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Storytelling in the Pulps, Comics, and Radio: How Technology Changed Popular Fiction in America Paperback – Illustrated, June 3, 2004
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The first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression.
This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.
- Print length235 pages
- LanguageEnglish
- PublisherMcFarland & Company
- Publication dateJune 3, 2004
- Reading age18 years and up
- Dimensions6 x 0.47 x 9 inches
- ISBN-100786419024
- ISBN-13978-0786419029
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- Publisher : McFarland & Company (June 3, 2004)
- Language : English
- Paperback : 235 pages
- ISBN-10 : 0786419024
- ISBN-13 : 978-0786419029
- Reading age : 18 years and up
- Item Weight : 10.9 ounces
- Dimensions : 6 x 0.47 x 9 inches
- Best Sellers Rank: #2,513,625 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
I'm a Christian and have been on short-term missionary trips to Haiti and South Sudan. I teach several Bible studies on a regular basis. Also, I'm the author of several magazine articles on military history and the Old West, as well as the books "Storytelling in the Pulps, Comics and Radio: How Technology Changed Popular Fiction in America" and "Radio by the Book: Adaptations of Literature and Fiction on the Airwaves." I've written a number of short e-books about old-time radio, classic movies and evangelical Christian theology.
I have a blog about pre-digital pop culture--covering pulp fiction, classic comics, old-time radio and B-movies--called Comics, Old-Time Radio and Other Cool Stuff. You can find it at comicsradio.blogspot.com.
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"Storytelling in the Pulps, Comics, and Radio" is an excellent survey of how storytelling has thrived in America through the various media that were popular at different times in our history. DeForest believes everybody loves a good story whatever its form of delivery, be it written, oral, or visual. Coverage includes dime novels, adventure stories, crime and detective stories, science fiction and strange stories, radio drama, and story based comics. An emphasis is placed on the role that changes in technology and economics played in the survival or demise of particular media. Particularly interesting is how many of America's greatest writers were involved, and how many, if not most, of America's favorite TV and movie heroes and heroines were born in the pulps, comics and radio shows of decades ago.
This book is probably best for those with little to average knowledge of the subject. Diehard pulp, comics and radio story fans, like DeForest, would probably not learn much here. They know it all already.
The only faults I find with this book are the high price tag (get your local library to buy a copy) and that DeForest blatantly omits the romance genre of his subject. So all of you women out there who might be interested in the history of the romance pulps and comics, you won't find it here. Deforest is too busy swashbuckling to swish you off your feet.
I have to admit that I actually did read this book and that I know the author and that I am one of the uncultured Philistines of Friday Snack Time mentioned on the frontispiece of the book. Therefore you can believe that I wrote this favorable review under threat of an ugly alien monster's death ray (which I didn't) or that it is all absolutely true (which it is).
It's a crying shame that this book was not priced at 10 cents so that everyone could afford to buy a copy.
Allen Novak, Librarian
Ringling School of Art and Design