1 x 8.5 inches
- Best Sellers Rank: #371,092 in Books (See Top 100 in Books)
- #482 in Native American Demographic Studies
- #1,001 in Native American History (Books)
- #1,082 in Arts & Photography Criticism
- Customer Reviews:
About the author
Paul Chaat Smith is a Comanche writer and curator whose work is focused on American Indian political and cultural space. He is the author of Everything You Know about Indians Is Wrong and coauthor of Like a Hurricane: the Indian Movement from Alcatraz to Wounded Knee, as well as numerous essays on cultural politics. Smith lives in Washington, DC.
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In the earlier parts of the book he discusses how the idea of "Indians" didn't exist until the Europeans arrived. Before that time the Americas was divided up between nations, much as Europe was. There were conflicts between nations, and boundaries changed with time, but that also happened in Europe. It was the Europeans who imposed the idea that all natives were one group of primitive people divided into "tribes", rather than a kaleidoscope of cultures similar to the situation in Europe.
[Note: For an outstanding book on what the Americas were really like before the landing of Columbus, and how the nations of the new world fell, see "1491" by Charles C. Mann, an outstanding book.]
He continues on to explain, often quite amusingly, how movies and other media formed a popular but inaccurate image of native people. (Crazy Horse was nicknamed "Curly" as a kid?!)
Next Smith talks about his involvement with the American Indian Movement. For those who lived through the era, it provides another viewpoint. (A dysfunctional take, by the way.) For younger readers it can serve a brief primer on ancient history.
Then he move into contemporary Indian art. I'll just say I have different tastes than the author, especially regarding performance art.
In the end he returns to the dichotomy between how Indians are viewed and how they really live.
There are parts of this book I really enjoyed, and parts where I disagreed with the author. But it's a short book, and a personal one, and his voice deserves to be heard. If the subject interests you, go ahead and read it. Even when you disagree you'll be forced to think.