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Nothing That Meets the Eye: The Uncollected Stories of Patricia Highsmith Paperback – November 17, 2003
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"Highsmith is no more a practitioner of the murder mystery genre...than are Doestoevsky, Faulkner and Camus."―Joan Smith, Los Angeles Times
The Patricia Highsmith renaissance continues with Nothing That Meets the Eye, a brilliant collection of twenty-eight psychologically penetrating stories, a great majority of which are published for the first time in this collection.This volume spans almost fifty years of Highsmith's career and establishes her as a permanent member of our American literary canon, as attested by recent publication of two of these stories in The New Yorker and Harper's. The stories assembled in Nothing That Meets the Eye, written between 1938 and 1982, are vintage Highsmith: a gigolo-like psychopath preys on unfulfilled career women; a lonely spinster's fragile hold on reality is tethered to the bottle; an estranged postal worker invents homicidal fantasies about his coworkers. While some stories anticipate the diabolical narratives of the Ripley novels, others possess a Capra-like sweetness that forces us to see the author in a new light. From this new collection, a remarkable portrait of the American psyche at mid-century emerges, unforgettably distilled by the inimitable eye of Patricia Highsmith. A New York Times Notable Book and a Washington Post Rave of 2002.
- Print length466 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateNovember 17, 2003
- Dimensions5.5 x 1.3 x 8.2 inches
- ISBN-100393325008
- ISBN-13978-0393325003
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― Ed Siegel, Boston Globe
"Almost every piece...contains touches that reveal what a subtle writer Highsmith was."
― James Campbell, New York Times
About the Author
Product details
- Publisher : W. W. Norton & Company (November 17, 2003)
- Language : English
- Paperback : 466 pages
- ISBN-10 : 0393325008
- ISBN-13 : 978-0393325003
- Item Weight : 1.3 pounds
- Dimensions : 5.5 x 1.3 x 8.2 inches
- Best Sellers Rank: #807,626 in Books (See Top 100 in Books)
- #8,537 in Contemporary Literature & Fiction
- #8,703 in Short Stories Anthologies
- #14,873 in Short Stories (Books)
- Customer Reviews:
About the author
Patricia Highsmith (1921-1995) was the author of more than twenty novels, including Strangers on a Train, The Price of Salt and The Talented Mr. Ripley, as well as numerous short stories.
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Unlike the first collection of her short fiction (where many of the stories struck me as mere character sketches) the contents of "Nothing That Meets the Eye" are all fully developed short stories. One of my favorites features the subtle yet obvious menace of a stranger with candy, a very, to paraphrase the story's title, "Nice Sort of Man." The one story that fails to impress in the collection is "The Born Failure." It features a downtrodden, Job-like little man who lurches from one disappointment to the next. The story ends in an oddly sappy upbeat "It's a Wonderful Life" way, as if Highsmith suddenly got bored with cataloguing this character's misfortunes and wanted him off her hands. Interestingly enough, she didn't kill off the Failure. Possibly because for such a loser death might have seemed a kindness.
An added bonus is Paul Ingendaay's biographical essay, which follows the collected short stories. It gives a greater insight into Highsmith's literary process, touches on her lesbianism, and its probable influences on her body of work. (I'd always thought it odd that, in a wild divergence from her more mainstream suspense fiction, Highsmith had written the lesbian-themed novel, The Price of Salt, under the name of Claire Morgan.) Even more intriguing is the fact that Highsmith, apparently a meticulous literary craftsman, left behind a treasure trove of workbooks, notebooks, journals, as well as typescripts of drafts of published and unpublished works. Hopefully one day these literary artifacts will also find their way into print.
For my money, the best of the 28 is "The Great Cardhouse" (1949), an imaginative fable demonstrating more than one moral.
A rich sampling of the author's short fiction. Recommended to those readers with more than a passing interest in Highsmith. Her writing. Her life.
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The stories are, as I said, mostly sad, and quite a few are uncomfortable to read because of the subject matter, and lots of them deal with the smallness and boredom and utter joylessness of everyday life and with people so ordinary, they are almost painful to read about. So even though the writing is beautiful and sparkles, the effect overall will probably be that of a depressing read. (But nowhere near as depressing as anything by Flannery O'Connor, if that helps.)