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The Birthday Party & The Room Paperback – January 20, 1994
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In The Birthday Party, a musician escapes to a dilapidated boarding house, where he falls victim to the shadowy, ritualized violence of two men who have followed him from his sinister past. In The Room, a derelict boarding house again becomes the scene of a visitation from the past when a blind man suddenly arrives to deliver a mysterious message. Both plays are invested with the elements that make Pinter’s work unique: the disturbing familiarity of the dialogue, the subtle characterization, and the abrupt mood and power shifts among the characters, which can be by turns terrifying, moving, and wildly funny.
- Print length120 pages
- LanguageEnglish
- PublisherGrove Press
- Publication dateJanuary 20, 1994
- Dimensions5.5 x 0.5 x 8.25 inches
- ISBN-100802151140
- ISBN-13978-0802151148
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Product details
- Publisher : Grove Press; Revised edition (January 20, 1994)
- Language : English
- Paperback : 120 pages
- ISBN-10 : 0802151140
- ISBN-13 : 978-0802151148
- Item Weight : 5.5 ounces
- Dimensions : 5.5 x 0.5 x 8.25 inches
- Best Sellers Rank: #231,084 in Books (See Top 100 in Books)
- #204 in British & Irish Dramas & Plays
- #475 in Theater (Books)
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Of course none of us is in control of his or her destiny, but in this play Rose doesn't know if the room is still hers, who her landlord is, and who are the strange people who enter the room and seem to be attempting to control her life. Is Mr. Kidd the landlord? If he is, he doesn't know how many floors the house has. Rose asks him questions; he evades answering them or doesn't comprehend.
The stranger Riley calls her Sal, and says she is wanted at home. She's puzzled; we're puzzled, and that's part of what Pinter is saying--we live in an existential world in which we operate and wait for we know not what.
Pinter took his cue from Samuel Beckett and brought his audience into new territory where the norms of behavior were altered, into a world of questions without answers. But Pinter the artist was able to create an alternative world in which his plots intrigue us, his dialogue has its own beauty and majesty, and his characters fascinate us.
Pinter changed the audience's expectations, shook them out of their usual theater-going habits and made them think. He made them anxious, antsy with his skittish people in his edgy plays. Rose says, "Who did bring me into the world?" Why, Pinter did, of course.
Rose Hudd talks endlessly in the beginning, and her husband Bert says nothing. It's cold and damp, and he has to take the van out. When he comes back he talks briefly about his trip and savagely confronts a stranger, and Rose ends up transformed.
Pinter often used the enclosure of a single room: human beings were caged in, caught in a claustrophobic situation. The play seems slow-moving yet a great deal happens. Great portent is conveyed quite quickly. He's a shock and awe artist.
There's always the possibility Pinter is toying with us, seeing what he can get away with, seeing if his quirky stuff will go over, conning us.
I have reviewed "The Birthday Party" elsewhere on Amazon.