Stranger in a Strange Land » (Reissue)

A science fiction pioneer, Robert A. Heinlein wrote popular stories that doubled as vessels for his political and cultural observations. In classics such as Stranger in a Strange Land and Starship Troopers, Heinlein blended suspenseful adventure with (sometimes controversial) visions of alternate worlds.

In the 1960s, the first science-fiction title to appear on The New York Times Book Review 's best-seller list.

Valentine Michael Smith is the stranger. A young human, reared by Martians on Mars, he is brought to Earth where he must adapt not only to the planet's social injustices and its population's foibles, but to its strong gravitational field and rich atmosphere.

Gale Research

Stranger in a Strange Land was, David N. Samuelson wrote inCritical Encounters: Writers and Themes in Science Fiction, "in some ways emblematic of the Sixties. . . . It fit the iconoclastic mood of the time, attacking human folly under several guises, especially in the person or persons of the Establishment: government, the military, organized religion. By many of its readers, too, it was taken to advocate a religion of love, and of incalculable power, which could revolutionize human affairs and bring about an apocalyptic change, presumably for the better." Robert Scholes and Eric S. Rabkin wrote in their Science Fiction: History, Science, Vision that "the values of the sixties could hardly have found a more congenial expression."