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Poachers: Stories Paperback – May 30, 2000
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In ten stunning and bleak tales set in the woodlands, swamps, and chemical plants along the Alabama River, Tom Franklin stakes his claim as a fresh, original Southern voice. His lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching—a world most of us have never seen. In the chilling title novella (selected for the anthologies New Stories from the South: The Year's Best, 1999 and Best Mystery Stories of the Century), three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: "Jesus is not coming;" This terrain isn't pretty, isn't for the weak of heart, but in these desperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human.
- Print length208 pages
- LanguageEnglish
- PublisherWilliam Morrow Paperbacks
- Publication dateMay 30, 2000
- Dimensions5.31 x 0.52 x 8 inches
- ISBN-100688177719
- ISBN-13978-0688177713
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Editorial Reviews
Review
"[A] startling debut collection ... darker than anything delivered since the work of James Dickey".
-- San Francisco Chronicle
From the Back Cover
About the Author
Tom Franklin is the New York Times bestselling author of Crooked Letter, Crooked Letter, which won the Los Angeles Times Book Prize and the Crime Writers' Association's Gold Dagger Award. His previous works include Poachers, Hell at the Breech, and Smonk. He teaches in the University of Mississippi's MFA program.
Excerpt. © Reprinted by permission. All rights reserved.
Grit
Chugging and clanging among the dark pine trees north of Mobile, Alabama, the Black Beauty Minerals plant was a rickety green hull of storage tanks, chutes and conveyor belts. Glen, the manager, felt like the captain of a ragtag spaceship that had crashlanded, a prison barge full of poachers and thieves, smugglers and assassins.
The owners, Ernie and Dwight, lived far away, in Detroit, and when the Black Beauty lost its biggest client--Ingalls Shipbuilding--to government budget cuts, they ordered Glen to lay off his two-man night shift. One of the workers was a long-haired turd Glen enjoyed letting go, a punk who would've likely failed his next drug test. But the other man, Roy Jones, did some bookmaking on the side, and Glen had been in a betting slump lately. So when Roy, who'd had a great year as a bookie, crunched over the gritty black yard to the office, Glen owed him over four thousand dollars.
Roy, a fat black man, strode in without knocking and wedged himself into the chair across from Glen's desk, probably expecting more stalling of the debt.
Glen cleared his throat. "I've got some bad news, Roy--"
"Chill, baby," Roy said. He removed his hard hat, which left its imprint in his hair. "I know I'm fixing to get laid off, and I got a counteroffer for you." He slid a cigar from his hat lining and smelled it.
Glen was surprised. The Ingalls announcement hadn't come until a few hours ago. Ernie and Dwight had just released him from their third conference call of the afternoon, the kind where they both yelled at him at the same time.
"How'd you find that out, Roy?" he asked.
Roy lit his cigar. "One thing you ain't learned yet is how to get the system doggie-style. Two of my associates work over at Ingalls, and one of 'em been fucking the bigwig's secretary."
"Well--"
"Hang on, Glen. I expect E and D done called you and told you to lay my big fat ass off. But that's cool, baby." He tipped his ashes into his hard hat. " 'Cause I got other irons in the fire."
He said he had an "independent buyer" for some Black Beauty sandblasting grit. Said he had, in fact, a few lined up. What he wanted was to run an off-the-books night shift for a few hours a night, three nights a week. He said he had an associate who'd deliver the stuff. The day-shifters could be bought off. Glen could doctor the paperwork so the little production wouldn't be noticed by Ernie and Dwight.
"But don't answer now," Roy said, replacing his hard hat. "Sleep on it tonight, baby. Mull it over."
Glen--a forty-two-year-old ulcer-ridden, insomniac, half-alcoholic chronic gambler--mulled Roy's idea over in his tiny apartment that evening by drinking three six-packs of Bud Light. He picked up the phone and placed a large bet with Roy on the upcoming Braves--Giants game, taking San Francisco because Barry Bonds was on fire. Then he dialed the number of the Pizza
Hut managed by his most recent ex-wife's new boyfriend, placed an order for five extra-large thick-crust pies with pineapple and double anchovies, and had it delivered to another of his ex-wives' houses for her and her boyfriend. Glen had four ex-wives in all, and he was still in love with each of them. Every night as he got drunk it felt like somebody had shot him in the chest with buckshot and left four big airy holes in his heart, holes that grew with each beer, as if--there was no other way he could think of it--his heart were being sandblasted.
The Braves rallied in the eighth and Bonds's sixteen-game hitting streak was snapped, so when Roy came by the next day, Glen owed him another eight hundred dollars and change.
Roy sat down. "You made up your mind yet?"
"Impossible," Glen said. "Even if I wanted to, I couldn't go along. Ernie and Dwight'd pop in out of nowhere and we'd all be up the creek."
Today Roy wore tan slacks and a brown silk shirt. Shiny brown shoes and, when he crossed his legs, thin argyle socks. A brown fedora in his lap. The first time Glen had seen him in anything but work clothes.
Roy shook a cigar from its box and lit it. "Glen, you the most gullible motherfucker ever wore a hard hat. Don't you reckon I know when them tight-asses is coming down here?"
"How? Got somebody fucking their wives?"
Roy hesitated. "My cousin's daughter work in the Detroit airport.
Glen's mind flashed a quick slideshow of Ernie and Dwight's past disastrous visits. "You might've mentioned that four years ago.
"Baby," Roy said, 'I'll cut you in for ten percent of every load we sell."
"There's a recession, Roy. I can't unload this grit to save my life, and if I can't, you sure as hell can't."
Roy chuckled. "Got-damn, boy." He pulled out a wad of hundred-dollar bills. "This is what I done presold. I got friends all up and down the coast. They got some rusty-ass shit needs sandblasting. You ain't no salesman, Glen. You couldn't sell a whore on a battleship."
"Roy, it's illegal."
"Go look out yonder." Roy pointed to the window overlooking the black-grit parking lot.
Glen obeyed. A big white guy with a little head was leaning against Roy's cream-colored El Dorado, carving at his fingernails with a long knife.
"That's my associate, Snakebite," Roy said. "He'll be delivering the stuff. He also collect for me, if you know what I mean.
Product details
- Publisher : William Morrow Paperbacks; Reprint edition (May 30, 2000)
- Language : English
- Paperback : 208 pages
- ISBN-10 : 0688177719
- ISBN-13 : 978-0688177713
- Item Weight : 8 ounces
- Dimensions : 5.31 x 0.52 x 8 inches
- Best Sellers Rank: #1,068,931 in Books (See Top 100 in Books)
- #1,207 in Southern Fiction
- #11,311 in Contemporary Literature & Fiction
- #47,342 in Literary Fiction (Books)
- Customer Reviews:
About the author
I was born in the hamlet of Dickinson, Alabama, which has a population of around 400 and is about half-white, half-black. I attended Dickinson Baptist Church for a while. I grew up a nonhunter in a hunting household, and I liked writing, drawing, and reading. I am the first member of my family to finish college.
When I turned 18, we moved to Mobile, and my father, a mechanic, opened a shop there. I went to the University of South Alabama, but I got such bad grades that my father told me he wasn't going to pay anymore. From there, I got jobs in a warehouse, at a plant that made sandblasting grit, and finally with an engineering firm, which sent me to a chemical plant where I spent years cleaning up hazardous waste. All through these jobs, I took classes at the University of South Alabama, paying my own tuition as I went, and finally discovering creative writing classes. I worked in my late twenties, finishing my BA and beginning my MA, in a hospital in Mobile, and also tutoring in the university's writing lab. From there, I got a job teaching at Selma University, an historical all-black Baptist college. I was neither black nor Baptist (not anymore) and was, usually, the only white person on campus. I taught six classes one semester, six different classes, and five the next. I also finished my comprehensive exams for my MA, finished my thesis (a short story collection), and worked on my foreign language proficiency exam.
I'd published a few short stories and won third prize in the Playboy College Fiction Contest (around 1991), and so I decided to pursue writing as a career. I applied to several MFA programs and wound up, fortunately, at the University of Arkansas. There I met my wife, poet Beth Ann Fennelly. We got married at the end of that four-year-long program, and around the same time, I sold my first book, Poachers, and the idea for Hell at the Breech, to William Morrow. We lived apart that first year of marriage—it was hard getting teaching jobs in the same city—but moved to Galesburg, Illinois, where my wife got a job teaching at Knox College. I won the Philip Roth Residency at Bucknell University in Lewisburg, Pennsylvania, and moved there for one semester. After that, we decided no more living apart.
I taught at Knox for a year, during which we had our first child, Claire. Then I was offered the John and Renee Grisham Chair in Creative Writing in Oxford, Mississippi. We moved there, planning to return to Galesburg, but never have. Beth Ann was offered a job at Ole Miss, and they named me an ongoing writer-in-residence—and there we remain to this day. Our second child, Thomas Gerald Franklin III (I'm Junior) was born in Oxford in 2005. We love Oxford and hope never to leave.
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"Poachers" is the kind of short story collection that gets you hooked and sets a high standard for other books of short stories! I found this book by chance and I'm really glad I did!
The book has eleven stories in all, the last story being the title story "Poachers", which the author calls a novella.
The first story in the book "Intro. / Hunting Years" is actually a true story of the author's childhood hunting days in South Alabama. It's a great story and sets you up for the rest of the book.
My favorites=
Grit - a thriller, a showdown between the foreman & an employee who is also his bookie at a minerals plant
Triathlon - story of two friends, one who settled down and one who never will
The Ballad of Duane Juarez - if your going to use an alias, Duane Jaurez is as good as any, a brother is house sitting for a sibling and has no plans to let him down
Dinosaurs - a story of the love between a father and son
Instinct - a serial killers first time out
Alaska - two friends have big dreams and even bigger imaginations
Poachers - an excellent story about three brothers who poach the river for a living, no game warden can stop them, everyone in town is either afraid or feels sorry for them, time to call in the legend Frank David
(my descriptions by no means do the stories enough justice, I'm just trying to give you a taste without giving away anything revelant)
A great read with great writing, no story was too long or too short, a wonderful collection!
"Poachers" was Tom Franklins first book, he has two other novels, I plan to read his new book "Smonk: A Novel" soon....
By Tom Franklin
Harper Collins, 192 pgs
0-688-17771-9
Rating: Read This Book!
Poachers is a collection of 11 short stories. I have gone back to my roots with this one. I "discovered" American regional short fiction 20 years ago and my favorite region is the south. It's all so very Gothic. Spanish moss and kudzu, Appalachia and Gulf coast, alligator and Thoroughbred, Pentecostal and voodoo priestess, plantation and slave quarter. One gets the idea that the primeval is alive and lurking in Mississippi. The juxtapositions of the South are mind-boggling and Tom Franklin captures them superbly. Mr. Franklin is a talent on the same plane with the late Larry Brown, and both are heirs to Faulkner.
These are my favorite stories:
The Ballad of Duane Juarez is about the dissolution of an older brother who has to rely on (or mooch off of) his younger brother's life. These are some of the things Duane accepts and/or takes from his brother Ned: food, drink, rent, Playboy, girls, jobs, electricity. According to Duane he married for love and Ned married for money. Duane's wife divorced him and so the love went away and their was still no money. Ned is still married and still has money so he tries to "help" his big brother Duane. I get the idea Ned sort of likes this arrangement. He doesn't seem to be intentionally belittling, but his off-hand remarks could be seen as casually cruel, as he tosses crumbs to Duane in the form of day-labor assignments. Some of the things that Ned has Duane do for him include: mowing grass, raking leaves, washing his car, cleaning houses, killing cats. Yep, killing cats. Ned's wife Nina feeds a bunch of stray cats and they won't go away. Ned hates the cats and pays Duane to capture them, take them off and shoot them. We find out how Duane feels about the people in his life when he takes the cats off to be summarily executed and starts naming them. This story is not a story with a plot, but is a character study. We get to peer around inside Duane's head, and he needs a good therapist.
Poachers is the story of the 3 Gates brothers living in the backwoods of Alabama, who make their living as poachers. There's apparently nothing they won't kill and sell. This includes: fish, deer, dogs, rabbits, possums, turtle, fox. The brothers sell and barter (sometimes for moonshine, white lightnin, bad idea) the fruits of their hunt to regular customers in a netherworld that you have to see to believe, some of these places are so isolated they are accessible only by river; no electricity, no phone, no plumbing. The boys have been on their own since their father shot himself when the youngest brother was 12. He was despairing his wife's death in childbirth and the stillborn baby. So he buried them in the backyard. There is no law here.
The boys live in a ragged cabin deep in the woods; have never gone to school; can't read or write; don't bathe; eat with their hands; have no social skills; never go to town. What they understand is the instinctual. This is Deliverance, second generation. This is the sort of thing that makes the hair on my neck stand at attention. You know what creeps me out? These people have to introduce new blood every so often and so what woman do they kidnap for their nefarious purposes? Eew.
OK, anyway, the Gateses seem to be successfully skirting the edge of the cliff until the day they murder a game warden who caught them with a telephone rig in the bottom of their boat and tried to arrest them. Then they fell off the cliff. A few days later the body of the game warden is found. The sheriff calls the state wildlife commission to report the death and talks to a legendary warden by the name of Frank David, who is ascribed supernatural powers, happens to have been the dead warden's teacher and mentor. When the Gates brothers start showing up dead one by one, the sheriff knows Warden David's handiwork but cannot build a case, prove anything or even find him.
An old shopkeeper named Kirxy had known their father and has spent years trying to help the brothers. He tried to house them, feed them, send them to school, to no avail. He had to finally return them to their cabin because his wife was as freaked out as I am, see? So when Kent, the oldest brother, and Neil, the middle brother, are murdered Kirxy tries to protect Dan, the youngest. We are given a few hints in the story that it may yet be possible to save Dan. Maybe.
So please read this book. It will not appeal to everyone but I'd like to encourage you to venture out of your comfort zone. I love the short story form but I didn't know that until I ventured.