Lolita » (Reissue)

Readers of Vladimir Nabokov's books might be slightly uncomfortable with them, were they not so awe-inspiring. Nabokov had a penchant for writing about the tragic and the taboo; but his erudite, inventive approach to narration -- buttressed by his formidable academic and cultural intellect -- made him a literary legend.

When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov's wise, ironic, elegant masterpiece owes its stature as one of the twentieth century's novels of record not to the controversy its material aroused but to its author's use of that material to tell a love story almost shocking in its beauty and tenderness.

Awe and exhilaration--along with heartbreak and mordant wit--abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation.

NY Times Book Review Sunday, August 17, 1958 - Elizabeth Janeway

[Lolita's] illicit nature will both shock the reader into paying attention and prevent sentimentally false sympathy from distorting his judgment. Contrariwise, I believe, Mr. Nabokov is slyly exploiting the American emphasis on the attraction of youth and the importance devoted to the teen-ager in order to promote an unconscious identification with Humbert s agonies. Both techniques are entirely valid. But neither, I hope, will obscure the purpose of the device: namely, to underline the essential, inefficient, painstaking and pain-giving selfishness of all passion, all greed—of all urges, whatever they may be, that insist on being satisfied without regard to the effect their satisfaction has upon the outside world. Humbert is all of us.