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The Winter's Tale (Signet Classics) Mass Market Paperback – November 1, 1998

4.3 4.3 out of 5 stars 833 ratings

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The Signet Classics edition of the Shakespeare play that straddles the line between tragedy and comedy.

When jealous King Leontes falsely accuses his wife of infidelity, he sets off a chain of events that will explore remorse, love, joy, compassion, and forgiveness.

This title in the Signet Classics Shakespeare series includes:

• An overview of William Shakespeare’s life, world, and theater
• A special introduction to the play by the editor, Frank Kermode
• A note on the sources from which Shakespeare derived
The Winter’s Tale—a generous selection from Robert Greene’s Pandosto
• Dramatic criticism from Simon Forman, Samuel Taylor Coleridge, and others
• A stage and screen history of notable actors, directors, and productions of
The Winter’s Tale
• Text, notes, and commentaries printed in the clearest, most readable format
• Recommended readings
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Editorial Reviews

About the Author

William Shakespeare (1564–1616) was a poet, playwright, and actor who is widely regarded as one of the most influential writers in the history of the English language. Often referred to as the Bard of Avon, Shakespeare's vast body of work includes comedic, tragic, and historical plays; poems; and 154 sonnets. His dramatic works have been translated into every major language and are performed more often than those of any other playwright.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One



Act 1 Scene 1 running scene 1


Enter Camillo and Archidamus

ARCHIDAMUS If you shall chance, Camillo, to visit Bohemia,

on the like occasion whereon my services are now on foot, you shall see, as I have said, great difference betwixt our Bohemia and your Sicilia.

CAMILLO I think this coming summer the King of Sicilia means to pay Bohemia the visitation which he justly owes him.

ARCHIDAMUS Wherein our entertainment shall shame us, we will be justified in our loves, for indeed-

CAMILLO Beseech you-

ARCHIDAMUS Verily, I speak it in the freedom of my knowledge: we cannot with such magnificence - in so rare - I know not what to say. We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us.

CAMILLO You pay a great deal too dear for what's given freely.

ARCHIDAMUS Believe me, I speak as my understanding instructs me and as mine honesty puts it to utterance.

CAMILLO Sicilia cannot show himself over-kind to Bohemia. They were trained together in their childhoods and there rooted betwixt them then such an affection which cannot choose but branch now. Since their more mature dignities

and royal necessities made separation of their society,

their encounters, though not personal, have been royally attorneyed with interchange of gifts, letters, loving embassies, that they have seemed to be together, though absent, shook hands, as over a vast, and embraced, as it were, from the

ends of opposed winds. The heavens continue their loves.

ARCHIDAMUS I think there is not in the world either malice or matter to alter it. You have an unspeakable comfort of your young prince Mamillius: it is a gentleman of the greatest promise that ever came into my note.

CAMILLO I very well agree with you in the hopes of him: it is a gallant child; one that indeed physics the subject, makes old hearts fresh. They that went on crutches ere he was born desire yet their life to see him a man.

ARCHIDAMUS Would they else be content to die?

CAMILLO Yes; if there were no other excuse why they should desire to live.

ARCHIDAMUS If the king had no son, they would desire to live on crutches till he had one. Exeunt

Act 1 Scene 2 running scene 1 continues

Enter Leontes, Hermione, Mamillius, Polixenes, Camillo [and

Attendants]

POLIXENES Nine changes of the wat'ry star hath been

The shepherd's note since we have left our throne

Without a burden. Time as long again

Would be filled up, my brother, with our thanks.

And yet we should, for perpetuity,

Go hence in debt: and therefore, like a cipher,

Yet standing in rich place, I multiply

With one 'We thank you' many thousands moe

That go before it.

LEONTES Stay your thanks a while,

And pay them when you part.

POLIXENES Sir, that's tomorrow.

I am questioned by my fears of what may chance

Or breed upon our absence, that may blow

No sneaping winds at home, to make us say

'This is put forth too truly'. Besides, I have stayed

To tire your royalty.

LEONTES We are tougher, brother,

Than you can put us to't.

POLIXENES No longer stay.

LEONTES One sev'nnight longer.

POLIXENES Very sooth, tomorrow.

LEONTES We'll part the time between's then, and in that

I'll no gainsaying.

POLIXENES Press me not, beseech you, so.

There is no tongue that moves, none, none i'th'world

So soon as yours could win me. So it should now,

Were there necessity in your request, although

'Twere needful I denied it. My affairs

Do even drag me homeward, which to hinder

Were in your love a whip to me, my stay

To you a charge and trouble. To save both,

Farewell, our brother.

LEONTES Tongue-tied, our queen? Speak you.

HERMIONE I had thought, sir, to have held my peace until

You had drawn oaths from him not to stay. You, sir,

Charge him too coldly. Tell him you are sure

All in Bohemia's well: this satisfaction

The bygone day proclaimed. Say this to him,

He's beat from his best ward.

LEONTES Well said, Hermione.

HERMIONE To tell, he longs to see his son, were strong.

But let him say so then, and let him go.

But let him swear so, and he shall not stay,

We'll thwack him hence with distaffs.-

Yet of your royal presence I'll adventure To Polixenes

The borrow of a week. When at Bohemia

You take my lord, I'll give him my commission

To let him there a month behind the gest

Prefixed for's parting.- Yet, good deed, Leontes,

I love thee not a jar o'th'clock behind

What lady she her lord.- You'll stay?

POLIXENES No, madam.

HERMIONE Nay, but you will?

POLIXENES I may not, verily.

HERMIONE Verily?

You put me off with limber vows. But I,

Though you would seek t'unsphere the stars with oaths,

Should yet say 'Sir, no going.' Verily,

You shall not go; a lady's 'Verily' is

As potent as a lord's. Will you go yet?

Force me to keep you as a prisoner,

Not like a guest: so you shall pay your fees

When you depart, and save your thanks. How say you?

My prisoner? Or my guest? By your dread 'Verily',

One of them you shall be.

POLIXENES Your guest, then, madam.

To be your prisoner should import offending,

Which is for me less easy to commit

Than you to punish.

HERMIONE Not your jailer, then,

But your kind hostess. Come, I'll question you

Of my lord's tricks and yours when you were boys.

You were pretty lordings then?

POLIXENES We were, fair queen,

Two lads that thought there was no more behind

But such a day tomorrow as today,

And to be boy eternal.

HERMIONE Was not my lord

The verier wag o'th'two?

POLIXENES We were as twinned lambs that did frisk i'th'sun,

And bleat the one at th'other. What we changed

Was innocence for innocence. We knew not

The doctrine of ill-doing, nor dreamed

That any did. Had we pursued that life,

And our weak spirits ne'er been higher reared

With stronger blood, we should have answered heaven

Boldly 'Not guilty', the imposition cleared

Hereditary ours.

HERMIONE By this we gather

You have tripped since.

POLIXENES O, my most sacred lady,

Temptations have since then been born to's. For

In those unfledged days was my wife a girl;

Your precious self had then not crossed the eyes

Of my young play-fellow.

HERMIONE Grace to boot!

Of this make no conclusion, lest you say

Your queen and I are devils. Yet go on.

Th'offences we have made you do we'll answer,

If you first sinned with us, and that with us

You did continue fault, and that you slipped not

With any but with us.

LEONTES Is he won yet?

HERMIONE He'll stay, my lord.

LEONTES At my request he would not.- Aside?

Hermione, my dearest, thou never spok'st

To better purpose.

HERMIONE Never?

LEONTES Never, but once.

HERMIONE What? Have I twice said well? When was't before?

I prithee tell me. Cram's with praise, and make's

As fat as tame things. One good deed dying tongueless

Slaughters a thousand waiting upon that.

Our praises are our wages. You may ride's

With one soft kiss a thousand furlongs ere

With spur we heat an acre. But to th'goal:

My last good deed was to entreat his stay:

What was my first? It has an elder sister,

Or I mistake you - O, would her name were Grace! -

But once before I spoke to th'purpose: when?

Nay, let me have't: I long.

LEONTES Why, that was when

Three crabbèd months had soured themselves to death,

Ere I could make thee open thy white hand

And clap thyself my love; then didst thou utter

'I am yours for ever.'

HERMIONE 'Tis grace indeed.-

Why, lo you now, I have spoke to th'purpose twice: To Polixenes?

The one forever earned a royal husband;

Th'other for some while a friend. Takes Polixenes' hand

LEONTES Too hot, too hot! Aside

To mingle friendship far is mingling bloods.

I have tremor cordis on me: my heart dances,

But not for joy, not joy. This entertainment

May a free face put on, derive a liberty

From heartiness, from bounty, fertile bosom,

And well become the agent. 'T may, I grant.

But to be paddling palms and pinching fingers,

As now they are, and making practised smiles,

As in a looking-glass, and then to sigh, as 'twere

The mort o'th'deer - O, that is entertainment

My bosom likes not, nor my brows.- Mamillius,

Art thou my boy?

MAMILLIUS Ay, my good lord.

LEONTES I' fecks!

Why, that's my bawcock. What? Hast smutched thy nose?-

They say it is a copy out of mine.- Come, captain, Aside?

We must be neat; not neat, but cleanly, captain.

And yet the steer, the heifer and the calf

Are all called neat.- Still virginalling Aside

Upon his palm?- How now, you wanton calf!

Art thou my calf?

MAMILLIUS Yes, if you will, my lord.

LEONTES Thou want'st a rough pash and the shoots that I have

To be full like me.- Yet they say we are Aside?

Almost as like as eggs; women say so,

That will say anything. But were they false

As o'er-dyed blacks, as wind, as waters, false

As dice are to be wished by one that fixes

No bourn 'twixt his and mine, yet were it true

To say this boy were like me.- Come, sir page, To Mamillius

Look on me with your welkin eye. Sweet villain!

Most dear'st, my collop! Can thy dam, may't be

Affection?- Thy intention stabs the centre. Aside?

Thou dost make possible things not so held,

Communicat'st with dreams - how can this be? -

With what's unreal thou coactive art,

And fellow'st nothing. Then 'tis very credent

Thou mayst co-join with something, and thou dost,

And that beyond commission, and I find it,

And that to the infection of my brains

And hard'ning of my brows.

POLIXENES What means Sicilia?

HERMIONE He something seems unsettled.

POLIXENES How, my lord?

LEONTES What cheer? How is't with you, best brother?

HERMIONE You look as if you held a brow of much distraction.

Are you moved, my lord?

LEONTES No, in good earnest.-

How sometimes nature will betray its folly, Aside?

Its tenderness, and make itself a pastime

To harder bosoms!- Looking on the lines

Of my boy's face, methoughts I did recoil

Twenty-three years, and saw myself unbreeched,

In my green velvet coat; my dagger muzzled,

Lest it should bite its master, and so prove,

As ornaments oft do, too dangerous.

How like, methought, I then was to this kernel,

This squash, this gentleman.- Mine honest friend, To Mamillius

Will you take eggs for money?

MAMILLIUS No, my lord, I'll fight.

LEONTES You will? Why, happy man be's dole! My brother,

Are you so fond of your young prince as we

Do seem to be of ours?

POLIXENES If at home, sir,

He's all my exercise, my mirth, my matter;

Now my sworn friend and then mine enemy;

My parasite, my soldier, statesman, all.

He makes a July's day short as December,

And with his varying childness cures in me

Thoughts that would thick my blood.

LEONTES So stands this squire

Officed with me. We two will walk, my lord,

And leave you to your graver steps.- Hermione,

How thou lovest us, show in our brother's welcome.

Let what is dear in Sicily be cheap.

Next to thyself and my young rover, he's

Apparent to my heart.

HERMIONE If you would seek us,

We are yours i'th'garden: shall's attend you there?

LEONTES To your own bents dispose you: you'll be found,

Be you beneath the sky.- I am angling now, Aside

Though you perceive me not how I give line.

Go to, go to!

How she holds up the neb, the bill to him!

And arms her with the boldness of a wife

To her allowing husband!

[Exeunt Polixenes, Hermione and Attendants]

Gone already?

Inch-thick, knee-deep, o'er head and ears a forked one!-

Go, play, boy, play. Thy mother plays, and I

Play too, but so disgraced a part, whose issue

Will hiss me to my grave. Contempt and clamour

Will be my knell. Go play, boy, play.- There have been,

Or I am much deceived, cuckolds ere now.

And many a man there is, even at this present,

Now while I speak this, holds his wife by th'arm,

That little thinks she has been sluiced in's absence

And his pond fished by his next neighbour, by

Sir Smile, his neighbour. Nay, there's comfort in't

Whiles other men have gates and those gates opened,

As mine, against their will. Should all despair

That have revolted wives, the tenth of mankind

Would hang themselves. Physic for't there's none:

It is a bawdy planet, that will strike

Where 'tis predominant; and 'tis powerful, think it,

From east, west, north and south. Be it concluded,

No barricado for a belly. Know't,

It will let in and out the enemy

With bag and baggage. Many thousand on's

Have the disease, and feel't not.- How now, boy?

MAMILLIUS I am like you, they say.

LEONTES Why that's some comfort. What, Camillo there?

CAMILLO Ay, my good lord. Comes forward

LEONTES Go play, Mamillius, thou'rt an honest man.-

[Exit Mamillius]

Camillo, this great sir will yet stay longer.

CAMILLO You had much ado to make his anchor hold:

When you cast out, it still came home.

LEONTES Didst note it?

CAMILLO He would not stay at your petitions, made

His business more material.

LEONTES Didst perceive it?-

They're here with me already, whisp'ring, rounding Aside

'Sicilia is a so-forth.' 'Tis far gone

When I shall gust it last.- How came't, Camillo, To Camillo

That he did stay?

CAMILLO At the good queen's entreaty.

LEONTES At the queen's be't. 'Good' should be pertinent,

But so it is, it is not. Was this taken

By any understanding pate but thine?

For thy conceit is soaking, will draw in

More than the common blocks. Not noted, is't,

But of the finer natures? By some severals

Of head-piece extraordinary? Lower messes

Perchance are to this business purblind? Say.

CAMILLO Business, my lord? I think most understand

Bohemia stays here longer.

LEONTES Ha?

CAMILLO Stays here longer.

LEONTES Ay, but why?

CAMILLO To satisfy your highness and the entreaties

Of our most gracious mistress.

LEONTES Satisfy?

Th'entreaties of your mistress? Satisfy?

Let that suffice. I have trusted thee, Camillo,

With all the nearest things to my heart, as well

My chamber-councils, wherein, priest-like, thou

Hast cleansed my bosom, I from thee departed

Thy penitent reformed. But we have been

Deceived in thy integrity, deceived

In that which seems so.

CAMILLO Be it forbid, my lord!

LEONTES To bide upon't, thou art not honest: or,

If thou inclin'st that way, thou art a coward,

Which hoxes honesty behind, restraining

From course required: or else thou must be counted

A servant grafted in my serious trust

And therein negligent: or else a fool

That see'st a game played home, the rich stake drawn,

And tak'st it all for jest.

Product details

  • ASIN ‏ : ‎ 0451527143
  • Publisher ‏ : ‎ Signet; 1st edition (November 1, 1998)
  • Language ‏ : ‎ English
  • Mass Market Paperback ‏ : ‎ 304 pages
  • ISBN-10 ‏ : ‎ 9780451527141
  • ISBN-13 ‏ : ‎ 978-0451527141
  • Lexile measure ‏ : ‎ NC1110L
  • Item Weight ‏ : ‎ 6.2 ounces
  • Dimensions ‏ : ‎ 4.19 x 0.66 x 6.74 inches
  • Customer Reviews:
    4.3 4.3 out of 5 stars 833 ratings

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William Shakespeare
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William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's preeminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.

Shakespeare was born in Stratford-upon-Avon in Warwickshire and was baptised on 26 April 1564. Thought to have been educated at the local grammar school, he married Anne Hathaway, with whom he went on to have three children, at the age of eighteen, before moving to London to work in the theatre. Two erotic poems, Venus and Adonis and The Rape of Lucrece were published in 1593 and 1594 and records of his plays begin to appear in 1594 for Richard III and the three parts of Henry VI. Shakespeare's tragic period lasted from around 1600 to 1608, during which period he wrote plays including Hamlet and Othello. The first editions of the sonnets were published in 1609 but evidence suggests that Shakespeare had been writing them for years for a private readership.

Shakespeare spent the last five years of his life in Stratford, by now a wealthy man. He died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623.

(The portrait details: The Chandos portrait, artist and authenticity unconfirmed. NPG1, © National Portrait Gallery, London)

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Reviewed in the United States on April 15, 2021
“The Winter’s Tale” by William Shakespeare is a fascinating, tragic, psychological but little known play that Shakespeare wrote about five years before his death. It is about a pagan king with a loving lovely pregnant wife, and a son. He develops an unfounded jealousy and is convinced despite no one agreeing with him that his wife, the queen, was unfaithful to him with his friend and the child in her body is not his. Despite being assured by the Oracle that his wife committed no adultery and the child is his, he has her killed and banishes his just born daughter. His son dies out of anguish. He soon realizes that he was wrong. But it is too late. Now he suffers for what he did.
Sixteen years pass. His daughter is raised in another kingdom. By chance, she comes to his land, he meets her, realizes she is his daughter, and embraces her. He is shown a statute of his late wife. The statute comes alive and his wife forgives him saying she still loves him. He is is now after sixteen years given a second chance, forgiven for what he thought was unforgivable – although his son is lost.
The play is well-worth watching. Its moral is that problems, even the worst ones, can be resolved in a large measure, at least somewhat.
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Reviewed in the United States on February 21, 2015
In the Winter's Tale Shakespeare "rewrites" the tragedy of Anne Boleyn. In the play Sicilia's Queen Hermione is accused of adultry just as Queen Anne was in England a generation before. Like Boleyn, this queen too is imprisoned, tried in public and found guilty. Then the king's son by Hermione dies depriving the king of his male heir. (In Anne Boleyn's case the son was stillborn.) Hermione is now pregnant with a second child, a daughter that the king disavows is his and sends the child to her death. (In real life Anne Boleyn's daughter was Elizabeth who lived in the shadow of her younger half-brother Edward and in fear of her older half-sister Mary.) But there is a twist in Shakespeare's telling of this familiar-to-his-audience family tragedy. In the play, Hermione, the queen, is not executed but goes into hiding. 16 years later the Sicilian King repents his behavior. Their abandoned daughter, Perdita, is found to be alive after all, living in Bohemia and is reunited with her father. But that's not the best reunion.The play is worth it for the final scene, when Hermione, pretending to be her own statue, being admired by the King and daughter Perdita, suddenly "comes to life" and steps off the pedestal. In the end mother and daughter are reunited, a magical ending that death had denied to Queen Elizabeth and Anne Boleyn. The irony of history is that the legacy of Henry VIII was carried on not by his son by Jane Seymour, not by his catholic daughter Mary, but by the daughter of executed Anne Boleyn, the feisty Queen Elizabeth I. In the Winter's Tale, Shakespeare is giving Anne Boleyn and Queen Elizabeth the last laugh.
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Reviewed in the United States on April 4, 2012
I feel like this Shakespearian play doesn't get enough face time. The first time I ever saw its title, I was in High School, looking at the names of all the plays Shakespeare ever wrote. We all know about his overly famous plays, like Hamlet, Romeo and Juliet, A Midsummer Night's Dream, but what about The Winter's Tale? I was intrigued by the title at the time, and the fact that I'd never heard of it before (and with a brother heavily into Shakespeare and acting, that was unusual). I've never seen this title on a playbill, though I'm sure it must be preformed somewhere, and my curiosity about this play was peaked--though in High School I didn't do anything about it. Recently, I had to teach Hamlet, and as I was looking on Amazon for a copy for my Kindle, I once again came across The Winter's Tale. As it was a free copy, I scooped it up and read it right away, just to assuage my curiosity.

It was interesting. In my opinion, it's not really like Shakespeare's other plays. It's a bit intense in the beginning, and though there are comedic scenes, I wouldn't necessarily classify this as a comedy, nor a tragedy either. A romance, I suppose, but for me, it's a bit strange. Through a little research I found that Shakespeare actually modeled his play off Pandosto, by Robert Greene (which I've never read), but I, personally, see much of Oedipus Rex in this play. I know Shakespeare dealt a lot with Greek mythology in his works, and The Winter's Tale seems to really follow that of Oedipus Rex. I'm not going to give the entire synopsis away, or any spoilers, but, like Oedipus, King Leontes is a haughty man, paranoid. He refuses to listen to oracles and attempts to do away with his newborn child by sending her away to die. While there are many differences between The Winter's Tale and Oedipus, there are also many similarities and I found this rather interesting, especially because I really enjoy Oedipus. That being said, I'd like to see this play preformed someday, I always tend to like plays more when they're preformed, so I'll have to keep my eyes peeled for this one.

(Please note: I use the star rating system of Goodreads, which is different from that of Amazon. My overall rating is that I liked it.)
4 people found this helpful
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Reviewed in the United States on December 2, 2016
A tale of paranoia wherein a king loses his wife, son and daughter. It starts well, and shows how paranoia is like a religion. The affected individual can only see that which is hypothesis confirming. Everyone else has joined in conspiracy against him. The rest of the play is boring and full of the typical, disguises and coincidence.
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serena
5.0 out of 5 stars CONSIGLIATISSIMO👌
Reviewed in Italy on May 8, 2021
Tutto fantastico 🤩!
Spedizione puntualissima come sempre e imballato e arrivato in perfette condizioni!
Consiglio veramente il volume più importante di The Winter's Tale di Shakespeare, oltre ovviamente la versione di melchiori. C'è tutto ciò che riguarda l'opera, comprese le musiche di scena.
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serena
5.0 out of 5 stars CONSIGLIATISSIMO👌
Reviewed in Italy on May 8, 2021
Tutto fantastico 🤩!
Spedizione puntualissima come sempre e imballato e arrivato in perfette condizioni!
Consiglio veramente il volume più importante di The Winter's Tale di Shakespeare, oltre ovviamente la versione di melchiori. C'è tutto ciò che riguarda l'opera, comprese le musiche di scena.
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JC
5.0 out of 5 stars Same as a new book
Reviewed in Spain on February 28, 2019
It was practically as new. Did not seem second-handed
SteveRR
5.0 out of 5 stars Value-priced and Best annotated Shakespeare for the Money
Reviewed in Canada on March 14, 2017
This has to be the best series of Shakespeare's plays. Erudite, well laid out and comprehensive - this is far better than what my uni wanted me to buy. I will continue to buy this series going forward.
sam
5.0 out of 5 stars A must have for students!!
Reviewed in the United Kingdom on April 2, 2015
This helped me so much when writing my essay for Uni. It gives helpful background information and clear explanations.
Amazonkundin
5.0 out of 5 stars The Winter's Tale
Reviewed in Germany on September 25, 2013
Da meine Tochter zur Zeit das Abitur macht und dort Shakespeare im Original gelesen wird, hat sie sich schon einige Bücher auf ihr Kindle geladen.