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Resurrection Row: A Charlotte and Thomas Pitt Novel Paperback – September 29, 2009
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A doctor insists that Lord Augustus’s death was natural. But as far as the police are concerned, there’s certainly nothing natural about any of this gristly aftermath. Inspector Pitt is determined to unearth the truth–even if the digging puts his own life at perilous risk.
- Print length240 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateSeptember 29, 2009
- Dimensions5.2 x 0.5 x 8 inches
- ISBN-100345513991
- ISBN-13978-0345513991
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Editorial Reviews
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“Anne Perry has made the Victorian era her own literary preserve. . . . Perry’s work is consistently top-notch.”—San Diego Union
“Perry is my choice for today’s best mystery writer of Victoriana.”—St. Louis Post-Dispatch
“When Anne Perry puts Thomas and Charlotte Pitt on the case, we are in exemplary Victorian company.”—New York Times
About the Author
Product details
- Publisher : Ballantine Books; Reprint edition (September 29, 2009)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0345513991
- ISBN-13 : 978-0345513991
- Item Weight : 7.4 ounces
- Dimensions : 5.2 x 0.5 x 8 inches
- Best Sellers Rank: #401,610 in Books (See Top 100 in Books)
- #98 in Victorian Literary Criticism (Books)
- #3,287 in Traditional Detective Mysteries (Books)
- #22,859 in Suspense Thrillers
- Customer Reviews:
About the author
Anne Perry is the bestselling author of two acclaimed series set in Victorian England: the William Monk novels, including Dark Assassin and The Shifting Tide, and the Charlotte and Thomas Pitt novels, including The Cater Street Hangman, Calandar Square, Buckingham Palace Gardens and Long Spoon Lane. She is also the author of the World War I novels No Graves As Yet, Shoulder the Sky, Angels in the Gloom, At Some Disputed Barricade, and We Shall Not Sleep, as well as six holiday novels, most recently A Christmas Grace. Anne Perry lives in Scotland.
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This is an excellent series, but it does have a very strong overall story arc. In order to follow all the characters fully begin at the beginning (Cater Street Hangman) and proceed in order. Characters from earlier stories do return, sometimes two or three novels later and with only minimal background information provided in the current novel to explain their significance. The novels are well worth the effort needed to read them in order and keep track of the ever expanding cast of characters. The mysteries are rather clever but the true attraction is the glimpses into various parts of Victorian society and the on going story of Charlotte and Thomas.
People keep discovering dead bodies. Not just any dead bodies though. These have been exhumed, are at least a couple of weeks dead, covered in soil and sitting in places like the driver's seat of a horse drawn cab or on top of a grave stone complete with a jaunty hat. Inspector Thomas Pitt does excellent work to discover the people responsible for this weird situation and the reason why it has occurred.
Meanwhile Charlotte is mostly at home looking after baby Jemima but she still uses her connections to find useful information for Thomas. She is also very smart and occasionally steers her husband in the right direction to progress his case.
I really enjoyed this one. It was short and snappy and the resurrected bodies were entertaining! Perhaps I have a strange sense of humour. I hope book five is as good.
This was my least favorite of the four books I've read. Anne Perry makes a point of presenting her stories by crossing over into all levels of Victorian London. This one concentrates on the inequities between those of the upper class and those who are the very poorest of the poor. We are given a thorough understanding of the sweatshops and workhouses which existed and how they impacted the lives of those who were forced to live in them. This book is 216 pages long. The discovering of the murder took place on page 141. That was much too long for me. I became disenchanted with the whole thing long before that. In this book, for me, the mystery took a back seat to the discussion of social conditions for the poor in Victorian London. I expect some social commentary from Anne Perry, that is one of the things I like so much about her books. This time, that is what took center stage.
When the book first began I had nothing but admiration for this authors creativity in having the "death" of the driver of the hansom cab turn into a riddle with no apparent solution. But one body led to another, one grave led to another, and I actually lost track of how many bodies and how many graves. To me, this book was a study of many characters, not a mystery at all. And the solution? I could not help but be disappointed. Not with who had committed the murder but with how the author had explained it all and honestly probably expected me to be satisfied.
I'm glad I read it. I don't agree with some reviewers though, I do think Charlotte had much more of a part in this story and that part seemed to come about in a much more natural manner. It happened because she was Pitts wife and he would have naturally talked to her about the case and she would have naturally asked him questions. I do wonder about the authors use of Charlotte's brother-in-law (since he had not remarried since the death of Charlotte's sister Sarah he was, technically, still a part of Charlotte's family) as a possible suspect and for him to be infatuated with Lord Fitzroy-Hammond's young widow. Maybe she used him to show that Charlotte has truly let go of that first, young love and now belongs completely to Pitt. I found it a stretch of coincidence that was a little hard to swallow.
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Inoltre mi trovo bene con la comprensione del testo, mi capita raramente di dovermi fermare per una frase.
Il vantaggio di leggere un autrice è quello di abituarsi alla sua scrittura e quindi di essere facilitati nel proseguire con le storie raccontate.