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Coming up Roses: The Broadway Musical in the 1950s Paperback – November 26, 2000
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With loving detail, Mordden highlights the shift in Broadway from shows that were mere star vehicles, showcasing a big-name talent, to the bolder stories, stuffed with character and atmosphere. During this period, subject matter became more intricate, even controversial, and plots more human and complex; Mordden demonstrates how, in response, musical conventions were polished, writing became more finely crafted, and dance became truly indispensable. Along the way we meet the key players: such greats as Ethel Merman, George Abbott, Jerome Robbins, Gwen Verdon, Bob Fosse, Stephen Sondheim, Frank Loesser, Cole Porter, Leonard Bernstein, and many others. We get the backstage scoop on why Guys and Dolls is so well-made, why West Side Story is so timeless, why The King and I and Gypsy pushed the envelope, and why no one ever talks about Ankles Aweigh. All this is peppered with a dash of industry gossip--the directorial struggles, last-minute script rewrites and cast replacements, the power of the poster listings--that made Broadway so nerve-wrackingly vibrant.
This passionate and informed study illuminates a crucial period in American musical theater and shows us the origins of many of the musicals recently revived to huge success on Broadway.
- Print length272 pages
- LanguageEnglish
- PublisherOxford University Press
- Publication dateNovember 26, 2000
- Dimensions8.03 x 0.58 x 5.35 inches
- ISBN-100195140583
- ISBN-13978-0195140583
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- Publisher : Oxford University Press (November 26, 2000)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 0195140583
- ISBN-13 : 978-0195140583
- Item Weight : 8.8 ounces
- Dimensions : 8.03 x 0.58 x 5.35 inches
- Best Sellers Rank: #3,121,618 in Books (See Top 100 in Books)
- #1,099 in Broadway & Musicals (Books)
- #1,231 in Musicals (Books)
- #1,595 in Performing Arts History & Criticism
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Critic/novelist Ethan Mordden has given us a great gift in this series of books that detail the most prolific Broadway decades of the 20th Century and COMING UP ROSES is, in my opinion, the best of them. Mordden has a great knack for melding the history of top musicals from composition to performance and after-life with enchanting backstage details and a sharp eye for libretti as literature. "Mama Rose" in GYPSY, for example, has been analyzed for years as a dominating, smother-mother; Mordden goes beyond the first-stage Freudianism to reveal just how primal and scary the woman was. I can recommend this book without recommendation to any fan of Broadway musicals, even film musicals, and postwar American culture in general.
This particular volume was especially upbeat in that the 1950's saw musical theatre rise to the top of its form and popularity. I grew up listening to cast albums and Broadway songbooks sung by some of the greatest singers. Even so, I have uncovered so much new history here and uncovered many new show titles. (I even started buying some CDs of shows I had never heard - or heard of - before!) Mordden is anything but unbiased in his praise and putdowns: some true Broadway icons get smacked around a lot. (Watch out, George Abbott fans!) But he still provides a wonderful description of many shows, classic and now forgotten, from inception to reception. I'm very grateful to Mordden for providing the modern reading audience, as well as those of us in foreign climes (California) who never got to attend a Broadway opening night, with his rich and funny take on the history of musical theatre.
Mordden is thorough. He's also a wonderful writer who doesn't let
your interest in what he's saying fall away.
He's of course opinionated, and one can't help wondering how he formed
such well-defined evaluations - I mean, he didn't see ALL of those shows,
did he?
But it doesn't matter. His breezy writing style carries us along, and one
prefers not to doubt his knowledge of the subject. This is a writer very
much in charge of his material.