The Year's Best Dark Fantasy and Horror: 2010 Edition »

Kelley Armstrong is the New York Times bestselling author of the Women of the Otherworld series. She has been telling stories since before she could write. Her earliest written efforts were disastrous. If asked for a story about girls and dolls, hers would invariably feature undead girls and evil dolls, much to her teachers’ dismay. All efforts to make her produce “normal” stories failed. Today she continues to spin tales of ghosts and demons and werewolves while safely locked in her basement writing-dungeon.

Darkness surrounds us. We can find darkness anywhere: in a strange green stone etched with mysterious symbols; at a small town's annual picnic; in a ghostly house that is easy to enter but not so easy to leave; behind the dumpster in the alley where a harpy lives; in The Nowhere, a place where car keys, toys, people disappear to; among Polar explorers; and, most definitely, within ourselves. Darkness flies from mysterious crates; surrounds children whose nightlights have vanished; and flickers between us at the movie theater. Darkness crawls from the past and is waiting in our future; and there's always a chance that Halloween really is a door opening directly into endless shadow. Welcome to the dark. You may never want to leave.
This inaugural volume of the year's best dark fantasy and horror features more than 500 pages of dark tales from some of today's finest writers of the fantastique. Chosen from a variety of sources, these stories are as eclectic and varied as the genre itself.

Publishers Weekly

With this collection of 39 stories originally published in 2009, Guran (Zombies: The Recent Dead) creates an expansive definition of the genre, ranging from overtly fantastic to (mostly) realistic and from the hilarity of Seth Fried's Pushcart Prize winning "Frost Mountain Picnic Massacre" to the tender terror of Margo Lanagan's novella "Sea-Hearts." Nods to classics abound: Suzy McKee Charnas's futuristic "Lowland Sea" retells a Poe story of plague, Michael Shea's "Copping Squid" evokes Lovecraft's Cthulhu, Sarah Monette's "White Charles" channels M.R. James, and Catherynne M. Valente's "A Delicate Architecture" revisits the Brothers Grimm. Others play on present-day pop culture, such as Peter Straub's "Variations of a Theme from Seinfeld." Many tales tackle themes of objectification, abuse, and destroyed innocence, cutting straight to the reader's heart. (Jan.)