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Harmonic Materials in Tonal Music: A Programmed Course, Part 1 10th Edition
There is a newer edition of this item:
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Created for introductory courses in basic music theory and harmonic practice, Part 1 of this self-paced, auto-instructional standalone text that comes in two volumes has become a “classic” in the field. Since the students work independently through the programmed format of the text, instructors can concentrate on the more creative aspects of their course. From the wealth of clearly laid-out lessons and exercises, students receive continual feedback and reinforcement as they work through the sequence at their own pace.
Note: A set of musical examples on compact discs is available with each of the volumes if you order the ISBN's listed below, .
ISBN 0205691056 / 9780205691050 Harmonic Materials in Tonal Music: A Programmed Course, Part 1 with Audio CD *
Package consists of:
0205629717 / 9780205629718 Harmonic Materials in Tonal Music: A Programmed Course, Part 1
0205629725 / 9780205629725 Audio CD for Harmonic Materials in Tonal Music, Part 1
ISBN 020563818X / 9780205638185 Harmonic Materials in Tonal Music: A Programmed Course, Part 2 with CD *
Package consists of
020562975X / 9780205629756 Harmonic Materials in Tonal Music: A Programmed Course, Part 2
0205629768 / 9780205629763 CD for Harmonic Materials in Tonal Music, Part 2
- ISBN-100205629717
- ISBN-13978-0205629718
- Edition10th
- PublisherPearson
- Publication dateJanuary 29, 2009
- LanguageEnglish
- Dimensions10.7 x 8.4 x 0.8 inches
- Print length390 pages
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Product details
- Publisher : Pearson; 10th edition (January 29, 2009)
- Language : English
- Paperback : 390 pages
- ISBN-10 : 0205629717
- ISBN-13 : 978-0205629718
- Item Weight : 2.2 pounds
- Dimensions : 10.7 x 8.4 x 0.8 inches
- Best Sellers Rank: #1,610,728 in Books (See Top 100 in Books)
- #183 in Gospel Music
- #1,475 in Music Reference (Books)
- #1,545 in Music Theory (Books)
- Customer Reviews:
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Greg A Steinke (1942 - ) is Former Chair, Departments of Art and Music, (The Joseph Naumes Endowed Chair in Music), also Associate Dean of Undergraduate Studies, Marylhurst University, Marylhurst, Oregon (retired, 6/15/01); Associate Director, Ernest Bloch Music Festival (‘93–97) and Director, Composers Symposium (‘90–97) (Newport, OR); Holds a B.M. degree from Oberlin Conservatory, a M.M. degree from Michigan State University, a M.F.A. degree from the University of Iowa, and a Ph.D. from Michigan State University. Articles on new oboe literature and music composition; revisions to the Paul Harder Harmonic Materials in Tonal Music, 6th-10th Ed., Basic Materials in Music Theory, 7th-13th Ed., Bridge to Twentieth-Century Music, Rev. Ed. for Pearson, and with H Owen Reed the Harder-Reed Basic Contrapuntal Techniques for Warner Bros. Pub.; and article, “Music for Dance: An Overview” in The Dance Has Many Faces, 3rd Ed., Ed. by Walter Sorell, a cappella books. Served as the National Chairman of the Society of Composers, Inc. (‘88–97) and currently national President of NACUSA (‘12–19); Board Member of NACUSA Cascadia. Composer of chamber and symphonic music with published/recorded works and performances across the US and internationally, speaker on interdisciplinary arts and oboe soloist specializing in contemporary music. Composition honors: Winner of Robert Avalon International Competition for Composers – ’12 (2nd place) ’14 (3rd place). Finalist in the America Prize in Composition Competition for (2012 Orchestra - Professional Division - ALL IN A MOMENT'S TIME for Viola and Orchestra);. ’13, ’14,’15 Chamber Music - Professional Division – EXPRESSIONS II for 2 Saxes, Two Perc. and Piano; SUSPENDED for Bsn. & Strings, RANDOM BLACKOUTS I for Baritone and Piano (4 Hands)). 2012 Bassoon Chamber Music Composition Competition winner (SUSPENDED for Bassoon & Strings); Winner of Con Vivo's Composers Competition (NATIVE AMERICAN NOTES (Image Music VI) for String Quartet); OMTA Composer of the year 2012–13; winner – ’15 of 10th NACUSA Texas Composition Competition for my TIP TOP TAP BALLROOM BONANZA ver. for Flute and Contrabass; Honorable Mention from Flute New Music Consortium 2015 Composition Contest for my IN MEMORIAM SACAJAWEA for Flute Quartet; Honorable Mention from Cortona Prize 2016 for my From ARGART for Soprano and Piano (‘16); Semi -Finalist in International Composition Competition “Maurice Ravel” Cat. B (’15), Cat. C (’16); INQUIETUDE for Solo Flute selected for RMN Classical CD (London), (’16). Recent commissions from the Delgani Quartet of Eugene, Or (From SONGS OF THE FIRE CIRCLES) and from Prof. Paul Reilly, guitarist of Ball State University (RANDOM BLACKOUTS IV for Tenor and Guitar)
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Robert I. Biederwolf. Professor Emeritus, U. Wisconsin.
If grammatical deficiencies persist after reading the above review, I would highly recommend Montessori Words & Phonics for Kids
<<Translated version>>
If you aren't a literary scholar, I would advise bringing a comprehensive dictionary, because this book uses the most random phrases I have yet to see in other places. If you want a good music theory course, I'd buy it, but just.... buy a dictionary people.... #webster