What the Night Knows »

Amazingly prolific and relentlessly suspenseful, Dean Koontz can be counted on for chilling, sometimes gory stories that occasionally overlap genres. His novels can jump from straightforward crime to sci-fi to horror, but the one thing he's consistent about is delivering nail-biting yarns that have kept fans reading for more than three decades.

In the late summer of a long ago year, a killer arrived in a small city. His name was Alton Turner Blackwood, and in the space of a few months he brutally murdered four families. His savage spree ended only when he himself was killed by the last survivor of the last family, a fourteen-year-old boy.

Half a continent away and two decades later, someone is murdering families again, recreating in detail Blackwood’s crimes. Homicide detective John Calvino is certain that his own family—his wife and three children—will be targets in the fourth crime, just as his parents and sisters were victims on that distant night when he was fourteen and killed their slayer.

As a detective, John is a man of reason who deals in cold facts. But an extraordinary experience convinces him that sometimes death is not a one-way journey, that sometimes the dead return.

Here is ghost story like no other you have read. In the Calvinos, Dean Koontz brings to life a family that might be your own, in a war for their survival against an adversary more malevolent than any he has yet created, with their own home the battleground. Of all his acclaimed novels, none exceeds What the Night Knows in power, in chilling suspense, and in sheer mesmerizing storytelling.

Publishers Weekly

In this less than suspenseful supernatural thriller from Koontz (Breathless), 14-year-old Billy Lucas's inexplicable slaughter of his entire family awakens the fears of homicide detective John Calvino, who as a child was the sole survivor of a similar family massacre. Though Calvino slayed the fiend who did the deed, he has always worried that the killings were demonic in nature and that the evil spirit responsible would return and harm his wife and three children. Sure enough, after Calvino visits the psychiatric ward where Lucas is held, something starts to haunt every member of his close-knit clan, though improbably and conveniently they all fail to share this disturbing development with each other. The detective believes he has a deadline to thwart the force bent on repeating the earlier murders. The terror level never reaches that of similarly themed works such as the movie Fallen. Clunky prose (e.g., Andy Tane, a cop, "is figuratively and literally a horse") doesn't help. (Jan.)