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Richard II (Folger Shakespeare Library) Mass Market Paperback – July 1, 2005
Shakespeare’s Richard II presents a momentous struggle between Richard II and his cousin Henry Bolingbroke. Richard is the legitimate king; he succeeded his grandfather, King Edward III, after the earlier death of his father Edward, the Black Prince. Yet Richard is also seen by many as a tyrant. He toys with his subjects, exiling Bolingbroke for six years.
When he seizes the title and property that should be Bolingbroke’s, Richard threatens the very structure of the kingdom. Bolingbroke returns with an army that is supported by nobles and commoners alike, both believing themselves oppressed by Richard. This sets the stage for a confrontation between his army and the tradition of sacred kingship supporting the isolated but now more sympathetic Richard.
This edition includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading
Essay by Harry Berger, Jr.
The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
- Print length352 pages
- LanguageEnglish
- PublisherSimon & Schuster
- Publication dateJuly 1, 2005
- Dimensions4.19 x 0.9 x 6.75 inches
- ISBN-100743484916
- ISBN-13978-0743484916
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Editorial Reviews
About the Author
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.
Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.
Product details
- Publisher : Simon & Schuster; 1st edition (July 1, 2005)
- Language : English
- Mass Market Paperback : 352 pages
- ISBN-10 : 0743484916
- ISBN-13 : 978-0743484916
- Item Weight : 5.6 ounces
- Dimensions : 4.19 x 0.9 x 6.75 inches
- Best Sellers Rank: #1,214,080 in Books (See Top 100 in Books)
- #7,101 in Dramas & Plays
- #11,763 in Performing Arts (Books)
- #95,934 in Reference (Books)
- Customer Reviews:
About the authors
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's preeminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Shakespeare was born in Stratford-upon-Avon in Warwickshire and was baptised on 26 April 1564. Thought to have been educated at the local grammar school, he married Anne Hathaway, with whom he went on to have three children, at the age of eighteen, before moving to London to work in the theatre. Two erotic poems, Venus and Adonis and The Rape of Lucrece were published in 1593 and 1594 and records of his plays begin to appear in 1594 for Richard III and the three parts of Henry VI. Shakespeare's tragic period lasted from around 1600 to 1608, during which period he wrote plays including Hamlet and Othello. The first editions of the sonnets were published in 1609 but evidence suggests that Shakespeare had been writing them for years for a private readership.
Shakespeare spent the last five years of his life in Stratford, by now a wealthy man. He died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623.
(The portrait details: The Chandos portrait, artist and authenticity unconfirmed. NPG1, © National Portrait Gallery, London)
Barbara A. Mowat (1934-2017) was the Director of Research Emerita at the Folger Shakespeare Library, consulting editor of Shakespeare Quarterly, and editor (with Paul Werstine) of the Folger Shakespeare Library editions of Shakespeare's works. Her major fields of research interest included Shakespeare’s dramatic romances, early modern printed dramatic texts, and Shakespeare’s reading practices. She received an M.A. degree in English literature from the University of Virginia, a Ph.D. in English literature from Auburn University, and Doctorates of Humane Letters from Amherst College, St. Johns University, and Washington College. Before coming to the Folger, she was Hollifield Professor of English Literature at Auburn University and then Dean of the College at Washington College. She served as president of the Shakespeare Association of America, president of the Southeast Renaissance Conference, chair of the MLA committee on the New Variorum Shakespeare, and was a member of the advisory board of the International Shakespeare Conference.
Paul Werstine is professor of English at King’s University College at Western University, a member of the graduate faculty at the University, editor (with Barbara A. Mowat) of the Folger Shakespeare Library editions of Shakespeare's works, and general editor (with Richard Knowles of the University of Wisconsin–Madison and Eric Rasmussen of the University of Nevada--Reno) of the New Variorum Shakespeare, published by the Modern Language Association, for which he is preparing the volume on Romeo and Juliet. He has written extensively about the transmission of early modern English dramatic texts in manuscript and into print, and about the history of editing Shakespeare, including Early Modern Playhouse Manuscripts and The Editing of Shakespeare (Cambridge, 2012). Dr. Werstine holds an M.A. degree in English literature from Western University and a Ph.D. in English literature from the University of South Carolina.
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I Iived and went to a fine women's school. Thank you for asking me to write but it is THE BARD. I cannot do what you ask without literary blasphemy and without visiting my little friend in her grave now 60 years. And I am not allowed to travel except by flights of imagination in books such as those by Shakespeare. GK.
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The Folger ebook edition is a pleasure to read. The essay providing a modern interpretation of Richard II is, however, a major disappointment since it advances a thesis (i.e. that Richard II consciously wanted to be deposed) that seems totally implausible to me.
As part of my retirement project to read the literature that I was assigned to read in school but didn’t, I am now attempting ting to read as many of Shakespeare’s plays as possible. The Folger edition has forwards that indicate in the reading of the plays that one will come to comprehend and appreciate Shakespeare’s language both in the vocabulary and in the poetry. I’ve read all of the plays that were augend to me in high school and several others now. I can attest to the validity of the Folger’s editor’s statement. With Folger’s notes, I’ve come to understand most of the archaic words and can read along mostly unhindered by them. Surprisingly for me, the poetry of Shakespeare’s language is now becoming apparent to me and for that I am very glad.
I’ve read enough of the plays that in reading Richard II, I saw a commonality with many of the other Shakespeare plays that I have read. I wonder if this commonality is there and if it is whether it is a real insight or not. Shakespeare lived in the century after the end of the Wars of the Roses. He lived in the time of the Reformation and the English wars with Spain. No doubt, at that time, there was a vivid social memory of the chaos and destruction caused by the rivalry between the houses of York and Lancaster. What I find common in many of the plays is the descent into war and chaos from the hubris of the characters. It is certainly there in Richard III, Julius Cesar, Macbeth and even in Antony and Cleopatra. T Ricard II actions to antagonize the nobles and especially Bolingbroke were of the same sort. It is more complicated in Richard II because, as an essay in the Folger edition points out, it is arguable that Richard acted in that way to engineer his own downfall. However, Richard’s actions did result in the execution of many of his followers and created an instability in the political system. The ending of the play shows discovery of a rebellious plot against the new Henry IV.
In any event, what I see in these plays is a vision of social stability and peace upset by the ambitions of these flawed characters. It is the destruction of this peace that is the tragedy in these plays. I wonder if this was a social memory of the centuries of civil wars in England.