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Haunt Me Still Hardcover – Deckle Edge, April 15, 2010
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A legendary theatrical curse . . . A rune-engraved blade, a mysterious mirror, and an ancient cauldron . . . And a ritually murdered body laid out in the manner of ancient pagan burials.
Kate Stanley, Jennifer Lee Carrell's dauntless Shakespearean scholarturned- director, made a memorable-and New York Times bestselling- debut in Interred with Their Bones. Having chased down her mentor's killer (and recovering one of Shakespeare's lost plays in the process), Kate's fame as a director with an expertise in "occult Shakespeare" catapults her-and Ben Pearl, her partner in crime-solving-into a new production of Macbeth, showcasing a fabled collection of objects relating both to the play and the historical Scottish king for whom it is named.
The Bard's witch-haunted play is famously cursed, its reputation for malevolence so strong that many actors refuse to quote or even name the play aloud. And as rehearsals begin at the foot of Scotland's Dunsinnan Hill, it doesn't take long for the curse to stir. Strange references to the boy actor who first played Lady Macbeth in Shakespeare's day-and died in the role-pop up. A trench atop Dunsinnan Hill is found filled with blood, and a severed human thumb turns up among the props. And Kate begins sleepwalking, waking early one morning alone atop the hill, her hands smeared with blood.
Kate has no memory of how she got there, but later that day a local woman is found dead on the hill in circumstances that suggest not just ritual murder but ancient pagan sacrifice. With the police more focused on Kate as a suspect than as a possible future victim, she and Ben find themselves in a desperate race to discover a lost version of Macbeth, said to contain rituals of witchcraft aimed at conjuring demonic forces to gain forbidden knowledge. However much Kate would like to dismiss such rituals as superstition, someone else appears willing to kill for them-and for the manuscript said to spell them out.
Marked for sacrifice, can Kate Stanley uncover the killer before she becomes the next victim?
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- Print length416 pages
- LanguageEnglish
- PublisherDutton
- Publication dateApril 15, 2010
- Dimensions6 x 1.25 x 9 inches
- ISBN-10052595077X
- ISBN-13978-0525950776
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Product details
- Publisher : Dutton (April 15, 2010)
- Language : English
- Hardcover : 416 pages
- ISBN-10 : 052595077X
- ISBN-13 : 978-0525950776
- Item Weight : 1.4 pounds
- Dimensions : 6 x 1.25 x 9 inches
- Best Sellers Rank: #2,862,706 in Books (See Top 100 in Books)
- #6,674 in Deals in Books
- #86,658 in Suspense Thrillers
- #109,369 in Literary Fiction (Books)
- Customer Reviews:
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About the author
Author of novels and history. Writing curve: smallpox, Shakespeare, art. Currently at work on historical fiction about my favorite painting, Jan Van Eyck's Arnolfini Wedding.
I've wanted to be a writer for as long as I can remember. Early on, my fallback career choices were ballerina and astronaut. Much later, I thought I'd become a Shakespeare professor. Through some strange twists and turns, I've circled back to writing.
I was born in Washington, D.C., but I grew up in Arizona. I have a Ph.D. in English from Harvard, along with undergraduate degrees from Oxford and Stanford. I was first pulled into studying literature by the Arthurian legend, and later by Norse sagas, Tolkien, and Shakespeare; my father jokes that I majored in fairy tales. It was something of a surprise to find myself writing thrillers; now I'm turning to historical fiction. Before I began to write books full time, I taught literature and writing at Harvard. Later, I was the classical music critic for the Arizona Daily Star. I've also written a number of pieces for the Smithsonian Magazine.
Here's what I think about writing: Storytelling should be an adventure, not just the stringing-together of other people's adventures. On the trail of stories, I have: rappelled from a six-story tower using an emergency hand-tied halter (while writing about the training of firefighters); tracked mountain lions on mule-back through the mountain range Geronimo used as home base and hideout; held Yo-Yo Ma's cello; ridden the roller-coaster ride of a professional cutting horse (herding cattle); and posed for David Hockney on a BBC set while stuffed into a medieval gown originally made for Star Trek, with a red-velvet turban improvised from a set of men's pants perched on my head. From the sublime to the ridiculous -- and all of it wondrous
I live in Tucson, AZ, with my husband, daughter, two dogs, and three literary cats (who try to help me type out my manuscripts).
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When last we saw Kate Stanley, she was relishing directing the first production of Cardenio since Shakespeare himself participated. Now, Kate, who famously researched Shakespeare's ties with the occult in her professorship days, finds herself pulled into the very active world of the occult in modern times, and modern meaning. As we know from Kate's rants in the first book, the word occult in Shakespeare's times had a different meaning than it does today, and she has previously turned her nose up at the thought of any sort of hocus pocus in her beloved Bard's work. Now, through a series of grisly murders and threats, Kate finds herself thrust into the world of the dark arts.
As in her previous novel, Miss Carrell spends time in both Shakespeare's time and in the present expertly weaving a tale that will keep you riveted for the entire ride. As with the first novel, the subject matter is well researched, and thought provoking. Miss Carrell notes that she spent time researching Wicca, so don't be put off: this novel is not a witch hunt...Well, until it is ;)
The absence of Ben Pearl and Kate;s relationship was saddening since it seemed so perfect and strong.
Still a good read but after Interred a disappointment.
Book arrived in good condition.