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Mad for Foucault: Rethinking the Foundations of Queer Theory (Gender and Culture Series)
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- ISBN-100231149182
- ISBN-13978-0231149181
- PublisherColumbia University Press
- Publication dateNovember 5, 2009
- LanguageEnglish
- Dimensions6 x 1 x 9.1 inches
- Print length376 pages
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Editorial Reviews
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About the Author
Product details
- Publisher : Columbia University Press (November 5, 2009)
- Language : English
- Hardcover : 376 pages
- ISBN-10 : 0231149182
- ISBN-13 : 978-0231149181
- Item Weight : 1.41 pounds
- Dimensions : 6 x 1 x 9.1 inches
- Best Sellers Rank: #10,507,092 in Books (See Top 100 in Books)
- #1,126 in Gay & Lesbian Studies
- #1,318 in Deconstructivist Philosophy
- #1,402 in Postmodernism Literary Criticism (Books)
- Customer Reviews:
About the author
Lynne Huffer (1960- ) is Samuel Candler Dobbs Professor of Women's, Gender, and Sexuality Studies at Emory University. She is the author of numerous books, including most recently a trilogy on eros in the work of Michel Foucault (Mad for Foucault, 2010), Are the Lips a Grave (2013), and Foucault's Strange Eros (2020), from Columbia University Press.
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In this deeply researched monograph, Huffer, in her moving lyrical prose, teaches us the value of revisiting all the major markers of queer studies with an eye on Foucault's most important work: History of Madness.
Huffer's main argument, and I am simplifying here, is that early queer theory relied heavily on Foucault's History of Sexuality Vol.1, but an altogether different Foucault can be retrieved and mobilized for queer studies if the scholars and students read Foucault's views on gender and sexuality in juxtaposition with his huge early work, History of Madness.
This is also a book about eros, about love: You cannot just read this book, You have to experience it!
I really wanted to give this book four or five stars because I do consider it really important, and I largely agree with many of the critiques made by the author. This is a book that needs to be read by the many people who mis-use Foucault, especially in queer theory. However, I also found the writing style to be highly problematic. Many times, the author takes several paragraphs to say something that could be said much more quickly, and discussions of the material tend to be rambling and loop around several times. As such, it is often hard to follow the argument - or sometimes even see the point the author is making in large sections of the book. Even though I have only given the book three stars, I would highly encourage others to read this - though they should know that it might be a less than pleasant experience.