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Thomas Day: Master Craftsman and Free Man of Color (Richard Hampton Jenrette Series in Architecture and the Decorative Arts) Hardcover – May 22, 2010
In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs.
Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861.
Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.
- Print length320 pages
- LanguageEnglish
- PublisherThe University of North Carolina Press
- Publication dateMay 22, 2010
- Dimensions8 x 1 x 11 inches
- ISBN-109780807833414
- ISBN-13978-0807833414
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Editorial Reviews
Review
Give[s] hints of the artisan's hidden inner life. [Day] came across as subservient in his newspaper ads, promising that commissions 'will be thankfully received and punctually attended to.' But he sent his children to an abolitionist boarding school in Massachusetts and wrote them that he longed to leave 'the Oppressive South.'--The New York Times
Day's incredible story is exhaustively researched and deftly illustrated. . . . A fascinating study of both the entrepreneur and his craft. . . . [With] eye-catching photographs and engrossing text. Highly recommended.--Library Journal
An excellent book about the craftsman's remarkable life. Building upon decades of research, the authors have produced the most comprehensive publication on this figure to date. . . . The photographs . . . are abundant and of high quality.--American Craft
This beautifully-illustrated book offers exceptionally skillful and sensitive readings of the artifactual and textual evidence. It is recommended for academic libraries, museums and large public libraries, and for all collections that support programs in African American studies and American cultural history more generally.--Art Libraries Society of North America
Comprehensively researched and delightfully written. . . . The authors successfully advance the body of knowledge of free African American craftsmen in the antebellum period, while painting a vibrant image of the world in which Thomas Day operated. . . . Will be indispensable for all collections that focus on art history and the decorative arts, African American history, the antebellum era, and regional collections. . . . Essential.--Choice
This fascinating study explores the vital legacy of Thomas Day. . . .The authors have produced a highly detailed−and highly readable−study of Day's career." --The Magazine Antiques
This long-awaited book . . . is the first significant scholarly examination of Day and his work. . . . The product of decades of research. . . . Is a foundation on which future scholars can build the often-forgotten story of North Carolina's free black community, and it is also a call to scholars in other states, North and South, to search out similar stories that puncture the myth of a monolithic antebellum society.--North Carolina Historical Review
Thomas Day is to be lauded as a significant achievement in scholarship on free black artisans of the South.--Journal of Southern History
Provide[s] the most comprehensive inventory of Thomas Day's furniture and architectural woodwork to date. This is an invaluable volume. . . . Marshall and Leimenstoll have indeed broken new ground by better illuminating the work of one of America's greatest craftsman and by placing his life and business within a larger context that will interest readers beyond academe and the fields of history and material culture.--Winterthur Portfolio
From the Inside Flap
From the Back Cover
About the Author
Jo Ramsay Leimenstoll is professor of interior architecture at the University of North Carolina at Greensboro.
Product details
- ASIN : 080783341X
- Publisher : The University of North Carolina Press; First Edition (May 22, 2010)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 9780807833414
- ISBN-13 : 978-0807833414
- Item Weight : 2.18 pounds
- Dimensions : 8 x 1 x 11 inches
- Best Sellers Rank: #2,067,720 in Books (See Top 100 in Books)
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Visited the Thomas Day House in Milton after reading this book. Thomas Day*s story comes to life here!