The Night Bookmobile »

An instructor at Columbia College s Center for Book and Paper Arts in Chicago, Audrey Niffenegger teaches her students how to print type on letterpresses and craft limited-edition books by hand. In addition to her bestselling debut novel, The Time Traveler s Wife which was a Barnes & Noble Discover Great New Writers Selection, she is the author of two illustrated novels, The Three Incestuous Sisters and The Adventuress .

Audrey Niffenegger, the New York Times bestselling author of The Time Traveler’s Wife and Her Fearful Symmetry, has crafted her first graphic novel after the success of her two critically acclaimed “novels-in-pictures.” First serialized as a weekly column in the UK’s Guardian newspaper, The Night Bookmobile tells the story of a wistful woman who one night encounters a mysterious disappearing library on wheels that contains every book she has ever read. Seeing her history and most intimate self in this library, she embarks on a search for the bookmobile. But her search turns into an obsession, as she longs to be reunited with her own collection and memories.

The Night Bookmobile is a haunting tale of both transcendence and the passion for books, and features the evocative full-color pen-and-ink work of one of the world’s most beloved storytellers.

Publishers Weekly

Novelist and visual artist Niffenegger brings the dark dreaminess that characterized her bestselling novels to her first full-length graphic novel. After a fight with her boyfriend one night, Alexandra goes for a walk and comes upon a bookmobile. When she goes inside to look at the books, she discovers that it’s a library of her own reading history; every book she’s ever read, including her diary, is on the shelf. As her life continues, she searches for the bookmobile, but years go by before she finds it again. Meanwhile she becomes a librarian and a loner, eventually deciding that she wants to work in the bookmobile, though the price for doing so is high. Niffenegger’s full-color art has a naïve tone, with sometimes stiff figures, and text written in childlike script. The simplicity of the images contrasts with sophisticated page layouts in which she plays with panels and perspective. The story was originally serialized in the Guardian, and in an afterword, Niffenegger reveals that the book is the first volume in a larger project. At heart this romantic, melancholy tale is a paean to reading and to the life one person lives through books. (Sept.)