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Villette (Oxford World's Classics) New Edition
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- ISBN-100199536651
- ISBN-13978-0199536658
- EditionNew
- PublisherOxford University Press
- Publication dateJune 15, 2008
- LanguageEnglish
- Dimensions5 x 1.25 x 7.5 inches
- Print length538 pages
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Product details
- Publisher : Oxford University Press; New edition (June 15, 2008)
- Language : English
- Paperback : 538 pages
- ISBN-10 : 0199536651
- ISBN-13 : 978-0199536658
- Reading age : 13 years and up
- Item Weight : 14.4 ounces
- Dimensions : 5 x 1.25 x 7.5 inches
- Best Sellers Rank: #1,112,558 in Books (See Top 100 in Books)
- #313 in English Literature
- #1,026 in British & Irish Literature
- #4,281 in Literary Criticism & Theory
- Customer Reviews:
About the authors
General Press publishes high-quality POD books in almost all popular genres including Fiction, Nonfiction, Religion, Self-Help, Romance, Classics, etc.
Charlotte Brontë was born at Thornton, Yorkshire in 1816, the third child of Patrick and Maria Brontë. Her father was perpetual curate of Haworth, Yorkshire from 1820 until his death in 1861. Her mother died in 1821, leaving five daughters and a son. Charlotte was employed as a teacher from 1835 to 1838, was subsequently a governess, and in 1842 went with her sister Emily to study languages in Brussels, where during 1843 she again worked as a teacher. Charlotte’s first novel, The Professor, was rejected by several publishers and was not published until 1857. Jane Eyre was published in 1847 and achieved immediate success. In 1848 Branwell Brontë died, as did Emily before the end of the same year, and Anne in the following summer, so that Charlotte alone survived of the six children. Charlotte married in 1854 the Revd A. B Nicholls, her father’s curate, but died in March 1855.
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Top reviews from the United States
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I read this because I enjoyed Jane Eyre and wanted a similar thing, but different. Villette didn't disappoint. While some plot patterns and character themes are similar to those used in Jane Eyre, Villette is a completely different thing. I had a blast!
Charlotte has full mastery of the language. No wonder her works are listed among the classics. She has no trouble expressing herself, and offers many insights into the human trials which are still relevant today. But what makes Villette truly fascinating is the protagonist, Lucy Snowe.
This is a romance story like no other. Lucy tries for human intimacy twice, loses both times. The odds are against her; her fate is written from the start. The ending isn't really ambiguous. The narrator states quite clearly what happened, then tells those who can't handle it to imagine their own happy ending, if they're so inclined.
When Dr. John was first introduced, I recognized him as a romantic interest and was pleasantly surprised that he was handsome. This is a step up, I thought, from Jane Eyre, where the narrator thought that handsome men are just too divine for her. Her self-esteem must be improving.
What can I say? At that point, I didn't yet realize that Lucy was born to suffer.
She resents that Graham can't see past her plain features to appreciate the treasure of her true inner self. But how could he appreciate what was denied him? She hid her true feelings from him, from the world, and from the readers. The narrator conceals facts - vital facts. Whenever she feels strongly, she becomes mute.
The story sometimes dragged and often got depressing, but it was all worth it for the ending. The narrator briefly outlines what happened to the main cast of the story - to her adversaries. They lived a long, prosperous life. She says not a word about Lucy, and that silence is loud and funeral. Lucy, who did her best to challenge fate, and this time the defeat was absolute. Once again, she becomes silent, this time to never speak again. Mutely she draws a black curtain over the ending.
Because, the writer wants us to know, some people are destined for happiness. And some people are just born to suffer. Better luck next life, Lucy Snowe.
To begin, have a French translation device close by if you do not speak that language, because you will need to translate at least one sentence, if not whole paragraphs, for most pages. (Not a problem for educated Victorian readers, I am sure, but modern American readers may lose key points of conversation without a working knowledge of French). Secondly, this novel is very flowery (literally) and poetic in its descriptions. The French enhances its charm. It is a very scholarly work, with lovely images and interesting styles of covert communication and thought, along with a great deal of symbolism, in a very romantic, Victorian style. Third, the reader should be prepared to spend some time re-reading in places, to fully understand the characters and events. There will be Victorian curiosities to grasp, and also a need to be acquainted with Victorian French-Catholic and Anglican beliefs in order to fully understand the characters' angst. On a good note, Bronte reminds me of Scheherazade, spinning only forty-two cliff-hangers instead of a thousand and one, but adroitly keeping her reader plunging forward into the next chapter to find answers to all the points of interest. I docked it one star because of the slight confusion that seems to come at times from managing such a large cast of characters, and consequently, some inconsistencies. M. Paul's character in particular seems inconsistent - almost Jekyll-Hyde in my opinion, from the person first introduced to the one we see later, but in a reverse, Hyde-Jekyll way. I'm not sure I'll return to this one as I have Jane Eyre, but it was worth it for one reading.
Top reviews from other countries
Apesar de tudo é um bom livro. Só esperava mais mesmo por conta de ser uma obra autobiográfica, acredito que eu tenha criado expectativas. Enfim, leiam. Tendo em mente é claro, o que eu falei encima. Jane Eyre ganha disparado em meu coração! ❤️
Reviewed in Spain on January 29, 2024
Reviewed in India on January 30, 2019
Lucy ist eine gut erzogene junge Frau, die als verarmte Waise selbst ihr Geld verdienen muss. Sie wagt sich aus England nach Frankreich und wird dort Lehrerin in einer Mädchenschule in der kleinen Stadt Villette. Dort behauptet sie sich sowohl gegenüber der intriganten Schulleiterin als auch gegenüber den gedankenlosen und boshaften Schülerinnen. Aus dem freudlosen Dasein, dass sie in Depressionen stürzt, wird sie durch ihre Patin gerettet, die sie freundschaftlich unterstützt. Nachdem ihre Liebe zum Sohn ihrer Patin enttäuscht wird, wendet sich Lucy dem deutlich älteren, exzentrischen Monsieur Paul Emanuel zu, der ebenfalls Lehrer ist. Diese Beziehung, die platonisch und teilweise sehr prosaisch ist, steht ebenfalls unter keinem guten Stern, denn das Paar trennen der Glaube, eine eifersüchtige Verwandtschaft und auch das jeweilige Temperament. Wie immer bei Charlotte Bronte steht die Entwicklung der Hauptfigur, die als Ich-Erzählerin auftritt, im Mittelpunkt. Sie ist, auch das typisch für die Autorin, ein bißchen "trocken-brötchen-haft", sehr diszipliniert, protestantisch und prosaisch, aber zum Glück trotzdem mit tiefen Gefühlen, viel Mut und einem starken Willen, selbst bestimmt und zufrieden zu leben, ausgestattet. Sie lässt sich weder durch persönliche Enttäuschungen noch durch die Hindernisse, die missgünstige Mitmenschen ihr in den Weg stellen, unter kriegen, auch wenn sie manchmal vor Kummer und Angst fast vergeht. Vielmehr beharrt sie auf ihrer Selbständigkeit, ihrer Meinung und ihrem Glauben. Lucy Snowe ist eine sehr moderne Heldin, die nicht nur für sich selber sorgt, sondern trotz aller Sehnsucht nach einer Liebesbeziehung nie die Vernunft und den Stolz ausschaltet.
Bronte erzählt wie immer psychologisch versiert und spannend. Ihre Heldin ist realistisch und manchmal sehr witzig und die Nebenfiguren sind liebevoll und mit einer großen Tiefe gezeichnet. Damit ist das Buch eine schöne Schilderung der gutbürgerlichen Gesellschaft und der Situation junger, mittelloser Frauen in England und Frankreich am Anfang des 19. Jhd. Daneben ist es ein brillantes Psychogramm einer klugen Frau. Besonders an diesem Roman aber sind die theologischen Ausflüge, die Charlotte Bronte einbaut. Lucy Snowe ist eine überzeugte, aber unaufgeregte Protestantin, während Paul Emanuel ein Jesuitenschüler und tiefgläubiger Katholik ist, der zudem dem intensiven Einfluss eines nicht ganz selbstlosen Beichtvaters ausgesetzt ist. In Lucys Gedanken findet ein umfassender Vergleich der beiden Konfessionen statt, der (nicht sehr überraschend) nicht zugunsten Roms ausgeht. Dabei bleibt Bronte durchaus fair und lässt sich nie auf die Ebene der Religionsbeschimpfung herab. Und sie findet eine Möglichkeit, eine solche Beziehung trotzdem zu ermöglichen. Für die Entstehungszeit des Romans mE eine große Leistung.
Vielleicht der beste Roman von Charlotte Bronte, der aber mindestens aus dem Niveau von Jane Eyre steht.