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George Gershwin (20th Century Composers) Paperback – Illustrated, April 23, 2008
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George Gershwin (1898–1937), during his short but prolific career, produced a varied body of work that combined symphonic composition with the musical styles popular in his era, including jazz and Negro spirituals. Known primarily for his jazz-tinged orchestral work Rhapsody in Blue, his folk opera Porgy and Bess, and his many wonderful songs featured in the films of Fred Astaire and Ginger Rogers, Gershwin and his lyricist brother Ira were key figures in the songwriting circles of pre-war America. Rodney Greenberg’s lively biography paints a vivid picture of this exciting era in the development of American music, and places Gershwin’s life and career within the social and cultural contexts in which he flourished.
- Print length240 pages
- LanguageEnglish
- PublisherPhaidon Press
- Publication dateApril 23, 2008
- Grade level8 and up
- Reading age13 years and up
- Dimensions6.25 x 0.63 x 8.75 inches
- ISBN-100714847720
- ISBN-13978-0714847726
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Editorial Reviews
Review
"An excellent critical account of Gershwin's musical development in the social and musical context of the first three decades of the century."―BBC Music Magazine
"Sharply observed..."―Billboard
"...An insightful, well written book..."―Jewish Chronicle
"A handsome, illustrated Gershwin biography."―Daily Telegraph
"My best tip for Xmas stockings would be Rodney Greenberg’s concise and well organised study of the life and music of everybody’s centennial hero, George Gershwin."―BBC Music Magazine
On the 20th Century Composers Series
"As a series, Phaidon's 20th Century Composers has brought remarkable variety and a welter of information, both necessary and delightfully trivial. Intended both for the general reader and for the more enthusiastically musical."―The Scotsman
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Product details
- Publisher : Phaidon Press; Revised edition (April 23, 2008)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0714847720
- ISBN-13 : 978-0714847726
- Reading age : 13 years and up
- Grade level : 8 and up
- Item Weight : 12.3 ounces
- Dimensions : 6.25 x 0.63 x 8.75 inches
- Best Sellers Rank: #2,473,101 in Books (See Top 100 in Books)
- #821 in Classical Musician Biographies
- #1,027 in Musicals (Books)
- #1,160 in Music Composition (Books)
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Gershwin is the natural Jewish American seed of genius--spontaneous genius without the paste and glue of institutional methods and means. Had he lived beyond 39 years perhaps a true symphony would have emerged.
Then Greenberg cannot resist a simple line touching on the prospect of great Gershwin being a homosexual. What was that for? Where is there any indication of it in his hectic star struck life time. Why was it included?
What point did it serve?
There is little need for psychoanalytical applications heaped upon this creative genius. His music speaks the language of the then American heart and soul. He did not caterwaul like Elliot Carter or blast your ears like Reigger, nor create vast intellectual excusions like Sessions who music is terrible. William Schuman could compose for a thousand years and nver approach his teacher Roy Harris' Third Symphony, let alone Gershwin.
So in fact there is alot of intellectual garbage out there oh so rationalized by Boulez et al--who listens to their music? Who listens to late Stravinsky--or the minimalists or the sonorists or the serialists?
Gershwin knew the difference between preprogrammed raucous noise and music from the heart and soul. Serialists are soulless atomatons and are cumulatively not dust between the toes of gershwin creatively--he had the devine spark and we all know it--THEY did not.
Read Levant for some insight and fun about his relationship with George and Ira. There are two other superior biographies around and alot of smaller works by those close to the Gershwins. Get a broad and rounded understanding of this relatively simple man who blazed like a comet through the music world.
The Phaidon label tends toward the intellectualization of music and puts names like Schnittke next to Gershwin--you ever hear of Schnittke? Who has and who listens to his music but that is Phaidon.
Gershwin was not a homosexual, but too many who write about him are--always looking for recruits.
Don't get too intellectual with Gershwin, he is better than them--he is of the people and for the people and he sings to them as no Minimalist, serilaist or sonorist ever could or can.
Read an American author closer to home in time and space. You'll be better off.
Having met "Gershwin at the keyboard" I started to read about him a few years ago, and this book persuaded me to go on reading and submit an extended essay for my A Level on Gershwin. I am now putting the finishing touch to an undergraduate dissertation on Gershwin and the only book I have felt the need to buy to help me with it is this one.
I recommend it highly for the casual reader and the scholar, and it is to be praised for its objective view, some of the other books can go on quite a boring path of conjecture connected to Gershwin's sexual habits, whilst maintaining an engagement of the reader. For a much more detailed book consider 'Howard Pollack, George Gershwin: His Life and Work, (University of California Press)' and for sources 'Wyatt and Johnson (ed), The George Gershwin Reader, (Oxford University Press, 2004)'
The author gives us a sense of the tragedy in Gershwin's life that was deeply touching without being melodramatic. After reading this book you'll listen to Gershwin's music with a much enriched appreciation and understanding.