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Few authors have tapped into our secret fears as adeptly as Stephen King, Master of the Macabre and one of the most widely read novelists writing today. With his trademark blend of fantasy, horror, and psychological suspense, this prolific and immensely popular contemporary writer continues to remind us that evil is still a potent force in the world.

FIRST TIME ON AUDIO...

An Unabridged Novella Unavailable In Any Collection!

Tapping into our primal fears of modern technology that made Cell a #1 bestseller, Stephen King sets his sights on the latest high-tech gadget in UR, in which a mysterious e-book reader opens a disturbing window into other worlds.

Reeling from a painful break-up, English instructor and avid book lover Wesley Smith is haunted by his ex-girlfriend's parting shot: "Why can't you just read off the computer like everyone else?" He buys an e-book reader out of spite, but soon finds he can use the device to glimpse realities he had never before imagined, discovering literary riches beyond his wildest dreams...and all-too-human tragedies that surpass his most terrible nightmares.

From vintage cars (Christine and From a Buick 8) to household appliances (Maximum Overdrive) to exercise equipment (Stationary Bike), Stephen King has mesmerized us with tales of apparently ordinary machines that take on lives of their own. UR gives this classic theme an up-to-the-minute spin, resulting in a horror masterpiece for our time and for the ages.

Publishers Weekly

Wesley Smith buys an Amazon Kindle to keep his mind off his recent nasty breakup, but he finds that his version is no ordinary e-reading device. Smith's Kindle has a special “Ur” option, which reveals the future and all the works his favorite authors have written in parallel dimensions. However, when the Ur delivers news of terrible events on the way, Smith must decide if he should interfere in fate. While King can certainly spin a good story, the Amazon Kindle focus (the story was written exclusively for and can only be read on an Amazon Kindle) keeps this one feeling like an advertising gimmick. While listeners can easily follow Holter Graham's narration, his style and projection aren't particularly impressive. He is consistent with his characterizations, but his light nasal voice lacks energy and momentum, and given that King's voice is quite similar to Graham's and King can narrate just as well, it seems unnecessary to have enlisted Graham, whose performance adds little additional flare. (Feb.)