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A Producer's Broadway Journey

3.7 3.7 out of 5 stars 11 ratings

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It would be difficult, indeed, to imagine anyone more qualified to give us a celebration, from the perspective of an insider, of the Broadway musical. From the first run of Guys and Dolls in 1950 to the recent debut of Rent, Stuart Ostrow, a prot^D'eg^D'e of the great composer-lyricist Frank Loesser, has been personally involved in many of the major Broadway productions of our time. The steadily growing number of fans of the Great White Way will delight in his reminiscences about the shows that have shaped musical theater, such as Hello Dolly, Funny Girl, Man of LaMancha, Cabaret, 1776, and M. Butterfly―to name just a few.

Readers of
A Producer's Broadway Journey will certainly be entertained by Ostrow's behind-the-scenes anecdotes of Bob Fosse, Barbra Streisand, Betty Buckley, Cole Porter, Lerner and Loewe, Hal Prince, Ethel Merman, and many other legends encountered in his accomplished career. But in addition to the tales or re-writes, stand-ins, near-disasters, and moments of theatrical magic, the author also provides a unique historical perspective on almost half a century of the musical.

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Editorial Reviews

From Publishers Weekly

A man who has done everything on Broadway, Ostrow began as a prot?g? of composer-lyricist Frank Loesser, going on to direct (Meredith Willson's 1963 Here's Love), write (Stages, 1978) and, mostly, produce: 1776 (1969), Pippin (1972), M. Butterfly (1988). As other outlets for his energy, he also joined the University of Houston faculty and established the Musical Theatre Lab as "a safe place in which to experiment." The Lab brought professionals and students together for 27 productions, including Really Rosie by Maurice Sendak and Carole King. Here, Ostrow offers a celebration of the Broadway musical and "a meditation on what caused its decline," looking back over half a century of Broadway's best from 1950's Guys and Dolls all the way to Rent. Ostrow, has a penchant for brisk, tart sentences and pulls no punches, admitting that producing has entailed "a few bargains with the Angel of Death." In two startling pages, he explains how Scratch (1971), his effort to bring together "two American poets dramatizing folklore with song," collapsed: "It was a risky idea from the start, but when Bob Dylan betrayed us, 79-year-old Archibald MacLeish was devastated." He also divulges his role in the origins of Bob Fosse's 1979 movie All That Jazz. The project began as a collaboration, a "string quartet" about four characters. But when Ostrow fled the superficiality of Hollywood, Fosse turned it into a symphonic "extravaganza." Ostrow takes such delight in quoting his favorite lyrics that the small-type copyright list fills eight pages. Readers with their own Broadway recollections may wish a CD had been packaged along with this trove of tunes, dances and reminiscences. (July)
Copyright 1999 Reed Business Information, Inc.

From Library Journal

With an insider's perspective and understanding, Ostrow provides capsule insights into over 50 Broadway musicals from 1950 to 1998. The majority of the book focuses on the first two decades, with only four pages devoted to the 1990s. Ostrow's Broadway production credits include Pippin and 1776; he is now a professor of theater at the University of Houston. He uses a folksy, intimate writing style in this brief, selective history of American musical theater on Broadway, lamenting the lack of new original American musicals, the over-reliance on revivals of former hits, and the steep costs of mounting a musical. This is a compact but comprehensive overview of the major musicals of the later 20th century. The sparseness of the coverage and the lack of an index, though, make it a book to be read for pleasure, not research. Buy for demand or specialized collections.AJ. Sara Paulk, Coastal Plain Regional Lib., Tifton, GA
Copyright 1999 Reed Business Information, Inc.

Product details

  • ASIN ‏ : ‎ 0275958663
  • Publisher ‏ : ‎ Praeger (May 30, 1999)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 232 pages
  • ISBN-10 ‏ : ‎ 9780275958664
  • ISBN-13 ‏ : ‎ 978-0275958664
  • Item Weight ‏ : ‎ 1.25 pounds
  • Dimensions ‏ : ‎ 6.14 x 0.56 x 9.21 inches
  • Customer Reviews:
    3.7 3.7 out of 5 stars 11 ratings

About the author

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Stuart Ostrow
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Stuart Ostrow was Frank Loesser's apprentice and became the Vice President and General Manager of Frank Music Corp., and Frank Productions, Inc., the Broadway co-producers of: The Most Happy Fella, The Music Man, Greenwillow, and How To Succeed In Business With Really Trying.

As a solo producer, his many original award-winning Broadway and West End productions include: M. Butterfly, which won the Tony Award for Best Play, Pippin, and 1776, which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He also produced, The Apple Tree, produced and directed Here's Love, was the associate director of Chicago, and the author of Stages, on Broadway.

Mr. Ostrow established the Stuart Ostrow Foundation's Musical Theatre Lab in 1973; a non-profit, professional workshop for original musical theatre, the first of its kind. Since its inception the MTLab has presented 32 experimental new works, including The Robber Bridegroom, by Alfred Uhry and Robert Waldman, Really Rosie, by Maurice Sendak and Carole King, Up From Paradise, by Arthur Miller and Stanley Silverman, and Medea by Robert Wilson.

Stuart Ostrow is a trained musician, choral conductor-arranger, and clarinetist. He has served on the Board of Governors of The League of New York Theatres, the Advisory Committee of The New York Public Library, and the Board of Directors of the American National Theatre and Academy. He has also served on The Overseer's Committee to visit Harvard's Loeb Drama Center, and was a founding panel member of the Opera-Musical Theatre Program of the National Endowment for the Arts.

He produced the original Broadway production of La Bete, which also won the Olivier Award for Best Comedy, and was honored as Producer of the Year, by the National Alliance for Musical Theatre. He is the Distinguished University Professor of Theatre at the University of Houston, and the author of A Producer's Broadway Journey and Thank You Very Much (The Little Guide To Auditioning For The Musical Theatre.) His recent book Present At The Creation, Leaping In The Dark and Going Against The Grain: 1776, Pippin, M. Butterfly, La Bete & Other Broadway Adventures was voted one of the Top Ten Arts Books 2006 by Booklist. Mr. Ostrow has served as a member of the Pulitzer Prize Drama Jury, and is the Chairman of the Board of Trustees for the Institute for Advanced Study in Musical Theatre.

Customer reviews

3.7 out of 5 stars
3.7 out of 5
11 global ratings

Top reviews from the United States

Reviewed in the United States on March 2, 2011
I'm taking Theater 1331 with Mr. O he is awesome, a person you can learn a lot from, so far from what I have read in the book is similar to his lectures but he always have something new to say!!!
Reviewed in the United States on July 1, 2017
What could have been an in depth look into his hits & flops as a Producer is instead an envious look at other people's shows.

Dreadful and dull.
Reviewed in the United States on May 15, 2014
There was little in this book that was original or new. More about the shows that Stuart has been involved would have been much better.
Reviewed in the United States on September 15, 1999
I was very disappointed in this book. This so-called "producer's journey" included many anecdotes about shows with which the author was not even involved! Misspellings of peoples names and incorrect facts abound. He barely covered 1776, a seminal show that he should have many stories about. Read Ethan Mordden if you want provocative insight on Broadway musicals.
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